beatriz milhazes (24 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 24 pages. French language. 13.15x9.21x0.39 inches. In Stock.

First edition. Softcover. 129 pages. Exhibition catalog for a show that ran September 16 through October 29, 2022. Features an essay by Mark Godfrey along with the text of a conversation between Polly Apfelbaum and Milhazes. Includes numerous color illustrations, a checklist, list of previous exhibitions, list of public collections, and a selected bibliography. A fine copy in blue cloth boards and from the library of Lucas Samaras with estate stamp to the verso of the front free endpaper. No dust jacket as issued. A very nice copy with an interesting provenance.

Paperback. Zustand: Brand New. 249 pages. 10.00x8.50x1.00 inches. In Stock.

hardcover. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Hardcover. Zustand: Brand New. 130 pages. 10.25x9.75x0.63 inches. In Stock.

Hardcover. Zustand: Brand New. 130 pages. 10.25x9.75x0.63 inches. In Stock.

Hardback. Zustand: Near fine. First Edition. 18 x 24cm 136pp near fine hardback featuring Beatriz Milhazes in conversation with Christian Lacroix and an essay: 'Polyrhythmic Painting' together with colour reproductions. Text in French and English.

69 S. Goldenes Hardcover. 4°. Mehrsprachig: deutsch, portugiesisch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: deu.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Fine. Quarto, un paginated (282 pages) illustrated throughout in black and in color. Illustrated wrappers with original wrap around band + attached, a brush, a sheet of stickers and a garland made up of small printed flags. - First edition. Reproduction of articles and photographs of works by the following artists: Lia Gangitano, Tacita Dean, Paul Ramirez Jonas, Marjetica Potrc, Janet Cardiff, Arturo Herrera, Bonnie Collura, Beatriz Milhazes, Artur Barrio, Katarzyna Josefowicz, Jarbas Lopez, Valdirlei Dias Nunes, Michael Elmgreen, Ingar Dragset, Olafur Eliasson, Gabriel Orozco, Koo Jeong-a, Georges Bures Miller, Glenn Ligon, Jeff Wall, Valerie Export, Dave Muller, Rirkrit Tiravanja, Paul McCarthy, Vik Muniz, the Telesymposium collective. Contains articles by curators, art critics, writers and architects Barbara London, Milena Kalinovska, Jana Sevcikova, Jiri Sevcik, Josef Pleskot, Peter Lacko, Maia Damianovic, Gotan Tomcic, Thyrza Nicols Goodeve, Hou Hanru, Pat Kalt, Thilo Fuchs, Adam Szymczyk, Veronica Cordiero, Adriano Pedrosa, Jens Hoffmann. The audio CD presents the artist Janet Cardiff's "sound hike", "Drogan's nightmare". Also included are two interviews with Hans-Ulrich Obrist, one by Arata Isozaki and one by Johannes Cladders, an interview with Kiki Smith by Deirdre Summerbell, an interview with Surasi Kusolwong by Jérôme Sans.

Hardcover. Zustand: Very Good. 1st Edition. 1st printing (2005). 135pp. Pictorial paper covered boards. Dual language: French/English. VG clean copy, rear top corner bumped, small scuff to rear cover.

First edition. Folio (13-1/4" x 9-1/2"). 44, (2)pp. Text in English and German. Orange boards decorated and lettered in blind and electric blue. Illustrated throughout with color photographs of her artwork Beatriz Milhazes' flowers undergo endless variations. One moment they are naturalistically painted, another moment they are abstractly transformed or only graphically suggested. Demonstrating the depth and versatility of her chosen subject, this book accompanies the first solo exhibition of Beatriz Milhazes in Germany. Here she is in conversation with Sebastian Preuss discussing her work and the inspiration behind it. (OCLC) "During the 1980s my paintings were developed using different technical possibilities of making a surface. I always liked the idea of paint, but was using elements of collage and printing. and glued them onto my canvas. I experimented a lot because I always wanted to be a painter but I never liked the gesture of the artist or the brushstroke showing the painterly process.".

Hardcover. Zustand: Brand New. 345 pages. 11.00x8.25x1.25 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Como Nuevo. Zustand des Schutzumschlags: Como Nuevo. Twenty-five years ago, on April 1, 1984, Parkett presented its first issue to the public in the small music pavilion of a park in Zürich. Of course, the image of Parkett spreading out into the world like sound waves is not entirely applicable. From the outset, the very essence of the project has always been transatlantic, being conceived in two languages as a bridge between the continents of Europe and North America. The main theme of our three issues this year, the rich potential of transatlantic exchange, is launched by a conversation between our New York editor, Bettina Funcke and Bice Curiger: "Transatlantic and Beyond." In-depth contributions will further analyze Parkett's "face-to-face" exchangeto borrow the title of Jean-Luc Mylayne's Edition be it across the Atlantic or the face-to-face relationship we have with the collaboration artists. To celebrate our anniversary year, we are inviting a special guest for each issue from among those who have collaborated with us before. Mylayne, our first special guest, is an artist without a fixed domicile, who creates his work largely in Texas and France. Birds take centerstage in his photographs but looks deceive, for the crucial concern in his work is the encounter between bird and human being. The fact that he "transforms the camera into an instrument of slow, philosophical examination," as described by Josef Helfenstein, is indicative of the complexity that gradually surfaces the more one studies his pictures. Although our other three collaboration artistsMaria Lassnig, Beatriz Milhazes, and Josh Smithare all painters, it is not the shared medium that motivated the decision to juxtapose them. Like Mylayne, they too are self-willed, driven by unwavering passion and single-minded purpose. Resonant in the liberating abandon of the cover is the reconquest of a much abused terrainone that is marked by gestural energy. It is the work of Josh Smith, born in 1976 and the youngest in our quartet of collaborating artists. His positively carefree exploitation of modern painting's vocabulary stands in contrast to that of an earlier generation, like Kippenberger or Wool, who, as Anne Pontégnie explains, "were necessarily more focused on liberating themselves from a stifling modernist orthodoxy". We have the privilege of enjoying an even greater contrast in the inexhaustible freshness and youth of the paintings made by 90-year-old Maria Lassnig. Her attention to the body has anchored the energies of gestural painting and symbolism in what Rob Storr calls science-fiction, inasmuch as she fuses "bodies and hardware as a device for describing humanity's supernatural adaptations." While Lassnig has staked out a transatlantic territory with stops in Vienna, Paris, New York and back to Vienna, Beatriz Milhazes, a native of Rio de Janeiro, charts the relationship between Brazil and the West. As she says in her conversation with musician Arto Lindsay, "Western culture is determined by Europe and North America", an observation which in turn relates to anthropophagy or cultural cannibalism. In their contributions, Tanya Barson and Barry Schwabsky trace the references that resonate in Milhazes's oeuvre, taking us on a challenging journey not only from Brazil to Mexico but also to Matisse, Emilio Pucci, and Roy Lichtenstein. Also in this issue is an Insert by Markus Uhr, the spine has been designed by Josh Smith. In Parkett's 25th year, we realize once againalong with Ben Vautrierhow inescapably mutable the notion of the "center of the world" has become! Table of Content Sharon Lockhart's Lunch Break by Mark Godfrey Transatlantic 25 Years Parkett Transatlantic and Beyond by Bettina Funcke & Bice Curiger Tansatlantic Statements Jean-Luc Mylanye Understanding Life by Josef Helfenstein Angle of Repose by Fionn Meade Side by Side by Jean-Luc Mylanye Maria Lassnig Hard Labor: The Forte of Women by Ludmila Vachtova How Do You Solve a Pro.

N.Y., Pace Gallery, 2022. 129 pp. Col. ills. & plts. Hardcover. Published in conjunction with the Brazilian artist Beatriz Milhazes (born 1960) first solo exhibition at Pace [September 6 - October 29, 2022] since she joined the gallery in 2020, this book spotlights 10 vibrant, large-scale paintings she created during pandemic quarantine, as well as an immersive multimedia installation titled Gamboa III (2020), which incorporates materials found in carnival props. Including additional images of Milhazes previous sculptural works and new texts that illuminate her highly generative practice, the publication immerses readers in the artist's colorful, spiritual world. An essay by curator Mark Godfrey explores Milhazes' art as it relates to the terms landscape and logo, structure and spontaneity and surface and spirituality; and a conversation between Milhazes and fellow artist Polly Apfelbaum delves into Milhazes emergence within the international art scene and her relationship with her practice today. [Pace Gallery].

Miami. Perez Art Museum. BEATRIZ MILHAZES: Jardim Botânico. 200 pp. with 51 color plates and additional color illustrations. 4to, cloth. 2014. Text in English and Spanish.

245 pp.; 28.8 x 23.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Book about artists and their studios with photographs by Gustavo Malheiros and texts by Lilian Tone. Artists include Regina Silveira, Adriana Varejão, Erika Verzutti, Jac Leirner, Maria Klabin, Renata Lucas, Leda Catunda, Sofia Borges, Mônica Nador, Iole de Freitas, Maria Laet and Beatriz Milhazes. Text in Portuguese. Fine. In publisher's issued shrink wrap. Due to large size and weight additional shipping charges may be required for international orders.

Holzwarth, Hans Werner. BEATRIZ MILHAZES. 528 pages. 4to, boards. Cologne: Taschen, 2021. As vibrant as her unique visual language, this monograph presents the work of Beatriz Milhazes, the Brazilian painter who fuses modernist abstraction with the colors and light of her native country. This edition explores all of the artist's creative phases in over 300 works from her beginnings to the present day.

Herkenhoff, Paulo. BEATRIZ MILHAZES. 2006.

Zustand: New. As vibrant as her unique visual language, this monograph presents the work of Beatriz Milhazes, the Brazilian painter who fuses modernist abstraction with the colors and light of her native country. Expanded to include works up to 2020, this edition explore.

Couverture rigide. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. Jaquette en rhodoïd (1,2 kg). 240224.301.3.R.

The print is inspired by the tropical nature of Rio de Janeiro and, features around 60 colours, utilizing a collage-like technique. Her studio is in the Jardim Botanico neighbourhood, home of the Botanical Garden, which has over 6,500 plants and trees. It was published to coincide with her retrospective at the St Ives Tate, 25 May - 29 september 2024. Edition of 50. Original screenprint on card. Signed, titled, numbered and dated on the verso. Sheet size: 40 x 60 cm. Framed size: 50.3 x 70.3 cm. Presented in a handmade white gold frame with conservation acrylic glazing. Excellent condition.

Lithograph in colours, 2021, on wove paper, signed and numbered from the edition of 100, 50 x 60 cm. (19¾ by 23½ in.) Waiting for edition to be sold out.