biasioli angelo (8 Ergebnisse)

Plattengröße 23 x 30 cm * Varieta delle forme de metalli e colori degli elmi e degli scudi secondo l'arte del blasone, disegnata ed incisa dal signor Biasioli.

Plattengröße 15 x 21,5 cm (unten bis an den Plattenrand beschnitten) * Details aus dem berühmten Wandteppich, die die Eroberung Englands durch den Normannenherzog Wilhelm den Eroberer zeigt. - Armi, soldati ecc. Tratta dalla tappezzeria della Regina Matilde e da altri antichi monumenti.

Plattengröße 15,5 x 23 cm (oben bis an den Plattenrand beschnitten).

Aquatinta nach Chasselat, gestoch. von Biasioli. Blattgrössse: 27x35,6 cm. Passepartout: 34,4x49,3 cm.

Inciisone originale eseguita all`acquatinta su carta e impressa con inchiosto color seppia. Al di sotto dell`immagine, titolo a centro; nome dell`incisore all`angolo destro. La bella e rara incisione raffigura una veduta prospettica di Palazzo dal Pozzo di Moncalvo, all`epoca di Giuseppe Maria Ferdinando Dal Pozzo. (Moncalvo 1768 endash; Torino 1843), nono di dodici figli, cui eldquo;toccòehellip; il ristorar la casa , e lo accrescerne la fortunaerdquo;, come scrisse nella lettera al nipote Ferdinando del dicembre 1838.Pur essendo eldquo;cadetto con prospetto di pochissima fortuna eldquo; ebbe incarichi importanti in epoca napoleonica: decisivo, ad esempio, lersquo;intervento diretto presso il primo console per il salvataggio di Palazzo Madama a Torino, dove fu uno dei personaggi pubblici più importanti definito da Stendhal eldquo;il Beniamin Constant du Piémonterdquo; e eldquo;lersquo;aigle dersquo;Augusta Taurinorumerdquo; Angelo Biasioli fu rinomato incisore lombardo, autore di eleganti serie di vedute e personaggi del suo tempo; tra le altre pubblicò una serie di 12 vedute su Torino con la stessa tecnica della stampa in esame. Esemplare in ottime condizioni, dalla vivida inchiostratura, \"in barbe\".

Angelo Monticelli (illustrator). 'MONTICELLI DIS. E INC.; A. BIASIOLI F.A.T.'A group of Oriental sages in traditional attire are gathered beneath a thatched pavilion encircling a tree, in scholarly discussion. The seated and kneeling figures are engaged in reading, pointing to scrolls and texts. A richly detailed and brightly hand-colored aquatint scene evoking Eastern scholarship.Made by Angelo Biasioli after Angelo Monticelli.Medium: Line and aquatint etching with original hand coloring on wove (vellin) paper.Sheet size: 36 x 26.5 cm (14.17 x 10.43 inch). Image size: 23 x 17 cm. (9.06 x 6.69 inch).ASIA, ORIENTAL SAGES, EASTERN PHILOSOPHY, GIULIO FERRARIO, ANGELO BIASIOLI, IL COSTUME ANTICO E MODERNO, ISLAMIC WORLD, ARABIC LEARNING, ISLAMIC SCHOLARS, HAND-COLORED AQUATINT, 19TH-CENTURY PRINTS, MILAN, MONTICELLI | PCO-A4-39BACKGROUND INFORMATIONGiulio Ferrario, Il costume antico e moderno, Asia Vol. III, Milan 1817. Published by Stamperia del Giegler. Part of the larger series: 'Il Costume Antico e Moderno .' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others.Reference: Ferrario: Il costume antico e moderno; Servolini 1955; Davoli 2000.Biography engraver: Angelo Biasioli (1790-1830) was an Italian engraver and copperplate artist known for his precise linework and contributions to major encyclopedic and historical print publications in the early 19th century, including Il costume antico e moderno by Ferrario. Worked in Milan and Verona.Biography artist: Angelo Monticelli (1778-1837) was an Italian neoclassical painter. He was a pupil of Andrea Appiani. He painted the second sipario or curtain for La Scala Theater in Milan (1821), as well as for the theater in Pesaro. A painter Angiolo Monticelli (1678-1749) is stated as a Bolognese landscape painter, who studied under Marcantonio Franceschini. It is unclear if he is related to either this Angelo, or to Andrea Monticelli. Giulio Ferrario (1767-1847), Italian scholar, bibliographer, and publisher. Director of the Biblioteca Braidense and compiler of Il costume antico e moderno, a vast encyclopedic ethnographic work. Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Angelo Biasioli (illustrator). 'A. BIASIOLI A.F. (BOTTOM LEFT), L. ROSSI F. (BOTTOM RIGHT); 73. (TOP RIGHT)'Buddhist temple complex in Myanmar showing the grand tiered stupa (Shwemawdaw Pagoda) with finial and a raised roof pavilion with curved, gilded eaves and decorative figures on the balustrade.Made by Luigi Rossi after Angelo Biasioli.Medium: Line and aquatint etching with original hand coloring on wove (vellin) paper.Sheet size: 36 x 26.5 cm (14.17 x 10.43 inch). Image size: 22 x 16 cm. (8.66 x 6.3 inch).BURMA, MYANMAR, BAGO, PEGU, SHOEMADOO, SHWEMAWDAW, PAGODA, BUDDHIST TEMPLE, FERRARIO, BURMA PRINT, 19TH CENTURY ASIA, ROSSI, BIASIOLI | PCO-A4-37BACKGROUND INFORMATIONGiulio Ferrario, Il costume antico e moderno, Asia Vol. IV, Milan: Antonio Fortunato Stella, 1818. Part of the larger series: 'Il Costume Antico e Moderno .' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others.Reference: Ferrario: Il costume antico e moderno; Servolini 1955; Davoli 2000.Biography engraver: Luigi Rossi (1764-1824) was an Italian illustrator and engraver, active in Milan. Worked on several architectural and topographical views for Ferrario's Il costume antico e moderno.Biography artist: Angelo Biasioli (1790-1830) was an Italian engraver, copper engraver, and illustrator active in Milan and Verona. Contributed to Ferrario's encyclopedic work depicting scenes from Asia and Europe. Giulio Ferrario (1767-1847), Italian scholar, bibliographer, and publisher. Director of the Biblioteca Braidense and compiler of Il costume antico e moderno, a vast encyclopedic ethnographic work. Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Luigi Rossi (illustrator). 'L. ROSSI INV ED INC (BOTTOM LEFT); A. BIASIOLI F.A.T. (BOTTOM RIGHT); 3 (TOP RIGHT)'A stylized early 19th-century depiction of the Great Mosque in Mecca, showing the Kaaba and the surrounding domes and minarets. Figures in red and yellow robes point and converse in the large open courtyard.Made by Angelo Biasioli after Luigi Rossi.Medium: Line and aquatint etching with original hand coloring on wove (vellin) paper.Sheet size: 36 x 26.5 cm (14.17 x 10.43 inch). Image size: 21 x 15 cm. (8.27 x 5.91 inch).MECCA, KAABA, MOSQUE, ISLAMIC ARCHITECTURE, FERRARIO, GIULIO FERRARIO, IL COSTUME ANTICO E MODERNO, ARABIAN PENINSULA, PILGRIMAGE, 1817, LUIGI ROSSI, ANGELO BIASIOLI, ISLAMIC HISTORY, ANTIQUE PRINT, MOSQUE INTERIOR | PCO-A4-39BACKGROUND INFORMATIONGiulio Ferrario, Il costume antico e moderno, Asia Vol. III, Milan, 1817, published by Antonio Fortunato Stella. Part of the larger series: 'Il Costume Antico e Moderno .' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others.Reference: Ferrario: Il costume antico e moderno; Servolini 1955; Davoli 2000.Biography engraver: Angelo Biasioli (1790-1830) was an Italian engraver active mainly in Milan and Verona. Known for his fine aquatints, he contributed extensively to Ferrario's Il costume antico e moderno, where his elegant hand colored prints added vibrancy and life to exotic scenes.Biography artist: Luigi Rossi (1764-1824), Milanese draughtsman and painter. Known for his topographic and architectural designs, particularly for Il costume antico e moderno, Rossi often collaborated with leading engravers like Biasioli and Bonatti to depict global cultures and architecture. Giulio Ferrario (1767-1847), Italian scholar, bibliographer, and publisher. Director of the Biblioteca Braidense and compiler of Il costume antico e moderno, a vast encyclopedic ethnographic work. Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson, Castelli, A. Sanquirico (1777-1849), Angelo Monticelli (1778-1837), A.L. Rossins, Bottigella and others. Condition: good, given age. Light foxing, creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.