Verlag: The University of Chicago Press, 1946
Anbieter: Aamstar Bookshop / Hooked On Books, Colorado Springs, CO, USA
Verbandsmitglied: RMABA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. US Door: This large hard cover is very good; page browning and an inscription on the ffep in a good DJ that has light wear. NO foreign or Priority shipments on this title. brown w/black lettering Folio - over 12" - 15" tall 0.0.
Anbieter: Librería La Candela, Murcia, MU, Spanien
.- Barcelona . s.f. Ilustració Catalana. 8º mayor. 30 pgs. Con fotografía autor en cubierta. Rústica editorial . Pequeñas imperfecciones en lomera y cubiertas. Buen estado general. . . Poesía / Idiomas / Catalán Valenciano.
Sprache: Englisch
Verlag: The University of Chicago Press, Chicago, 1946
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USA
Verbandsmitglied: IOBA
Erstausgabe Signiert
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. Color and B/W Plates (illustrator). First Edition. 1342 Pp + 126 Plates In Color And B/W. Cloth. First Edition. Light Signs Of Use, No Fraying, Hinges Tight, No Damage. Nicely Inscribed, "Signed With Pleasure For My Old Friend And Pupil Ted Little, Boardman Robinson / Colorado Springs '46." Boardman Michael Robinson (1876-1952) Was A Canadian-American Painter, Illustrator And Cartoonist. Robinson First Studied Art At The Massachusetts College Of Art In Boston. He Would Later Go On To Study At The Académie Colarossi And The École Des Beaux-Arts, Both In Paris, Where He Was Influenced By The Political Cartooning Of Honoré Daumier, As Well As Forain And Steinlen. Upon Returning To The United States, Robinson Worked As An Illustrator, Drawing Cartoons And Theater Illustrations For The New York Morning Telegraph. He Freelanced For A Wide Range Of Other Popular Publications, Including Pearson's Magazine, Scribner's Magazine, Collier's, Harper's Weekly, And Others. In 1910, Robinson Took A Job On The Staff Of The New York Tribune Drawing Editorial Cartoons, A Position Which He Retained For Four Years. With The Eruption Of World War I In 1914, Robinson's Increasingly Radical Anti-Militarist Political Views Brought Him Into Conflict With His Employer And He Quit The Publication. In 1915, Robinson Travelled To Eastern Europe On Behalf Of Metropolitan Magazine Along With Journalist John Reed. The Pair Saw First Hand The Effects Of The European War In Russia, Serbia, Macedonia And Greece. In 1916 Reed's Account Of The Journey Was Collected In A Book Called The War In Eastern Europe, To Which Robinson Contributed Illustrations. On His Return From Europe, Robinson Worked At The Socialist Monthly The Masses. His Highly Political Cartoons As Well As The General Anti-War Stance Of The Masses Was Deemed To Have Violated The Recently Passed Espionage Act Of 1917, And The Masses Had To Cease Publication. Robinson, Along With The Other Defendants Were Acquitted On October 5, 1918. Following The Masses, Robinson Became A Contributing Editor To The Liberator And The New Masses, Working With Former Masses Editor Max Eastman. Robinson Would Later Go On To Teach Art At The Art Students League In New York City (1919-30) And Head The Colorado Springs Fine Arts Center (1936-47). Some Of His Students Include Duard Marshall, James Brooks, Bill Tytla, Edmund Duffy, Jacob Burck, Russel Wright, Eric Bransby, Rifka Angel, Mary Anne Bransby, Gerhard Bakker, And Esther Shemitz (Who Married Whittaker Chambers): Both Burck And Shemitz Contributed Illustrations To The New Masses As Did Their Mentor.) Robinson Is Also Known As A Muralist. Some Of His Mural Commissions Include Works At Rockefeller Center And The Department Of Justice Building In Washington, D.C. And A Nine-Panel Mural On The History Of Trade For Kaufmann's Flagship Department Store In Pittsburgh Completed In 1929. Robinson Also Illustrated Several Books, Among Them Editions Of Walt Whitman's Leaves Of Grass (1921), Dostoyevsky's The Brothers Karamazov (1933), Edgar Lee Masters' Spoon River Anthology (1941), And Herman Melville's Moby Dick (1942). Inscribed by Illustrator(s).
1888 La Renaixensa, Barcelona Pról. de J. Sardá. XVIII+130 p. 21x13 cm. Nova enq. tela, conserva les cobertes originals malmeses. Alguna taca d'òxid. Para ver o recibir fotografías de los libros puede ir a nuestra web o solicitarlas.(literatura catalana, poesia catalana, literatura catalana, poesia catalana).
Verlag: Tomás Gorchs,, Barcelona,, 1861
Anbieter: Llibreria Antiquària Delstres, Canet de Mar, B, Spanien
Erstausgabe
Primera edición de esta importante obra sobre la Guerra de la Independencia en Catalunya. Completo de todas sus láminas (64) inclusive las dos portadas litografiadas en color. Contiene vistas de las principales poblaciones catalanas y los retratos de los personajes que intervinieron. El autor Adolf Blanch i Cortada estuvo asesorado y dirigido por Jaoquim Roca y Cornet. 4 hojas, IV-505 páginas, 7 hojas. 32 láminas.- 2 hojas, 477 páginas, 7 hojas. 32 láminas. Encuadernación original de la época en holandesa media piel con nervios, cortes pintados. Etiqueta de encuadernador: "La mano de oro" Taller de encuadernación de Santiago Feliu, Gerona. (s.XIX). Buen ejemplar, aunque con lieros puntos de óxido. Las láminas con algunos ligeros toques de color a lápiz. 24x16 cm.