benson alexander (14 Ergebnisse)

Paperback. Zustand: Brand New. 409 pages. 9.00x6.00x1.03 inches. In Stock.

Paperback. Zustand: Brand New. Hayden, Heidi (illustrator). 288 pages. 8.00x5.25x0.72 inches. In Stock.

Zustand: Very Good. Bon état. Sans date. Very Good.

Paperback. Zustand: Fair. No Jacket. Coker, Tomm (illustrator). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 280 pages. 9.00x6.00x0.75 inches. In Stock.

Soft cover. Zustand: Fine. 199 pp. ; illustrated (some in color) ; 29 cm. ; 0877190151 (pbk.) :; 9780877190158 (pbk.) LCCN: 84-24035 ; LC: N6535.D3; Dewey: 759.164/2812 ; OCLC: 11370812 ; stiff color illustrated paper wrappers ; features art of Clinton King (1901-1979),Thomas Hart Benson, Jerry Bywaters (1906-) (1906-1989), Alexandre Hogue (1898-), Henry Nash Smith, David R. Williams, Otis Dozier (1904-), William Lester (1910-), Charles T. Bowling (1891-), Thomas Stell (1898-1981), Everett Spruce (1908-), Dorothy Austin, Allie Tennant (1898-1971), Michael G. Owen (1915-1976), Octavio Medellin (1907-), Merritt Mauzey (1898-1973), Russell Vernon Hunter (1900-1955), Florence McClung (1894-), Perry Nichols (1911-), H. O. Robertson (1887-1970), Don Brown (1899-1958), Harry Carnohan, Lloyd Goff (1918-) ; FINE. Book.

Zustand: New. A transformative collection that advances new approaches to Black intellectual history by foregrounding the experiences and ideas of people who lacked access to more privileged mechanisms of public discourse and power.

Zustand: New.

Hardcover. Zustand: Brand New. 266 pages. 9.00x6.00x9.29 inches. In Stock.

Zustand: New. In.

Hardcover. Zustand: Brand New. 2nd new edition. 474 pages. 9.25x6.25x1.25 inches. In Stock.

Zustand: Very good. First edition. Rare bibligraphical catalogue of the early American artist's engravings, compiled by Duyckinck and with a biographical sketch by Lossing. 8.5'' x 6''. Original blue cloth with gilt-lettered spine. Top edge gilt. Frontispiece and illustrations by Anderson. 35, [1] pages. Edition of 100 copies. Moderate rubbing/edgewear and bumping to boards. Small closed tear to title page at gutter. Light foxing to endpapers.

Cloth. Zustand: Very Good Indeed. Frank W. Benson; Cecilia Beaux; J. W. Alexander; et al. (illustrator). First edition. A scarce catalogue detailing the works on display from the U.S at the fine arts exhibit at the Paris Exposition of 1900. The first and only edition.Illustrated with forty-eight monochrome plates and two monochrome diagrams of the Palais Des Beaux-Arts and the Pavilions of Foreign Nations. Collated, complete.In the publisher's original cloth with gilt details and a red sprayed fore-edge.This scarce catalogue provides information on the artworks, from by the United States, on display at the fine arts exhibit Paris-Exposition of 1900. The catalogue provides bibliographical information on the artists on display, and monochrome reproductions of the works exhibited. The artists featured inside include Frank W. Benson, Cecilia Beaux and J. W. Alexander. In the publisher's original cloth. Externally excellent with only minimal rubbing to the extremities and the odd very slight mark to the boards. Light offsetting to the endpapers. Internally firmly bound with clean and age toned pages. Very Good Indeed. book.

See the various entries in the Oxford DNB. Typed carbon copy. 1p, foolscap 8vo. Text complete, on aged piece of carbon paper, worn and chipped at edges. No signature. Addressed at foot to 'E. F. Benson Esq.' Thirty-one lines of text. He begins by stating that Benson, in his 'work on Charlotte Brontë', has 'made a very correct study of her'. After discussing a point about Branwell Bronte, he states: 'We cannot rely on Charlotte's assertion that he knew nothing whatever of their ventures in publishing. I am just busy preparing the "Life and Letters" for the Shakespeare Head edition, and have found from Charlotte's letters and other associated facts that she did not always tell the truth.' She describes the 'most glaring instance', concerning 'her references to Balzac's works', and adds that there are ' other instances of deceit in her correspondence with Ellen Nussey'. In the final paragraph he states that his 'old friend Mr. C. W. Hatfield [of the Bronte Society] will not hear a wrong word about Charlotte, and pleads with me to modify my editorial notes concerning the influence of Branwell, whilst my colleagues and editorial chief T. J. Wise is quite impartial, though he would like Charlotte's reputation upheld. In consequence of this I am venturing to send you the introductory portion (in rough galley form) of Chapter XIV in "Life and Letters" which I have headed "The Influence of Branwell." I wonder if you would be good enough to look this over and give me your opinion and criticism of it.'.