bell laurence (18 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: GOOD. First edition. A book which combines bibliography, interpretation and narrative in a topical and chronological framework. Sections include from Afica to the New World, slavery, abolitionism and the anti-slavery movement, the Civil War and Reconstruction, northward migration, the Civil Rights movement and more. Index. xxii, 430p. Good in a good dust jacket - some scattered marginal notations, edgewear to the dj.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: very good, fair. First U.K. Edition. First? Printing. 24 cm, 233, DJ has some wear and some tears at edges, some soiling.

Hardcover. Zustand: Good. vi, 202pp. Blue cloth-covered boards; gilt titles on spine. 8vo. Rubbed spine ends, a little cocked, boards bent at bottom corner. Internally neat, clean, bright and tight.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st edition, 1st printing ; xx, 101 pp. : illustrations, mostly black and white ; 24 cm. ; ISBN: 0060510870 (acid-free paper) LCCN: 2002-17854 ; OCLC: 48958319 ; LC: HQ1735.6; Dewey: 305.42/09581 ; blue cloth with silver lettering, in photographic dustjacket ; "'We have been forgotten, and we need the right to speak. If no one hears what we say, nothing will change.' In 1997, during the Taliban's repressive rule, award-winning photographer Harriet Logan went to Afghanistan and encountered a group of extraordinary women whose strong characters and dreams for the future made an indelible impression on her. Despite the peril to her life and theirs, she captured their lives in a series of striking photographs. The women risked their safety b y speaking to and being photographed by her because they felt that the outside world needed to know what was happening to them. The images of women from 1997 contrast sharply with those from the 1970s, when they were free to dress as they wished, speak up for their rights, and pursue their educations alongside men. After the Taliban's defeat at the end of 2001, Logan returned to Afghanistan, where she found many of these women again and met others. These courageous and intelligent women shared with her stories of unimaginable sadness and abiding strength through the long years of war and uncertainty. Zargoona, a widow, reveals that she could not afford to treat her cancer because Taliban law prevented women from earning a living. Nahed, a schoolteacher, has vowed never to marry because even her own brothers beat her, Durkhanai, the daughter of a famous television anchor-woman, tells how she experienced the joys of family life and the pain of lost freedom all at once: 'We were like birds in a cage. For me, maybe my cage was good -- my home was full of happiness. We love each other here and we are not hungry. But outside it was terrible.' Nine-year-old Sanam rejoices that she can carry her doll without being beaten for idolatry . Latifa lost her foot when she stepped on a mine and subsequently left her house only four times during Taliban rule. She begs of women across the world: 'Please help us Afghan women. We have just come out of a dark period into the sunshine. Learn from us so that what we have suffered will never happen again.' Logan's photographs reveal the world of these women, from portraits of them at home to the war-torn landscapes of Kabul and its marketplaces newly brimming with beauty products. This stunning journey in text and image will open the reader's eyes to the Afghanistan of yesterday, today, and tomorrow."--dustjacket ; remainder mark at bottom, else FINE/FINE. Book.

Hardcover. Zustand: Very Good.

Zustand: Neuf.

Paperback. Zustand: Brand New. 472 pages. 9.90x7.90x1.10 inches. In Stock.

Paperback. Zustand: Brand New. 192 pages. 9.25x6.00x0.75 inches. In Stock.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. CULTURE WARS bell hooks on Spike Lee's Malcom X ECOCULTURE Andrew Ross' Weather Report GLAMOUR WOUNDS Rhonda Lieberman on The Fountainebleau Hotel FACE-LIFTS Jeanne Silverthorne on Secret Vices AMERICAN MYTHS J. Hoberman on Bill Clinton TOP TEN Greil Marcus' Real Life Rock COLUMNS FEATURES REVIEWS PROFANE ILLUMINATIONS: SOCIAL HISTORY AND THE ART OF JEFF WALL Thomas Crow WHEN IN VIDEODROME: TRAVELS IN THE NEW FLESH Howard Hampton ALEX KATZ Jack Pierson WENT LOOKING FOR AFRICA: CARRIE MAE WEEMS Kate Linker REAL TIME TRAVEL Laurence Rickels talks with Ulrike Ottinger LOCKDOWN: ROBERT GOBER AT DIA Collier Schorr THE END OF THE WORLD HAS ALREADY HAPPENED: ROBERT GOBER Donald Kuspit OPENINGS: LEONARDO DREW Hilton Als COLUMNS FEATURES REVIEWS NEW YORK Donald Kuspit on Eric Fischl Donald Kuspit on Karel Appel Donald Kuspit on A.R. Penck Keith Seward on Jenny Watson Joshua Decter on Matt Mullican Ben Lifson on Frank Majore Linda Yablonsky on Philip Pearlstein Patricia C. Phillips on Maria Nordman Patricia C. Phillips on Michelle Stuart Barry Schwabsky on Mat Collishaw Barry Schwabsky on Brenda Zlamany Jenifer P. Borum on Adolph Wölfli Jenifer P. Borum on Kenneth Goldsmith K. Marriott Jones on Stephen Ellis Ronny Cohen on Chuck Connelly Justin Spring on Sally Gall Kirby Gookin on Kirsten Mosher David Pagel on Nancy Mitchnick MILAN Francesca Pasini on Name Diffusion HARRISBURG Eileen Neff on Richard Torchia CHICAGO James Yood on Italo Scanga James Yood on Deborah Butterfield SAN FRANCISCO David Levi Strauss on Margaret Crane/Jon Winet LOS ANGELES David Pagel on Kevin Sullivan Benjamin Weissman on Thaddeus Strode Amelia Jones on José Quintana MONTREAL John K. Grande on Michèle Waquant MADRID Juan Vicente Aliaga on Francis Bacon VALENCIA Anatxu Zabalbeascoa on Joan Fontcuberta ROME Massimo Carboni on Salvatore Astore NICE Christian Kravagna on Gerwald Rockenschaub PARIS Jean-Pierre Criqui on Didier Vermeiren Olivier Zahm on Jutta Koether, Laurent Joubert ZURICH Giorgio Verzotti on Chiara Dynys, Giovanni Rizzoli VIENNA Johanna Hofleitner on Patricia London Ante Paris COLOGNE Jutta Koether on Adrian Schiess DÜSSELDORF Sabine B. Vogel on Andreas Techler HAMBURG Wolf Jahn on Klaus Kumrow LONDON Michael Corris on Gilbert & George Michael Archer on Tim Head.

Wraps. Zustand: Good. no date, presumed 1980. Single stapled zine 11 ¾ by 8 ¼ inches. 10 leaves, printed on rectos only. Black and white photos and illustrations throughout. One of the many zines out of Ipswich, UK, taking the punk zine aesthetic seriously with cut ups and layout. This issue with an interview with Swell Maps, pieces on the Clash, the Damned, Models, Adicts, etc. GOOD condition. General minor toning, minor soiling, some wrinkling and creasing. Slight curling to the corners. Mailing address in blue ink on the rear cover. (Worley p. 100).

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Videokassette. Zustand: Befriedigend. Artikel stammt aus Nichtraucherhaushalt! NB2-708 Sprache: Deutsch Gewicht in Gramm: 500.