bayley stephen editor (9 Ergebnisse)

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. N/A (illustrator). 1985. Conran Octopus, London, 1985. Hard cover. Book Condition : Very good. Clean text, illustrations. Book covers edge worn. Covers bowed. Heavy book may incur extra postage. Book will be sent by Uk postal service. Inventory #013137. N/A.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. jacket is shelf rubbed and edge worn, 1 close tear on top edge. mild tanning. some edge wear on boards. light marks. well bound. very good copy.[S.K]. Our orders are shipped using tracked courier delivery services.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Cassell & Co, 2001. Hardback, d/j, sm4to, 383pp, illust. A good copy. 0304359467/1.5uk . (Please note that our condition gradings are stricter than those of Abebooks and many other sellers. There may therefore be a discrepancy between this description and its listed condition grading).

Paperback/sewed. Zustand: Fine copy. 1st edition. This book was published to coincide with an exhibition of the same name which opened at The Boilerhouse of London's Victoria & Albert Museum on 9 april 1986. Design: Fothergill Bayley. Contents: 1). Introduction. 2). A new product 1886/ the invention of Coca-Cola. 3). Distribution 1900-1916/ how Coca-Cola became national. 4). Design strategy 1916-1930/creating brand awareness. 5). Image and marketing/suggestions of a lifestyle. 6). The trademark/making Coca-Cola international. 7). Response to competition/Coke in the 70s and 80s. 8). Afterword. 9). Bibliography. With numerous illustrations, most of them in color. 'The coca leaf and the kola nut gave not only their names, but also their shapes to bottles of the soft drink. 96 pag. Size: 20,5cmx20,5cm.

Hardcover. Zustand: Brand New. 180 pages. 8.25x8.50x1.00 inches. In Stock.

Zustand: Good. Good condition. Very Good dust jacket. In protective mylar cover. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. This copy inscribed 'Sherban, thank you for all your help etc., Stephen [Bayley]' on title page. Also has ownership stamp of Sherban G. Cantacuzino on title page. 255 pages : color illustrations, portraits ; 29 cm. First edition, first printing. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Signed by Author(s).

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 4to. pp. 255. Coloured frontispiece. Illustrated throughout the text in colour and black and white. Original publisher's dark grey cloth with light grey geometrical design on covers, lettered light grey on spine and upper cover. Dust-jacket. ISBN 1850290059 Presentation copy: 'Paul & Annette I hold you entirely responsible for me being in a position to write this! Stephen x 85.' Loosely inserted typed signed letter from Stephen [Bayley] to Paul [Reilly], typed on headed notepaper from Boilerhouse, Victoria and Albert Museum, London SW7 2RL, dated 23rd October 1985 and consisting of about 130 words in which Bayley reiterates his opinion that the design Council 'was absolutely outstanding' in the 50s and 60s but has recently become less impressive because it has no basis in everyday life and experience. He continues by saying that this has been emphasised by 'the schism between Design and Engineering which he thinks are all part of the same thing.' Below this he has handwritten 'or should be!' Stephen Bayley, an authority on style and design, was chosen by Sir Terence Conran to head up the Boilerhouse Project at the Victoria and Albert Museum. This was Britain's first permanent exhibition of design and it was host to more than 20 exhibitions in five years including Ford Motor Co, Sony, Issey Miyake, Coca Cola and Taste. He then became chief executive of the Design Museum in London which grew out of the Boilerhouse Project. Sir Paul Reilly, an expert in design, was highly influential during the 1950s and 1960s serving on numerous committees. During the 60s he steered the Design Council towards pure engineering and away from consumer products which led to it becoming distanced from culture and experience. Slightly rubbed at head and foot of spine, a couple of nicks to upper corners of dust-jacket. VG. 1850290059 Slight rubbing, otherwise very good. Signedes.

Hardcover. Dust Jacket Included. 4to. pp. 255. 500 illus. (most colour). index. bds. dw. First Edition.