batuz (22 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Square quarto, hardcover, Text by Dieter Ronte, Ronald A. Kuchta, Rafael Squirru, Curt Heigl. Includes both b/w and color plates, some folding. Book and dust jacket are in fine condition. 040407A.

Hardcover. Zustand: Very Good. The Barcelona Cookbook: A Celebration of Food, Wine, and Life This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

First edition. Hardcover. Text by Dieter Ronte, Ronald A. Kuchta, Rafael Squirru, and Curt Heigl. Includes 102 color and some black and white illustrations. A tight near fine copy in a very good with a chip from the base of the spine and some other slight wear.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, (1933-) --Exhibitions -- Art. Exhibition dates: Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981. "Since the early 1950s, Batuz has produced a body of work, moving from naturalism into abstraction, which gives universally understandable meaning to abstract forms. This book presents the most recent phase of Batuz' passionate commitment to uncompromisingly ontological art, and art that, in the artist words, 'goes from life to being'." --dw. 2 Kg.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 174 pages; Description: 174 p. : ill. (some col. ) ; 28 cm. Subjects: Batuz, 1933- --Exhibitions. Notes: "Exhibition dates, Everson Museum of Art, Syracuse and Onondaga County, New York, May 15-June 14, 1981 . [et al. ]"--p. [15]. 2 Kg.

(48)pp. Prof. illus. Oblong 4to. Wraps. Presentation copy, inscribed by the artist.

Zustand: Good. New York: Rizzoli, 1981. 4to hardcover. 174pp. Illustrations. Good book. Very Good dust jacket. In protective mylar cover. (Modern Art, Exhibition Catalogs) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Broschiert. Zustand: Sehr gut. de, en (illustrator). 2 Ausstellungskataloge: 1. Reuben Nakian, Batuz-Stiftung Schloß Schaumburg. Texte von Batuz, Christoph Brockhaus und Paul S. Nakian. 22 S., 10 ganzseitige Abb. 28 x 28 cm. Sehr gutes, sauberes Exemplar. 2. Gesamtplanung der Societe Imaginaire für Altzella / Gesamtprojekt der Batuz Foundation für Altzella. Aus dem Inhalt: Die Batuz Foundation Sachsen: Reuben Nakian, Inge Morath, Raul Lozza. 32 S., zahlr. Abb. 21 x 29 cm. Brosch. Sehr gutes, sauberes Exemplar. Batuz / Miklós Maar (1933 in Budapest) ist ein US-amerikanischer Künstler und Kulturaktivist. Er ist der Gründer der Société Imaginaire, einer Institution zur interkulturellen Kommunikation durch Kunst. Mitglieder der Société Imaginaire sind u. a. Michel Butor, Hans Magnus Enzensberger, Arthur Miller, Czes?aw Mi?osz, Enrique Molina, Inge Morath, Octavio Paz, Mark Strand etc. Seine Frai ist Ute Mattel, die Enkelin des Komponisten Anton von Weber. Sprache: de, en Size: Folio.

First edition. Softcover. Exhibition catalog for a show that ran May 27 through June 20, 1982. Text in English and Japanese. With an essay by Rafael Squirru and an artist statement as well. An about good copy in stapled wrappers with some creasing and bumping to the corners and from the Cranbrook Academy of Art Library with their stamp to the verso of the rear cover. Signed and inscribed by Batuz and very scarce thus.

(36); (36)pp. Prof. illus. 4to. Wraps., bound dos-a-dos. Edition limited to 1600 copies. Texts in German and Spanish.

Kl.4°, 62 S. kartonierter Einband, illustrierter Umschlag Widmungsexemplar, Steffen Lange, meinem treuesden Mitarbeiter mit Freundschaft Batuz, Altzella 11.04.003 Stichworte: Nossen, Altzella, signierte Bücher Deutsch 300g.

Broschiert. Zustand: Sehr gut. Qu.-8°. 62 S., durchgehend illustr. Sehr gutes Ex. - Texte deutsch / engl. - Seit annähernd fünfzig Jahren arbeite ich an der "Interrelation of Forms", womit ich einen Beitrag für die Bildenden Künste leistete. 1984 gründete ich die Societe Imaginaire, um diese Idee auf alle Gebiete der Geisteswissenschaften zu übertragen. 1993 habe ich das Working Center in Altzella gegründet, um die in allen diesen Jahren gewonnenen Erkenntnisse in der Praxis umzusetzen. In "no mas fronteras" wende ich alle die oben erwähnten Erfahrungen in ihrer Gesamtheit an, um an den Konflikt-Grenzen, wo auch immer sie sich in der Welt befinden, zu einem tieferen Verständnis unter den Völkern beizutragen. Ich erwarte von den Lesern keine uneingeschränkte Zustimmung, jedoch eine große Aufmerksamkeit beim Lesen, damit sich jeder des Begriffs der Grenze bewußt wird und darüber nachdenkt, wie man gemeinsam und kreativ dieses wichtige Problem unserer Zeit lösen kann. Seit unvordenklichen Zeiten hat der Mensch um sich herum Schutzmauern und Hindernisse errichtet, um sein Habitat und seine Kultur von anderen abzugrenzen. Diese Grenzen waren vermutlich sowohl nach innen als auch nach außen gerichtet und konnten entweder einer defensiven oder aggressiven Funktion dienen. Immer waren diese Grenzen aber zugleich Orte und Ausgangspunkte für Konflikte und kriegerische Auseinandersetzungen. Im Verlaufe der Jahrhunderte hat sich der Begriff der Grenze gewandelt und relativiert. In der frühen Vergangenheit war den Menschen nur ihre unmittelbare Grenze wichtig und zugänglich. Heute, im Zeitalter der Globalisierung und Hochtechnologie, sind die Grenzen einerseits perfekt gesichert, andererseits aber sind sie durch die totale Kommunikation auch transparent geworden. (Durch die Illustrationen auf beiden Seiten möchte ich nicht nur den Text veranschaulichen, sondern uns gleichzeitig die vielfältigen Bedeutungen des Begriffs Grenze bewußt machen. Von der Chinesischen Mauer zu Kleingärten, vom Limes über die Maginotlinie bis hin zu einer zerbrochenen Schieferplatte eines Gehwegs in Potsdam. Oder auf die Ähnlichkeit eines mit Asphalt gefüllten Risses einer Straße in Uruguay zu den endlosen Stacheldrahtzäunen des Eisernen Vorhangs aufmerksam machen.) Sprache: Deutsch Gewicht in Gramm: 700.

Zustand: Sehr gut. 174 S. Ein gutes und sauberes Exemplar. - Since the early 1950s, Batuz has produced a body of work, moving from naturalism to abstraction, which gives universally understandable meaning to abstract forms. Rejecting the purely formal and materialistic aims of most abstract artists in this century, he returns to Kandinsky and other pioneers of the modern movement in his concern for the spiritual in art. This book presents the most recent phase of Batuz' passionate commitment to an uncompromisingly ontological art, an art that, in the artists words, "goes from life to being." The works in paper, begun in early 1979, represent not only an innovation in the use of paper pulp and other natural materials as a painterly medium, but also a new and profound apprehension of human existence as the fundamental issue of art. Born in Hungary, Batuz was forced from his native country by the horrors of World War II and spent several years in refugee camps. After emigrating with his family to Argentina in 1949, the self-taught painter devoted himself to art and the study of philosophy. His home and studio at Villa Gesell, where he worked in isolation for several years, evertically became a vital focus of artistic and intellectual activity in Argentina. Settling in the United States in 1973 instigated a new stage in his development, a more intense and open realization of the possibilities of abstract art that has brought him worldwide attention. ISBN 0847803864 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Originalleinen mit Schutzumschlag.

Zustand: Sehr gut. 174 S., sehr zahlr. Abb. Ein sehr gutes Exemplar. - englisch. - Since the early 1950s, Batuz has produced a body of work, moving from naturalism to abstraction, which gives universally understandable meaning to abstract forms. Rejecting the purely formal and materialistic aims of most abstract artists in this century, he returns to Kandinsky and other pioneers of the modern movement in his concern for the spiritual in art. This book presents the most recent phase of Batuz' passionate commitment to an uncompromisingly ontological art, an art that, in the artist's words, "goes from life to being." The works in paper, begun in early 1979, represent not only an innovation in the use of paper pulp and other natural materials as a painterly medium, but also a new and profound apprehension of human existence as the fundamental issue of art. Born in Hungary, Batuz was forced from his native country by the horrors of World War II and spent several years in refugee camps. After emigrating with his family to Argentina in 1949, the self-taught painter devoted himself to art and the study of philosophy. His home and studio at Villa Gesell, where he worked in isolation for several years, eventually became a vital focus of artistic and intellectual activity in Argentina. Settling in the United States in 1973 instigated a new stage in his development, a more intense and open realization of the possibilities of abstract art that has brought him worldwide attention. (Klappentext) ISBN 0847803864 Sprache: Deutsch Gewicht in Gramm: 1550 Originalleinen mit Schutzumschlag.

Nürnberg, 1983. 68 pp. B./w. ills. Softcover.

Zustand: Good. 4to. [35 pp]. Soft cover. Black and white plates. Very Good. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Softcover. Zustand: Near Fine. First edition. Quarto. Stapled wrappers. Text in German. Light wear, else near fine. Inscribed by Batuz on Michel Butor page.

Softcover. Zustand: Fine. First edition. Square quarto. Fine in gray printed wrappers. Inscribed on the title by the artist Batuz.

400. 400 Exempl. gr.8° unpaginiert. brosch. Einband wenig bestossen und berieben, Seiten mit geringer randl. Bräunung. Sprache: Deutschutsch 0,600 gr.

Hardcover. Zustand: Sehr gut. sehr guter Zustand 176 S., 192 Abb. Olwd. Mit eigenh. Widmung des Künstlers. Gr.-4°.

27x27cm Kartoniert. Zustand: Gut. 69 Seiten Einband minimal beschmutzt, Einbandkanten und Rücken minimal bestossen, Rücken minimal ausgeblichen, hinterer Einbanddeckel mit leichter Knickspur, Fußschnitt minimal beschmutzt Sprache: Deutsch Gewicht in Gramm: 450.