bhagyalekshmy (31 Ergebnisse)

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Soft cover. Zustand: As New. From the preface: "South India in the 18 century was a place where music blossomed and flourished into a mighty tree from the deep roots of past knowledge. In the course of the next two centuries we saw the emancipation of music in the form of Trimurtis, Saint Tyagaraja, Muthuswami Dikshitar and Syama Sastri. Among the Musical Trinity, Muthuswamy Dikshitar was the youngest and was considered as one of the pillars of Karnatic Music. He was a great scholar, astrologer, Tantrik, and above all a great vaggeyakara and had enriched the rich treasury of Karnatic Music with his large number of compositions apart from group kritis. The great literary heritage brought through these compositions have been applauded from every quarters, both by Sanskrit scholars and Musical giants. "This is the third in the series of Golden Treasury series of compositions of great composers. Our earlier books on Saint Tyagaraja and Maharaja Swathi Tirunal have been well received and this led to my editing this book on Muthuswamy Dikshitar. Though it would have been appropriate to include all compositions of Dikshitar, looking to the immensity of the task and voluminous size of the book, the present edition has been prepared comprising 38 songs of the composer. We have kept in mind the importance of the compositions, looking to the variety of ragas, literary importance of the composition, popularity of the kriti, and simplicity of the compositions. "An extensive introduction on Muthuswamy Dikshitar has been included giving the achievements, literary heritage, importance of the 127 pp.

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Soft cover. Zustand: New. Contents: Preface. 1. Introduction. 2. Srutis and svaras. 3. Mela classification. 4. Janya Raga classification. 5. Ragas in other systems of music. 6. Raga lakshnas. Glossary of terms. Select bibliography. Index of composers. Raga index. "More than 450 popular Ragas in Carnatic Music have been compiled in this volume. Each raga has been explained in detail with its swara notation, Arohana, Avarohana, Melakartha and Janya parentage, Raga lakshana and visesha sanchara for each raga. Each raga contains details about the compositions available in each raga with its tala and composer. The introductory chapters contain exhaustive material on svaras and srutis, melakartha ragas and their classification, Janya ragas and their classification, ragas in other systems of music like Hindusthani Music, Tamil Music, Kathakali Music etc. A total of more than 6000 compositions have been indexed under various ragas. An essential basic reference book for the listener, learner and every one interested in Carnatic Music.".

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Paperback. Previous owner's name, pencling. Sound otherwise. 90 pages. 90 pp.

Soft cover. Zustand: Fine. From the preface The period from 18 to 20 century is considered as the Golden Era in the history of Karnatic Music both from the Lakshya and Lakshana aspects. The period witnessed the emergence of innumerable number of compositions having variety and vividity. The long lineage of great vaggeyakaras enriched the rich treasury of Karnatic music with their umpteen number of kritis. The musical contributions of composers ranging from Annamacharya to Mysore Vasudevachar form a link in preserving our rich musical heritage. The kritis are of great significance from the musical and literary point of view. This rich and great musical heritage has been applauded in musical concerts. It has been my constant effort to collect the popular as well as rare kritis of both popular and less popular composers out of academic interest. The present volume is a humble attempt of mine to present the beautiful and illustrious select compositions of eminent vaggeyakaras of medieval and modern times to the lovers and students of carnatic music. These compositions have been selected on account of their scope for beautiful rendering and excellent sahitya as well as musical aspects. Compositions of Annamacharya Bhadrachala Ramadasa Ramanathapuram Srinivasa Iyengar Pallavi Sesha Iyer Subbaraya Sastri Veena Kuppayyar Mysore Vasudevachar and G N Balasubramoniam are included in this book. In the introduction a short biography and a brief evaluation of their contribution has been highlighted. The compositions of the musical trinity which are part of the heritage have already been dealt in different Volumes. 107 pp.

Soft cover. Zustand: New. 1st Edition. Contents: 1. Muthuswamy Dikshitar --introduction. 2. Navagraha Kritis--Meaning of the Navagraha Kritis: i. Suryamurthe Namosthuthe. ii. Chandram Bhaja manasa. iii. Angarakam Asrayami. iv. Budhamasrayami. v. Brihaspathe. vi. Sri Sukra Bhjagavantham. vii. Divakara Tanujam. viii. Smaramyaham. ix. Mahasuram kethumaham. 3. Kshetra kritis or temple compositions. 4. Notation of the Navagraha Kritis: Ganesa sthuthi: i. Soorya--Sooryamurthe. ii. Chandra--Chandram Bhaja manasa. iii. Kuja--Angarakamasryami. iv. Budha--Budhamasrayami satatam. v. Brihaspathi--Brihaspathe. vi. Sukra--Sri Sukra Bhagavantam. vii. Sani--Divakara Tanujam. viii. Rahu--Smaramyaham. ix. Kethu--Mahasuram kethumaham.

Zustand: Good. Paperback, 8vo.; Small damage on top corners cover, small fold and crease, small stain on first endpapers.

Soft cover. Zustand: New. 4th Edition. Contents: Introduction, Evolution and Development of Bharathanatyam, Stage as designed by Bharatha, Tandava and Lasya, Nritta, Nritya and Natya: Adavus: Charis, Gatis, Utplavanas and Brhamaris, Angaharas; Padabheds; Karanas; Adbhinaya; Bhava; Nayaka Nayikabheda, Rasa; Hasthas; Forms of Bharatanatyam; Navasandhi, Costumes, Talam, Glossary; Index. In the present volume a comprehensive and detailed approach has been made to introduce Bharatanatyam to the lay readers as well as the learned exponent of Bharatanatyam. The first chapter gives brief introduction of the concept of Bharatanatyam. The second chapter takes the student to different kinds of presentation of Bharatanatyam. The third chapter onwards different technical details of Bharatanatyam like Adavus, Charis/gathis, padabhedas, angaharas, Karanas, Abhinaya, Bhava, Rasa and hasthas, Forms of Bharatanatyam have been given. The last chapter on Forms of Bhrathanatyam different forms of dances like Alarippu, Vamam, Sabdam, Tillana, Javali etc. have been described. How they are presented in the concert etc. been described. How they are presented in the concert etc. The last chapter contains the details of ornamentation in Bharatanayam and stage lighting. The Chapter on Tala gives a bsic introduction to the artist about the tala practice for Bharatanatyam. Contains more than 200 illustrations. Each chapter is well documented and illustrated.

Soft cover. Zustand: New. 3rd Edition. In this volume an attempt has been made to study the 31 lakshana grandhas in Carnatic Music. Each chapter deals with a complete study of the Lakshanagrandha, starting with a brief introduction, evaluates the important contributions on each treatise.

Soft cover. Zustand: New. 4th Edition. This index on carnatic music compostions. is a quick reference source for locating kritis in carnatic music The index lists out the Raga, Tala, and composer for more than 5000 kritis properly indexed in this edition. The general introduction gives a complete information about musical forms like kritis, varnam. Utsavasampradaya kritis,gitam, tillana,pada varna, javali, etc. The book will be very much useful for musicians and the students alike. Can also be used as a ready reference for locating the songs, and other details relating to a composition.

Soft cover. Zustand: As New. "The present reader in Karnatic music is a systematic introduction to the study of Karnatic music. The reader in four parts covers the different musical forms in Karnatic music.