Binstock jonathan (32 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fine. 47 pp., hardcover, fine in a very good dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Like New. Item is in like new condition.

paperback. Zustand: Very Good. Cover and edges may have some wear.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: New. Color reproductions; Oblong 4to 11" - 13" tal; 96 pages; New copy from closed bookstore backstock.

Soft cover. Zustand: Near Fine. 1st Edition. Clean, unmarked copy with a solid and crease-free spine, touch of wear to tips. BP/AmerArt/Penn.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Good.

First Edition. First edition. Oblong softcover. 39 pages. Exhibition catalog for a show that ran September 11 through December 29, 2012. Foreword by Judy A. Greenberg. Texts by Jonathan P. Binstock. Includes numerous color images along with a cd in a holder affixed to the rear cover. A very near fine copy in wrappers.…

Zustand: Good. F. 104 pp. Hard Cover. Very Good+ - clean copy, excellent condition. Color Photographs & Plates. Features work by conceptual artist Jim Sanborn.

Zustand: Neuf.

Hardcover. Zustand: Brand New. 96 pages. 12.00x10.50x0.75 inches. In Stock.

Erste Auflage. 30,6 x 22,9 cm. 64 S. Illustrierter OKarton. Gutes bis sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalog zur gleichnamigen Ausstellung in der Pennsylvania Academy of the Fine Arts, vom 17. Juni bis zum 21. September 2000 sowie in der Corcoran Gallery of Art, Washington DC, vom 12. Dezember 2000 bis zum 21. März 2001. Texte in englischer Sprache.…

First Edition. Softcover. First Edition. About Fine in wrappers.

Softcover. Zustand: Very Good+. Sam Gilliam established himself as a major artist in 1968 when he jettisoned the wooden stretcher bars that had previously determined the shape of his paintings and allowed his vivid, sometimes ecstatic, rushes of color-stained canvas to hang, billow, and swing through space. Yet Gilliam's contributions to art history extend far beyond these often monumental and always dramatic works.…

dj. First Edition. First edition and first printing. Hardcover. Features a foreword by Pamela and Jarl Mohn, director's acknowledgements by Ann Philibin, essays by Jonathan P Binstock Mokgosi, along with the text of a conversation between Malik Gaines and Mokgosi. Includes numerous color illustrations, a checklist, and biographical information. A fine copy in cloth boards and in a fine dust jacket.…

224 Pages, 275 colour illustrations. Paperback 28 x 20cms. ISBN: 9782072979910. Text in English.

Hardcover. Zustand: Very good. Presumed First Edition, First printing. Format is approximately 10.25 inches by 12 inches. 96 pages, Illustrations (color). This was published on the occasion of Atomic Time: Pure Science and Seduction, an exhibition of work by Jim Sanborn, organized by Jonathan P. Binstock at the Corcoran Gallery of Art, Washington, D.C., November 1, 2003, to January 26, 2004. Foreword by Jacquelyn Days Serwer. Essay on Tickling the Dragon's Tail by Howard Morland and essay on The Nature of Secrets--The Secrets of Nature by Barbara London, and Materials, Process, and Meaning, An Interview with Jim Sanborn by Milena Kalinovska. There are sections of Plates entitled Critical Assembly and Atomic Time. There are sections on Exhibition History, Selected Bibliography, Exhibition Checklist and About the Contributors. Herbert James Sanborn, Jr. (born November 14, 1945 in Washington, D.C.) is an American sculptor. He is best known for creating the encrypted Kryptos sculpture at CIA headquarters in Langley, Virginia. He has created sculptural works for the Massachusetts Institute of Technology, the Central Intelligence Agency, and the National Oceanic and Atmospheric Administration. Themes in his work have included "making the invisible visible", with many sculptures focusing on topics such as magnetism, the coriolis effect, secret messages, and mysteries of atomic reactions. In Atomic Time: Pure Science and Seduction, he presented a "life-size re-creation of a hypothetical atomic lab." The exhibit featured the sculpture Critical Assembly, a three-dimensional representation of the components of an atomic bomb. Jacquelyn Days Serwer is an American art historian and curator. A specialist in American art and African American art, she is currently the Chief Curator of the Smithsonian Institution's National Museum of African American History and Culture. In 1999 she became the Chief Curator of the Corcoran Gallery of Art. Serwer served as the Chief Curator for the Corcoran Gallery of Art for six years. Howard Morland (born September 14, 1942) is an American journalist and activist against nuclear weapons who, in 1979, became famous for apparently discovering the "secret" of the hydrogen bomb (the Teller-Ulam design) and publishing it after a lengthy censorship attempt by the Department of Energy (United States v. The Progressive). Barbara London is a US curator and writer specializing in new media and sound art. She is best known for founding the video collection at the Museum of Modern Art (MoMA). Milena Kalinovska (born 1948) is a curator of visual arts and art educator. She has Czech and Russian ancestry, and is a triple national with British, American and Czech citizenship. She was nominated for the Turner Prize in its second year, 1985. She was director of public programs and education at the Hirshhorn Museum and Sculpture Garden in Washington, DC from 2004-2015 and she became director of the modern and contemporary art collection at the National Gallery in Prague in 2015. In Atomic Time, sculptor, photographer and conceptual artist Jim Sanborn has combined his longstanding interests in invisible natural forces and secrecy, pairing together two separate but related projects: a series of photographs called Atomic Time and images of his latest work, the room-sized installation Critical Assembly. Inspired by the Manhattan Project, the first nuclear weapons program at the Los Alamos Scientific Laboratory, Critical Assembly is a representation of what was once a secret site of government-sponsored research. The installation includes actual examples of electronic instruments, hardware, furniture, tools and materials from the Los Alamos Laboratory of the 1940s, 50s and 60s, which Sanborn acquired from retirees living in New Mexico who worked on the Project. The photographs in the Atomic Series are distinguished by an intense cobalt blue-like color, similar to the true color of radioactivity. Half of the series is of abstract images made by exposing sheet film to actual pieces of uranium ore; the ot. Jim Sanborn (illustrator). …

Softcover. Zustand: gut. 2000. Social Observer. With essays by Maurice Berger, Trevor Fairbrother. In englischer Sprache. pages.

Softcover. Zustand: Very Good+. First edition, first printing. 4to (11"x8.5").144pp. Paper wraps, french flaps. Light shelfwear. Binding tight, no marks. Catalog of a 53 work exhibition organized by and held at the Fort Wayne Museum of Art in Indiana in 1998. Color plates throughout. Includes essays, chronology, collections and bibliography.…

Binstock, Jonathan P. SAM GILLIAM: A Retrospective. Forewords by Walter Hopps and Jacquelyn D. Serwer; xviii and 222 pp., roughly 75 color and 35 b&w illustrations. 4to, wraps. Berkeley, University of California Press, in association with Washington, Corcoran Gallery of Art, 2005. This catalogue for a travelling exhibition (originating at the Corcoran Gallery in Washington) explores four decades of work and establishes the artist in the context of post-60s art.…

Zustand: Very Good +. First Edition. Berkeley, CA / Washington, DC: University of California Press / Corcoran Gallery of Art, 2005. First Edition, wrapper issue. Quarto (28cm); photo-illustrated wrappers retaining $34.95 price sticker at rear; xviii + 222pp, including chronology, bibliography, and index; color photographs throughout. Wraps lightly bumped at spine ends and corners. Textblock, endsheets, and interior pages clean. Very Good or better copy of this scarce catalog. Signed and dated by Gilliam at title page. Title page shows a second signature, presumably belonging to Jonathan B. Pinstock. Gilliam, a leading figure in the Washington (DC) Color School, ignited his greater renown in 1968 by hanging his canvases like draped shawls rather than squaring them up on stretcher bars. This catalog was published on the occasion of his retrospective, which was on display at the Corcoran Gallery of Art from October 15th, 2005 to January 22nd, 2006, and thereafter traveled to Louisville, Savannah, and Houston. . Signed.…