Anbieter: Paradou Books, Richmond, VA, USA
Soft cover. Zustand: Near Fine. Softcover, with dust jacket. 80 pgs. Minimal wear.
Sprache: Englisch
Verlag: Serpentine Gallery and Koenig Books, London and New York, 2010
ISBN 10: 3865607519 ISBN 13: 9783865607515
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
Erstausgabe
Zustand des Schutzumschlags: dj. First Edition. First edition. Softcover. 80 pages. Exhibition catalog for a show that ran March 3 through April 25, 2010. Features a foreword by Julia Peyton-Jones and Hans Ulrich Obrist and essays by Benjamin H.D. Buchloh, Michael Bracewell, and Richard Hamilton. Includes numerous illustrations, biographical information, and bibliographyy. A fine copy in wrappers and fine partial dust jacket as issued.
Sprache: Englisch
Verlag: Serpentine Gallery / Koenig Books, London, 2010
ISBN 10: 3865607519 ISBN 13: 9783865607515
Anbieter: Object Relations IOBA PBFA, London, Vereinigtes Königreich
Erstausgabe
EUR 11,89
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. 1st Edition. 1st printing (2010). 80pp. VG+ copy with wrapper.
Sprache: Englisch
Verlag: Buchhandlung Walther Konig GmbH & Co. KG. Abt. Verlag, 2010
ISBN 10: 3865607519 ISBN 13: 9783865607515
Anbieter: Blain Art Books, LONDON, GB, Vereinigtes Königreich
EUR 26,15
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. Softcover. Condition: VERY GOOD. Possible light general shelf wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp. With his memorably titled 1956 collage "Just What is it that Makes Today's Homes So Different, So Appealing?", British artist Richard Hamilton (born 1922) heralded the British Pop revolution; and with his 1967 Swingeing London series of prints, which depicted the arrest of Mick Jagger and Robert Fraser, Hamilton's art entered the general public consciousness. But unlike so many Pop artists, Hamilton was never an uncritical or ambivalent advocate of postwar society, and he has often agitated directly against it, producing a great deal of openly political, satirical work that assaults both consumer culture at large and more immediate political events. This monograph, published for Hamilton's 2010 exhibition at the Serpentine Gallery in London (his first exhibition since 1992), brings together Hamilton's famous "protest" paintings as well as newer political works and features essays by Benjamin H.D. Buchloh and Michael Bracewell.