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Verlag: New York, Dover Publications, 1964
ISBN 10: 0486212637ISBN 13: 9780486212630
Anbieter: Klondyke, Almere, Niederlande
Buch
Zustand: Good. Small name on title-page.
Verlag: New York, Dover Publications, 1964
ISBN 10: 0486212637ISBN 13: 9780486212630
Anbieter: Klondyke, Almere, Niederlande
Buch
Zustand: Good. Small name on title-page.
Verlag: N.Y., Dover Publications, 1964., 1964
Anbieter: Antiquariat Hans Hammerstein OHG, München, Deutschland
Origi.Broschur, gr.4°, 49 Blatt. Ecken stark bestossen, Umschlag gebräunt sonst guter Zustand.
Verlag: Augsburg, 1740
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Rare dedication page for Charles VI, Holy Roman Emperor, from Giuseppe Galli da Bibiena's architectural Atlas from 1740. -- Size: ca. 55 x 38 cm. -- in good condition. || Dies ist ein Original! - Kein Nachdruck! - Keine Kopie! -- This is an original! - No copy! - No reprint! la.
Verlag: New York, Dover, 1964
Anbieter: antiquariat peter petrej - Bibliopolium AG, Zürich, ZH, Schweiz
Erstausgabe
4°, V S. Einl. u. ca. 50 Taf., Brosch., Umschlag gebräunt u. etw. wellig, Laminierung in den Ecken abgeblättert, vereinzelt min. stockfl. EA dieser Ausgabe. «Original title page and all the illustrations from the work titled Architetture e prospettive dedicate alla Maestà di Carlo Sesto [.]» von 1740. Exemplar des Schweizer Architektur- und Kunsthistorikers Georg Germann (1935 - 2016). 800 gr. Schlagworte: Architektur - ArchitektInnen, Architektur - Geschichte, Geschichte - 18 Jht.
Verlag: Augsburg, 1740
Anbieter: Antiquariat Steffen Völkel GmbH, Seubersdorf, Deutschland
Kunst / Grafik / Poster
Original copper engraving from 1740. Rare engraving after an architectural drawing by Giuseppe Galli da Bibiena for a catafalque for Louis XIV. -- Size: ca. 55 x 38 cm. -- in good condition. || Original-Kupferstich von 1740. -- gut erhalten. || Giuseppe Galli da Bibiena was a Baroque stage designer, draftsman, architect, theater engineer and painter. He came from the Galli da Bibiena family of artists. His father Ferdinando, his uncle Francesco, his brothers Antonio and Alessandro and his son Carlo worked in Germany, Austria and Italy as architects, outfitters and stage designers. Giuseppe Galli da Bibiena designed many decorations for funerals and weddings, planned theater machines, staged celebrations and theatrical performances, built theaters and designed decorations for aristocratic palaces. He learned from his father and then went with him and his brother Alessandro to Barcelona to the court of the future Charles VI. and followed him in 1712 to Vienna. After the death of Charles VI., he became director of architecture at the Accademia Clementina in Bologna. At the same time he worked in Vienna as the first court theatre engineer and court architect. From 1753 he was firmly committed by Friedrich II in Berlin, where he worked until his death as a court architect. One of his students was the painter and set designer Carl Friedrich Fechhelm. || Johann Andreas Pfeffel (1674-1748) was a German engraver and publisher, active in the 18th century. After showing talent at an early age, he goes on to study at the Academy of Fine Arts in Vienna. He returned to Germany in 1711, where he established a publishing house in Augsburg. The business flourished and published a great variety of material: portraits of contemporary personalities, political and ceremonial events, theatrical scenes, views of famous places, theological and philosophical works, collections of religious images for the use of the people and schools. The "Bible Physica Sacra" by Johann Jakob Scheuchzer, which was richly decorated through engravings and was quite popular at the time, was also published here between 1731 and 1735. la.
Anbieter: Libreria Oreste Gozzini snc, Firenze, FI, Italien
[s.l.], [s.n.], [metà del XVIII secolo], incisione in rame all'acquaforte, mm. 360x493 (l'impronta della lastra), mm. 457x649 (il foglio). Firmata in lastra: J.G. Bibiena inven. et delin., A.O. sculp. Qualche piccolo foro di tarlo nel margine bianco e nel campo impresso, gora all'estremità del margine bianco destro.