blair dike (28 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Good. Inscribed by author on first fly. Illustrated covers, binding intact. Edge wear, reading crease, spine edges rubbed. Unmarked. ; 8.0 X 5.20 X 0.15 inches; 48 pages; Signed by author.

Stiff Wrappers. Zustand: Near Fine. 248 pages color illustrations throughout. Stiff Illustrated wraps. Minor rubbing and wear to the paper covers and edges. Insert: Loredana Sperini.

Paperback. Zustand: Very Good. 48 pages, paperback, slight creasing and minimal spotting to wraps, otherwise very good.

Zustand: acceptable. Isabelle Anscombe Dike Blair (illustrator). Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.

Paperback. Zustand: Brand New. 255 pages. 9.00x6.00x0.64 inches. In Stock.

Hardcover. Zustand: Brand New. 72 pages. 9.00x7.00x9.30 inches. In Stock.

Hardcover. Zustand: Brand New. 72 pages. 9.00x7.00x9.30 inches. In Stock.

Hardcover. Zustand: Brand New. 336 pages. 11.00x10.25x1.38 inches. In Stock.

Paperback. Zustand: Very Good. First Edition. Wraps. Large square 8vo. pp [32]. Catalogue of an exhibition held at Queens Museum (Flushing, N.Y.), 29 Sept. - 25 Nov. 1984. Text by Ileen Sheppard. Illustrated throughout. Features works by Kathleen Armstrong, Cynthia Carlson, Gerald Nichols, Joan Wenzel, et al. Slight creasing otherwise very good.

429 + pp.; 21.5 x 15.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. Gonzalez-Foerster; "Yvette Brackman," by Michelle Grabner; "Blake Rayne," by Tim Griffin; "Stephen Prina," by David Grubbs; "Anne Daems," by Nakako Hayashi; "Andrea Zittel," by Karl Holmquist; "Jacques Monory," by Bernard Joisten; "Antonio Allegri da Correggio," by Herwig Kempinger; "Stanley Brouwn," by Pierre Leguillon; "Allen Ruppersberg," by Tan Lin; "Tony Feher," by John Lindell; "Rosemarie Trockel," by Stéphanie Moisdon; "Lawrence Alma-Tadema," by Peter Nadin; "Jeremy Deller," by Guillaume Nez; "John Tremblay," by Bob Nickas; "Olaf Breuning," by Michelle Nicol; "Richard Prince," by Glenn O'Brien; "Cerith Wyn Evans," by Hans Ulrich Obrist; "Vija Celmins," by Jeff Rian; "Bas Jan Ader," by Bennett Simpson; "Amy Sillman," by Michael Smith; "Daniel Pflumm," by Wolfgang Staehle; "Jack Goldstein," by Thomas Zummer; "Pierre Leguillon," by Captions; "Particles and Waves," by Laetitia Benat; "The Fish and the Fire," by Andreas Larsson; "Thinking of the Days," by Jin Osashi; "Superstition," by Henry Roy; "Horizontal Terminus," by Banu Cennetoglu; "Amendoin Japones," by Elein Fleiss; "The Most Ridiculous Moment," by Amy Fusselman; "Perfect Ten," by Peter Joseph; "Yours Truly," by Lauren Davis; "The Air Traffic Controller," by Adam J. Maynard; "I Look at Myself in the Mirror," by Edy Poppy; "The Tallest Man in the World," by Natasha Sho; "Saint-Omer," Arnaud Viviant; "General Idea;" "Streets of New York," by Mark Borthwick; "Bug Studio, Bangkok," by Dominique Gonzalez-Foerster; "Kew Gardens, London," by Frederike Helwig; "Excerpts from Forthcoming Book," by Armin Linke; "Habitat, 1998," by Klaus Sherubel; "Burger King, 1998," by Kaus Sherubel; "The Deep Galelry, Tokyo," by Chikashi Suzuki; "China Art Objects Gallery," by Amy Yao and "Jungle Science 2," Jean-Luc Vilmouth. Cover: Maria Finn. Very Good. Light yellowing and scratching of covers with dust soiling and rubbing of cover edges. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

4°. Orig.-Karton. 116 S., 6 Bll. mit zahlreichen Abbildungen. Erste Ausgabe / First printing (gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 1111.

(Ohne Angaben zur Laufzeit und zum Format), 600 gr. Schlagworte: Sittengeschichte - Erotica.

Printed Wrappers. Zustand: Near Fine. First Edition 1/500. np, profusely illustrated in b&w. Designed by Patricia Moritz. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies showing some very light wear and soiling to the covers. Artist Monograph.

Printed Wrappers. Zustand: Fine. First Edition 1/500. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A bright, most handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies. Artist Monograph.

192 pp.; 27 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo and "Hope" by Alex Antitch. Drawings by Laetitia Benat. Very Good. Yellowing of cover edges with light bumping of top and bottom right corners of recto. Light edge wear and scratching of covers. Contents clean and unmarked.

256 pp.; 27 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Spring 2002 issue of the biannual publication "Purple". Edited by Elein Fleiss and Olivier Zahm. Contents include: "Summer 2002," by Alex Antitch; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Surface," by Dominique Gonzalez-Foerster; "Lutz Huelle," interviewed by Nakako Hayashi; "Miltos Manetas," interviewed by Olivier Zahm; "Louis Vuitton & Miu Miu," by Ola Rindal; "Helmut Lang," by Terry Richardson; "Marc Jacobs," by Mark Borthwick "Ann-Sofie Back," by Giasco Bertoli; "Julia & Mehdi, apres," by Laetitia Benat; "A.F. Vandervorst," by Masafumi Sanai; "Jil Sander, Men & Women," by Richard Prince; "La Mer," with texts by Lewis Baltz, Mehdi Belhaj Kacem, Dike Blair, Jeff Clark, Eve Couturier, Bruce Benderson, Elein Fleiss, Richard Prince, Jeff Rian, Olivier Zahm, Geoffrey Cruickshank-Hagenbuckle, Mark Fishman, Amy Fusselman, Kim Gordon, Karl Holmqvist, Lodge Kerrigan, Mark Kingwell, Claude Lévêque, Chan Marshall, Mark Mordue, and Beth Yahp; Photos by Laetitia Benat, Dike Blair, Mark Borthwick, Anders Edström, Elein Fleiss, C. Wayne Gordon, and Takashi Homma; "Tokyo Synthesis," by Claude Lévêque; "Equador," by Banu Cennetoglu; "El Castillo," by Pablo Leon de la Barra; "Seven Pink Drawings," by Tomoo Gokita; "In Jerusalem and Tel Aviv," by Rami Maymon; "Buenos Aires Amor," by Guillermo Ueno; "Faces," by Trinie Dalton; "Uncoated Eyes," by Amy Jean Porter; "Kook!," by Geoffrey Cruickshank-Hagenbuckle; "Green, Blue, Pink, Charlotte," by Henry Roy; "Uslu Airlines," by Banu Cennetoglu and "On The Hairwaves," by Tom Lingnau & Frank Schumacher. Good. Yellowing of cover edges and dusting of covers. Light bumping of top and bottom right corners of recto. Rubbing of edges and scratching of covers. Contents clean and unmarked.

28 nn. Bll. mit zahlr. ganzseit. farb. Abb. Erste Ausgabe. - Fotobuch von Dike Blair, Frank Majore und Olivier Wasow erschienen anlässlich der Ausstellung "Bellevue" in Wien 1989 bis 1990. - Enthält ein Vorwort des Kurators Herwig Kempinger und einen Text von Mary Haus "Virtuelle Zustände" in Deutsch und Englisch. - Etw. gebräunt. *** *** Copyright: Matthaeus TRUPPE Buchhandlung & Antiquariat - Stubenberggasse 7 - A-8010 Graz - ++43 (0)316 - 829552 *** *** Sprache: Deutsch Gewicht in Gramm: 500 Gr.-8°. OPp. (etw. gebräunt, Gebrssprn.).

64 pp.; 25.5 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Spring/Summer 1980 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "Circuits," featuring texts on and by Kathy Acker, Rosemary Hochschild, Joan Jonas, Joseph Kosuth on Ad Reinhardt, Gordon Matta-Clark, Glenn O'Brien, Panels, Steve Pollack, Jeanne Quinn, Real Estate Show, Carolee Schneemann, Fiona Templeton; "Lisa Kahane;" "Burk Uzzle;" "Thomas Lawson;" "Earl Ripling;" "Non Serial Concerns," Christian de Boschnek with Pat Lasch; "A Conversation with Keith Sonnier: Machine 1980;" "Joan Logue: Selections from recent Electronic Portraits series NYC, 1980;" "Dialogue: Sarah Charlesworth with Betsy Sussler;" "Bobby;" "Dike Blair;" "Dialogue," Malcolm Morley with Les Levine; "Richard Serra;" "Alan Suicide: Prophet of The Little Guys' Apocalypse," by Edit deAk; "(New) New Wave New York," by Michael Oblowitz; "Music," by Raybeats, A-Band, Ad Hock Rock, Bush Tetras, Container, 8-Eyed Spy, Liquid Idiot, Lounge Lizards, Untouchables, Youthinasia "Cinema: 31 Filmmakers on their work," with essays by Michael Oblowitz, Yvonne Rainer, and Manuel de Landa. Front Cover Photo: Still from Clara Weyergraf / Richard Serra film still "Steelmill / Stahlwerk," 1979. Back cover photo by Robert Mapplethorpe, "112 Workshop, 325 Spring Street, NYC, 1980." Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 252. Very Good. Light edgewear to covers, and light handling wear. 1.3 cm. light soiling to recto. Contents clean and unmarked.

187 pp.; 26.9 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2002 Issue of biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préferée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillin; "Surface," by Dominique Gonzalez-Foerster; "Purple Special: Maurizio Cattelan;" "Don't Believe In War," by Olivier Zahm; "Accidentally On Purpose," by Jeff Rian; "Visual Essay," by Maurizio Cattelan; "Comme des Garçons," by Anuschka Blommers & Niels Schumm; "Art Scene Tokyo," by Takashi Homma; "Balenciaga Le Dix," by Chikashi Suzuki; "Givenchy/Cosmic Wonder," by Angela Hill; "Issey Miyake Homme," by Jack Pierson; "Margiela Homme/Van Cleef & Arpels," by Laetitia Benat; "Purple Interview: 'Shimabaku,' by Elein Fleiss, 'Andrea Fraser,' by Bennett Simpson, 'Martin Walde,' by Jeff Rian, 'Carl Zimmer,' by Dike Blair;" "Light Valley," by Andreas Angelidakis; "Best Intergalactique Veracruz," by Jerónimo Hagerman; "Five Drawings," by Zoe Mendelson; "American Supper," by Terry Richardson; "Quelqu'un a bien du m'aimer un peu au début," by Gérard Duguet-Grasser; "6 Poemes," by Stephane Bouquet; "Gymnastic Melancolia," by Camille Vivier and "Beautiful Kazakstan," by Anders Edström. Illustrations by Laetitia Benet. Very Good. Yellowing of covers. 3 mm. tear to right side edge of recto and bumping of bottom edge of recto. Additional light edge wear and wear to corners. Contents clean and unmarked.

187 pp.; 26.9 x 20 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Summer 2002 Issue of biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "What The Coptic Guy Said," by Nick Tosches; "Avenidas," by Jens Hoffmann; "Ma couleur préferée," by Claude Closky; "Therefore," by Elein Fleiss; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillin; "Surface," by Dominique Gonzalez-Foerster; "Purple Special: Maurizio Cattelan;" "Don't Believe In War," by Olivier Zahm; "Accidentally On Purpose," by Jeff Rian; "Visual Essay," by Maurizio Cattelan; "Comme des Garçons," by Anuschka Blommers & Niels Schumm; "Art Scene Tokyo," by Takashi Homma; "Balenciaga Le Dix," by Chikashi Suzuki; "Givenchy/Cosmic Wonder," by Angela Hill; "Issey Miyake Homme," by Jack Pierson; "Margiela Homme/Van Cleef & Arpels," by Laetitia Benat; "Purple Interview: 'Shimabaku,' by Elein Fleiss, 'Andrea Fraser,' by Bennett Simpson, 'Martin Walde,' by Jeff Rian, 'Carl Zimmer,' by Dike Blair;" "Light Valley," by Andreas Angelidakis; "Best Intergalactique Veracruz," by Jerónimo Hagerman; "Five Drawings," by Zoe Mendelson; "American Supper," by Terry Richardson; "Quelqu'un a bien du m'aimer un peu au début," by Gérard Duguet-Grasser; "6 Poemes," by Stephane Bouquet; "Gymnastic Melancolia," by Camille Vivier and "Beautiful Kazakstan," by Anders Edström. Illustrations by Laetitia Benet. Very Good. Light overall handling wear including light dinging, bumping of corners, and bumping of top left corner. 8 mm. surface tear to bottom right corner of recto. Contents clean and unmarked.

Printed Wrappers. Zustand: Near Fine. First Edition 1/500. np, profusely illustrated in b&w. Designed by Patricia Moritz. In a protective clear acetate dustwrapper. This is the engaging catalogue cum artist's book published in conjunction with a 2001 Works on Paper, Inc. exhibition of drawings from Jeremy Blake's "The Fourty (sic) Million Dollar Beatnik" project. It takes the form of a miniature (6 ¾ x 5 ½") screenplay - down to the green card covers with brass brad binding - reproducing the artist's whimsical texts and images that are reminiscent of a high school journal along with brief essays by Tim Griffin and Dike Blair. A handsome example of this exceedingly uncommon item - only three copies are currently cited in OCLC WorldCat - limited to five hundred unnumbered copies SIGNED "Jeremy Blake / Cell 1-310-980-****" in blue ink on the title page showing some very light wear and soiling to the covers. The artist died with only three monographic titles having been published on his work, and this is the first and only copy we have seen bearing his signature. Signed by the Artist. Artist Monograph.

Leinen. Zustand: gut. Isabelle Anscombe Dike Blair (illustrator). Erste Aufl. Fadengehefteter, geprägter und großformatiger Ganzleineneinband im Querformat mit fotografisch gestaltetem Schutzumschlag. Der Umschlag leicht berieben, mit einzelnen Kratzern und etwas knickig, der Kopfschnitt mit kleinem Fleck, Papier bzw. Seitenränder dezent gelbstichig, ansonsten guter Erhaltungszustand. Dirk Reinartz (* 15. September 1947 in Aachen; ? 27. März 2004 in Berlin) war ein deutscher Fotograf. Nach einer Fotografenausbildung beim Fotohaus Preim in Aachen und dem Studium bei Otto Steinert wurde Dirk Reinartz, geboren 1947 in Aachen, 1970 als jüngster Reportagefotograf in der Redaktion des Stern eingestellt. Später arbeitete er für das Nachrichtenmagazin Der Spiegel sowie für Die Zeit, GEO und Life. Die Themen seiner Reportagen waren vorzugsweise dokumentarischer Natur mit deutlichem politischem Bezug zu Deutschland und seiner Geschichte. Nach eigener Aussage wollte er nie mit erhobenem Zeigefinger arbeiten und entwickelte dafür eine eigene künstlerische Bildsprache. Bekannt wurde er mit einer Serie über Bismarck-Denkmale und mit dem eindrucksvollen Zyklus "totenstill" (1994) über ehemalige Konzentrationslager. Reinartz lehrte zuletzt an der Muthesius Kunsthochschule Kiel Fotografie. Bemerkenswert ist auch seine Zusammenarbeit mit dem amerikanischen Bildhauer Richard Serra, dessen Arbeiten er über zwei Jahrzehnte weltweit mit der Kamera begleitete. Er lebte in Buxtehude und ist in Berlin, dem Ort einer seiner letzten großen Ausstellungen, im Alter von 56 Jahren verstorben. Das Suermondt-Ludwig-Museum Aachen zeigte bis 6. Februar 2011 eine Ausstellung mit rund 150 Fotografien aus seinem Gesamtwerk. (wikipedia) In deutscher Sprache. Ohne Seitenzählung (180) pages. 4° (300 x 235mm).