blooteling abraham (22 Ergebnisse)

Zustand: New. pp. 352.

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Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In Latin.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Bücher zählen bis heute zu den wichtigsten kulturellen Errungenschaften der Menschheit. Ihre Erfindung war mit der Einführung des Buchdrucks ähnlich bedeutsam wie des Internets: Erstmals wurde eine massenweise Weitergabe von Informationen möglich. Bildung, Wissenschaft, Forschung, aber auch die Unterhaltung wurde auf neuartige, technisch wie inhaltlich revolutionäre Basis gestellt. Bücher verändern die Gesellschaft bei heute.Die technischen Möglichkeiten des Massen-Buchdrucks führten zu einem radikalen Zuwachs an Titeln im 18. Und 19 Jahrhundert. Dennoch waren die Rahmenbedingungen immer noch ganz andere als heute: Wer damals ein Buch schrieb, verfasste oftmals ein Lebenswerk. Dies spiegelt sich in der hohen Qualität alter Bücher wider.Leider altern Bücher. Papier ist nicht für die Ewigkeit gemacht. Daher haben wir es uns zur Aufgabe gemacht, das zu Buch gebrachte Wissen der Menschheit zu konservieren und alte Bücher in möglichst hoher Qualität zu niedrigen Preisen verfügbar zu machen.

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Taschenbuch. Zustand: Neu. Verzeichnis seiner Kupferstiche und Schabkunstblatter | Abraham Blooteling | Taschenbuch | Deutsch | Inktank-Publishing | EAN 9783747711255 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Zustand: New.

Jan de Baen (illustrator). 'CORNELIS DE WIT, RUWARD VAN DEN LANDE VAN PUTTEN &C / J DE BANE PINXIT / A BLOOTELING FECIT'Striking mezzotint portrait of Cornelis de Witt, Ruwaard van Putten, a key political figure during the Dutch Golden Age. Executed by Abraham Blooteling, a pioneering Dutch mezzotint engraver, after the painting by Jan de Baen. A strong impression, printed on laid paper, with good tonal range. The original painting is held in the Rijksmuseum, Amsterdam.Made by Abraham Blooteling after Jan de Baen.Medium: Mezzotint engraving on hand laid (verge) paper.Sheet size: 24.5 x 30 cm (9.65 x 11.81 inch). Image size: 21.8 x 27.3 cm. (8.58 x 10.75 inch).CORNELIS DE WITT, DUTCH REPUBLIC, DE BAEN, BLOOTELING, MEZZOTINT, DUTCH GOLDEN AGE, POLITICS | PCO-E22-43BACKGROUND INFORMATIONAfter the painting by Jan de Baen that is displayed in the Rijksmuseum, Amsterdam.Reference: Hollstein 199.III; Muller II 6159.Biography engraver: Abraham Blooteling (1640-1690) was a Dutch engraver and printmaker, one of the first to use mezzotint technique in the Netherlands and England.Biography artist: Jan de Baen (1633-1702) was a leading Dutch portrait painter of the late 17th century, known for depictions of political and intellectual elites. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

copper engraving. 343 x 254 (image) (sheet: 350 x 261 mm.). signed & dated in the plate. A good dark impression on slightly thick laid paper (mounting tape on verso). Provenance: rubberstamp in lower right corner of Friedrich August II [1797-1854]. Fourth State (of 5). The Dutch engraver and mezzotinter Blooteling was a pupil of Cornelis van Dalen and probably worked with Cornelis Visscher. He is credited with the invention of the rocker as a tool in the preparation of mezzotint plates and with the introduction of the technique into England. Hollstein 3.

Extraordinary rare first state of a very fine print series of the Honselaarsdijk palace and gardens at Honselersdijk (near Naaldwijk), complete with all 16 views. They are all signed, numbered, and captioned in Dutch, and have been coloured by hand. We have not been able to find any other copies of the complete series in the first state.The monumental palace of Honselaarsdijk was built between 1621 and 1647 on the orders of the stadholder Frederik Hendrik (1584-1647), who - together with his wife Amalia van Solms, and in the context of their ambition to enhance the position and power of the House of the Dutch stadholder, possibly to a Royal status - was involved in a project to build a number of new prestigious castles and manor houses in and around The Hague (Huis Ten Bosch, Rijswijk, and Honselaarsdijk), as well in the country (Soestdijk, Het Loo, Dieren, etc.). He financed the building of Honselaarsdijk mainly with the money coming from the "Silverfleet", captured from the Spaniards by Piet Hein in 1629. A number of important architects were involved with the Honselaarsdijk-project, among others the famous Jacob van Campen (1596-1657) and Pieter Post (1608-1669). French garden architects were hired for designing the gardens. King William III further embellished the gardens under the direction of the architect Jacob Roman (1640-1716). As early as 1671 William III was personally involved with the rebuilding of the water supply system at Honselaarsdijk, as evidenced by a letter of Christiaan Huygens to his brother Lodewijk. The palace later became known as "Little Versailles". After the death of William III in 1702, the estate was neglected and ultimately demolished in 1815. All that still remains is a part of the garden and parts of the coach-houses.Abraham Blooteling (1640-1690), a pupil of Cornelis Van Dalen II (1636-1664), was a Dutch engraver, draughtsman, and print seller. His dated prints begin to appear in 1665, and they include portraits, biblical, mythological and genre subjects, as well as six views of Amsterdam after Jacob van Ruisdael, and two of the Jewish burial-ground in Ouderkerk (1670, also after van Ruisdael). From 1672-78 he worked in London with Gerard Valck. His major contribution was in the development of the new technique of mezzotint, specifically, the invention of the rocker, the tool used in the technique. In England the technique was adopted with such success that it later became known as the "English Manner". Blooteling was again in Amsterdam by September 1678, when he acted as godfather to his nephew Abraham Valck, but he kept up his contacts with London.Between 1681 and 1685 his presence in The Hague is recorded. During these years he engraved a major view of Honselaarsdijk (385 x 482 mm) after the design by Abraham Begheyn, alias Bega (1637-1697). It is likely that he engraved our 16 views in the same year, probably also after the drawings by Abraham Bega. However, both the 16 views and the bird's eye view are now exceptionally rare. In fact, the present 16 views were until now only known in their second state, the reissue by Gerard Valck (1651/2-1726) in his Veues et perspectives de Loo, Honslardyck et Soestdyck, chasteau & maison de plaisance du Roy de la Grande Bretagne (1695). The views in the second state are numbered differently and lack Blooteling's name.Some of the views have been cut a few millimetres short on the right hand side, two of the blank leaves with a crease and two pinprick holes in the bottom margin. Otherwise a fine hand coloured copy.l Hunt & de Jong, The Anglo-Dutch garden, pp. 136-7; cf. Hollstein II, p. 216, no. 117 (bird's eye view of Honselaarsdijk by Blooteling after A. Bega dated 1683) & XXI, p. 267, nos. 95-16 (same print-series by G. Valck dated 1695); Thieme/ Becker IV, pp. 139-40; not in Springer. Modern half vellum, floral chintz paper sides. With 16 numbered engraved views (ca. 13 x 16 cm) tipped onto blank leaves (17 x 23 cm), all hand coloured. Pages: [16] ll. with engravings.

Seltener prächtiger Kupferstich von Abraham Blooteling (1634-1690) nach Gerard de Lairesse (1640-1711). Aus Blaeu's Städtebuch von Piemont-Savoyen: "Novum theatrum Pedemonti et Sabaudiae". Aus der Ausgabe von 1726. -- Blatt-Maße: ca. 55 x 33 cm. -- mit kleinem Rostfleck, sonst gut erhalten. || Beautiful rare engraving by Abraham Blooteling (1634-1690) after Gerard de Lairesse (1640-1711); out of the 1726 edition of Blaeu's work: "Novum theatrum Pedemonti et Sabaudiae". -- with a small rust stain, otherwise in good condition. || Bella rara incisione tratta dall'edizione del 1726 del libro di Blaeu: "Novum theatrum Pedemonti et Sabaudiae". -- in buone condizioni. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 1550.

11,3 x 10,4 cm. Gut erhalten.

Portrait of Constantijn Huygens (1596-1687), poet, half-length in oval, wearing a flat-cap and white collar. After a painting at the Rijksmuseum, inv. SK-A-292.Titled above on the oval frame: CONSTANTER.Signed below: Netscher Pinx / A. Blotelingh sculp.[NL] Borstbeeld van Constantijn Huygens (1596-1687) heer van Zuylichem, secretaris van Frederik Hendrik, Willem II en Willem III, en dichter, in ovaal. Naar een schilderij uit de collectie van het Rijksmuseum, SK-A-292.Constantijn Huygens heeft een enorme veelzijdigheid aan de dag gelegd. Niet alleen was hij de trouwe dienaar van drie prinsen, ook was hij een groot dichter, begaafd schilder, componist, musicus en een toegewijd vader. Hij kende zijn talen en zag veel van Europa.Huygens verkeerde in de hoogste bestuurlijke kringen, maar maakte tegelijkertijd ook deel uit van de culturele elite. Hij had een groot aandeel in het ontwerp van zijn eigen huis, was de 'ontdekker' van Rembrandt en onderhield contacten met grote denkers als Spinoza en Descartes. Constantijn Huygens had kortom veel weg van het toenmalige humanistische ideaalbeeld van de homo universalis. Die internationale oriëntatie vinden we ook terug in zijn poëzie, die anders was dan de gedichten die tot dan in Nederland werden geschreven, zoals de gedichten van Cats. Zijn gedichten waren vol dubbelzinnigheden, onverwachte gedachtensprongen en onalledaagse metaforen.Geboren te Den Haag in op 4 september 1596Overleden te Den Haag op 28 maart 1687. Engraving on paper, trimmed within plate mark; total: 224 x 176 mm; state II/2; overall in good condition. Hollstein 22, Muller 2680.          .

Portrait of Frans Mieris, half-length standing almost in profile to left, looking to front, his hand resting on his waist, a cloak worn around his shoulders, part of a classical building to right and others in the distance.Inscribed below: Dus kon FRANS MIERIS . / . zou bien.Signed: F.v.Mieris delin. / A. Blooteling Fecit et exc. / W. v. Heemskerk.After a self-portrait drawing by Frans van Mieris in the British Museum, inv. 1854,0628.17.[NL] Portret van de schilder Frans van Mieris met de hand in de zij. Op de achtergrond de contouren van een stad. Antieke prent door Abraham Blooteling. Mezzotint on laid paper, with some margin; total: 228 x 157 mm; state II/2, bottom left corner missing, just outside the plate mark; folding traces, otherwise in good condition; mounted on fine paper passepartout. New Hollstein 185.

Portrait of Admiral Cornelis Tromp (1629-1691), bust turned slightly to the right, facing viewer; wearing a neckerchief and an embroidered sash; within laurel oval on a pedestal with coat of arms below. After a painting by Peter Lely.Under the portrait is the coat of arms of the sitter, with motto: Fortes Creantur Fortibus.Lettered on pedestal with five lines of Dutch description: d. ed. H. Cornelis . / . / . Maÿesteÿt Van Deenemarcke.Signed and dated: P. Lelij Pinxit./ A. Blooteling. Sculp. et ex. 1676.Dutch admiral and second son of the Admiral Martin Van Tromp. He visited England in 1675 when he was created a baronet by Charles II.[NL] Portret van Admiraal Cornelis Tromp; luitenant-admiraal van Holland en West-Friesland.; Admiraal-generaal en admiraliteitsraad van Denemarken, drager van de Orde van de Witte Olifant. Portret in ovaal met lijst in vorm van samengebonden lauwerkrans, boven plint. Gemaakt door Blooteling naar Lely. Gemerkt linksonder: 'P.Lelij, Pinxit.' Gemerkt rechtsonder: 'A, Blooteling, Sculp, et, ex, 1676.' Onderschrift in sierletters (ter weerszijden van wapen): 'd Ed. H/r CORNELIS TROMP Ridder / Baronnet L' Admirael van Hollandt en / West-vrieslandt DomHeer tot Uytrecht / Admirael Generael en Secrete Raedt van / Sijn Conincklijcke Maije: steijt van Deenemarcke.' Opschrift (wapenspreuk op banderol): 'FORTES / CREANTUR / FORTIBUS'. Engraving on laid paper, cut on plate mark; total: 456 x 318 mm; somewhat aging paper, some smudges due to handling, traces of folding, some hanwritten notes on verso, though overall in good condition; traces of previous mounting on verso. Hollstein 49, Muller 5419.

Portrait of Constantijn Huygens (1596-1687), bust to right in an oval, wearing a flat-cap and black coat and white collar; coat of arms below; second state with lettering.Secretary (and artistic advisor) to the stadholder Frederik Hendrik at The Hague from 1625, and of his successor William II. He followed his father in this role, and was succeeded in it by his son of the same name. His mother was the sister of the artist Jacob Hoefnagel. A diplomat (knighted by James I) poet, composer and patron of the arts, and one of the earliest recognisers of the talent of Rembrandt.Inscribed on oval frame: CONSTANTINUS HUGENIUS. EQU. ZULICHEMI, ZEELHEMI ETC. TOP. CONCILII RATIONUMQ[UE] SEREN.MI PRINCIPIS ARAUSII PRAESES. AETAT. ANNO XC.Signed: B. Vaillant delin. / A. Blooteling Fecit Excudit cum Privil Holl et Westfrisiae.Together with Johan Braakensiek (1858-1940) lithography portrait.[NL] Portret van Constantijn Huygens, dichter, secretaris van prins Frederik Hendrik en prins Willem II en eerste raad en rekenmeester van prins Willem III. Onder het portret zijn familiewapen en een gedicht. Antieke zwarte kunst prent door Abraham Blooteling. Mezzotint on laid paper, cut on plate mark; total: 352 x 258 mm; state II/2; some staining at bottom, some scratches on the surface, otherwise in fair condition. With lithography by Braakensiek. Mounted in paper passepartout. Hollstein 170.

Kein Einband. Zustand: Sehr gut. Blooteling, Abraham (1640-1690). Aetas aurea / Das goldene Alter. Kupferstich, nach Gerard de Lairesse (1641-1711). Adresse Gerard Valck. 42,2 : 52 (44 : 54,1) cm. - Hollstein 84II. Huber/Rost 21 (»Schöne Komposition«). Nagler (8) unter den »vorzüglichsten Arbeiten«. - Kontrastvolles Blatt eines frühen Druckes, vertikale Mittelfalte geglättet.

Amstelodami, sumptibus Andreae Frisii, [Amsterdam, Andrea Frisi], 1669. 3 parties en 1 vol. in-4: 18.5 x 24.5 cm [5] ff., [4] pl. grav. dép, 96 pp., [6] ff. d'index, [4] ff., 96 pp. Troisième et meilleure édition de ce curieux ouvrage, d'après Brunet, avec les gravures de la Table Isiaque d'après Enea Vico, absentes de précédentes éditions. Notre exemplaire comporte 43 gravures en taille-douce. Un frontispice gravés par Blooteling, 8 planches à pleine page, 26 figures dans le texte et 8 des 11 sections de la Table Isiaque réalisées par Giacomo Franco d'après les gravures de Vico parues en 1559, ces 8 sections sont regroupées en 4 grandes pl. dép. Il manque les 3 sections de la bande centrale de la table. Reliure de l'époque en parchemin. Dos lisse avec titre manuscrit à l'encre noir. Bel exemplaire Lorenzo Pignoria (1571-1631) était un historien de Padoue connu pour ses collections d'antiquités et de manuscrits. Dès 1605, il donne une édition de la Table Isiaque. Cette édition comprend, à la suite de la description de la Table d'Isis, les rééditions de deux traités sur les antiquités egyptienne: une étude, par Pignoria, de la main panthée et d'une statuette d'Atys; une seconde étude par Giacomo Filippo Tomasini (1595-1655) concernant une autre main votive. L'ouvrage se conclut par une vie de Pignoria, avec bibliographie, catalogue de ses collections d'antiques et de sa bibliothèque. Brunet, IV, 653 / Graesse, V, 290 / Ibrahim-hilmy, II, 119.