bill avery (28 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Zustand: Very Good.

Paperback. Zustand: Fine.

Zustand: New.

Paperback. Zustand: Brand New. Letonja, Claudia L; Choi, Ang; Bushman, Bill; Mills, Rebecca; Avery, Kendall Caroline; Briggs, Paul (illustrator). 90 pages. 8.50x8.50x0.22 inches. In Stock.

Paperback. Zustand: Good condition.

Zustand: New. Num Pages: 239 pages, illustrations. BIC Classification: HRCX4. Category: (G) General (US: Trade). Dimension: 274 x 217 x 21. Weight in Grams: 664. . 2010. Teacher's Guide. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. teacher's guide edition. 240 pages. 11.00x8.75x0.75 inches. In Stock.

Paperback. Zustand: Brand New. teacher's guide edition. 240 pages. 11.00x8.75x0.75 inches. In Stock.

Paperback. Zustand: Brand New. teacher's guide edition. 240 pages. 11.00x8.75x0.75 inches. In Stock.

Eight vintage full-color British front-of-house cards from the UK release of the 1958 US film. Based on Anton Myrer's 1957 novel, "The Big War," about three Marines on shore leave in San Francisco, each faced with their own relationships and heartaches. Both Sheree North and Franc Nuyen lend good performances. 8 x 10 inches. Light rubbing and creasing overall, else Near Fine.

Zustand: New. Provides behind-the-scenes explanations from nineteen former BJU students from the past few decades who now identify as LGBT+. They write about their experiences, reflect on their relationships with a religious institution, and describe their vulnerability .

Single Issue Magazine. Zustand: Good. Illustrated by Shay, Arthur (cover); Laure, Jason; Avery, John; Shay,Arthur; Kennerley, Dave; Aller, Bill; Manning, Jack (illustrator). First Edition. 80 pages. Features: Before and after photos of former campus radical David Sundance; Homecoming in Bangladesh - Nine million Bengali Hindus fled to India during last year's terror; It's Easier to Convict TV Thieves than Rapists in New York; Is Inflation a Psychosomatic Illness? - with photos of C. Jackson Grayson Jr.; Metamorphosis of the Campus Radical - article with photos of Bo Beller, Jim Sutton, Ted Politis and Sue Ross; Adorable little girl and Teddy Bear in Little Miss Teenform ad; Bold two-page ad for Paradise Island in the Caribbean; A Doctor Explains How He Allows Parents to make Life-or-Death Decisions about the health of their children; Antiquarian home of Mr. & Mrs. James Tyson; Fashion photos of Charlotte Ford (of the motor car company); Many gorgeous color fashion ads; and more. Average external wear with small chip from upper corner of front cover. A worthy vintage copy.; Folio - over 12" - 15" tall; The New York Times Magazine, January (Jan.) 30, 1972 - Homecoming in Bangladesh campus radical David Sundance; Homecoming in Bangladesh - Nine million Bengali Hindus fled to India during last year's terror; It's Easier to Convict TV Thieves than Rapist.

Paperback. Zustand: Good. Woods, Rex (cover art); Avery Willard; Wagner, Garry; Nott, Herb; Davis, Walt; HAnley, Dick; Curtin, Walter; Brihat, Denis; Jones, Art; Dennit, Bill; Ragsdale, Robert; Bell, Joseph N.; Steele, JohnHarrison, Lois; Reppin, Dieter; Koenig, Wolf (illustrator). First Edition. 52 pages. Features: Beverley Baxter on Censorship and Sex; Nice one-page colour ad for Oldsmobile featuring a convertible and little flower girl in back seat; A look forward to the fall TV lineup - article with many photos; Theo Parker's One-Man War Against the State - hog farmer resists Hog Board - article with photos of Parker in barn and with his wife Laura; The Native Genius We've Never Discovered - Montreal artist Jean-Paul Riopelle - article with colour photos; Vancouver's Enchanted Evenings Under the Stars - Theatre Under the Stars - article with photos; The Canada Aerial Surveyor Douglas Kendall Sees From the Sky - article with photos; We Travel With Our Kids - And Like It! - article with photos of how Joseph N. Bell and his family vacation by car; Colour General Motors centrefold ad called "The Saturday Trip to the Moon" features grocery store scene with little boy in spaceship ride; Coke ad on back cover shows beach couple admiring their instant photos; and more. Moderate wear. Unmarked. A sound vintage copy.

Vintage oversize borderless double weight reference photograph of actor (and later novelist) Tom Tryon practicing a horse mount with the use of only his left arm, on the location for the 1957 film. In the film, Tryon plays "Beauregard," a cowboy who is missing his right arm. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso, along with a manuscript pencil annotation noting "965-8". Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 13.5 x 10.5 inches. Very Good plus, with a few manuscript notations on the verso in addition to the aforementioned photographer stamps.

Vintage oversize borderless black and white photographs of actor Anthony Perkins, cavorting about in a field, circa 1960s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage oversize borderless black and white photograph of actor Anthony Perkins, cavorting about in a field, circa 1960s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage borderless photograph of actress Sophia Loren on the set of the 1958 film. With a Photoplay Library stamp on the verso, along with the stamp of photographer Bill Avery and manuscript pencil annotations regarding layout. Based on Eugene O'Neill's 1924 play. A greedy New England farmer marries for a third time after working his first two wives to death. Trouble ensues when his new wife, a headstrong Italian woman, begins an affair with his youngest son. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.5 x 7.5 inches. Near Fine.

Two vintage oversize borderless black and white photographs of actor Jerry Lewis changing a light bulb, circa 1950s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage borderless oversize black and white photograph of actor Anthony Perkins, circa 1950s. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso. Shot early in his career, before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 9.25 x 13.5 inches. Near Fine.

Vintage oversize borderless reference photograph of actor Anthony Perkins barefoot on the set of "The Rainmaker," circa 1953. The original penciled notations on the verso indicate that Perkins was on the set to visit Wendell Corey. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso. Shot early in his career, before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. Shot partially on location in Kanab, Utah. 8.5 x 13.5 inches. Near Fine.

Vintage oversize satin-finish borderless black and white photograph of actor Charlton Heston holding his infant son Fraser up to the mirror at a barbershop immediately following what was likely his son's first haircut, with the barber looking on in the background, circa 1956. With the stamp of photographer Bill Avery on the verso, along with several manuscript pencil annotations regarding layout. At three months old Fraser was cast as the infant Moses alongside his father in Cecil B. DeMille's 1956 Biblical epic "The Ten Commandments." Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. 13.5 x 9.25 inches. Near Fine.

Vintage oversize borderless matte-finish double weight photograph of Charlton Heston receiving a massage on the set of the 1953 film. With the stamp of photographer Bill Avery on the verso. A Chief of Scouts mistrusts the Apache tribe after the chief refuses to sign a peace treaty, but his concerns are disregarded by the US Army. Bill Avery worked as a photographer at Columbia Pictures in the early twentieth century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. Shot on location in Texas. 9 x 13.5 inches. Near Fine. Pitts 166.

Vintage oversize borderless double weight reference photograph from the 1957 film, showing actors Anthony Perkins and Norma Moore. With the stamps of photographer Bill Avery and editor Bud Fraker on the verso, along with the stamp of Photoplay and several manuscript pencil and ink annotations regarding layout. A dramatization of the experiences of major league baseball star Jimmy Piersall, loosely based on his own 1955 memoirs, following his 1948 contract with the Boston Red Sox to his eventual nervous breakdown and hospitalization for bipolar disorder. Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. Set in Boston, Massachusetts and Waterbury, Connecticut. 8.3 x 13.5 inches. Very Good plus, with a few small manuscript pencil annotations regarding cropping on the bottom edge.