basner (161 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: New. In shrink wrap.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: New. Hardcover with Dust Jacket. An unused, unmarked and unblemished copy in Shrink-wrap.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: New. Basner, Arden; Beck, Natashia (illustrator). In.

brosch. je 34 S. Abb., sehr guter Zustand.

Paperback. Zustand: Brand New. 92 pages. 6.00x0.23x9.00 inches. In Stock.

Zustand: New. In.

47 S., OPpbd., EA., Mit Holzschnitt von Karl Mahr, Kl.-8°., Altdeutsche Schrift (Fraktur)., Bibl.Exemplar mit Stempelei und montiertem Rückenschild., Ebd. u. SS. etw. fleckig., Unt. Kapital fehlt., Schlechter Zustand., [K1_TB_6] Sprache: Deutsch 105 gr.

Zustand: Good. 1972. No Edition Remarks. 312 pages. Signed by the author. Illustrated dust jacket over red cloth covered boards with gilt. Signed by the author with dedication to half title. Pages remain clear with minimal tanning and foxing. Binding remains firm. Boards have mild edge-wear with slight rubbing to surfaces. Mild crushing to spine ends. Gilt lettering is bright and clear. Unclipped jacket has light edge-wear with tears and creasing. Moderate tanning to spine.

HC. Zustand: Gut. B3886-111 Sprache: Deutsch Gewicht in Gramm: 500.

Paperback. Zustand: Brand New. 84 pages. 10.91x8.50x0.32 inches. In Stock.

Hardcover. Zustand: Good. No Jacket. First Edition. Signed by the previous owner. Heavy book may require extra postage unless posted within South Africa. Publication of 287 pages. There is gilt on the spine of the book. The boards are a little shelf rubbed. There is foxing around the block of the book and some on the early and last few pages. The text is legible. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Paperback. Zustand: Brand New. 149 pages. 9.00x6.00x0.38 inches. In Stock.

Zustand: Very Good. Signed Copy First edition copy. . Good dust jacket. Volume 1. Signed by author on half title page. (North Canton, Ohio, History).

Taschenbuch. Zustand: Gut. 90 Seiten; Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Text in ALTDEUTSCHER SCHRIFT. Sprache: Deutsch Gewicht in Gramm: 100.

Zustand: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 88 pages. 6.00x0.38x9.00 inches. In Stock.

Hardcover. Zustand: Very Good. Inscribed by the Author on the title page. 232 pages, 11 1/4" x 8 1/2" brown cloth with gilt stamping. This is an ex-library copy with very minimal library markings- a small stamp on the front free endpaper and a sticker taped to the dust jacket spine. Otherwise, this is a very nice copy. About Fine in About Fine dj.

Zustand: New. In.

hardbound, dustjacket, 4to 154 pp., ca. 200 plates Russian edition; LIKE NEW condition.

Zustand: new. Pages: 32 Language: Russian. Basner appeals to the genre of quartet in the very beginning of his creative way. He generates his Quartet No. 1, op. 1 (1948) as the composition of one movement, marked with intensive development, when the music resembles the inner monologue, just unrestrained random utterance. Its imaginative sphere is defined as the purity of aspirations. Basner adheres to the structure, which may be defined as the principle of thematic concentrated elaboration, peculiar for D. D. Shostokovich, whom he considered to be his Teacher. This principle is distinct for the succession of musical "events". Therefore the main features of the quartet, such as laconic thinking and utmost dramatic expression, should have found their evolution in the composer's chamber-instrumental creation. 9790660044964.

Zustand: new. Pages: 8 Language: Russian. Serija s takim nazvaniem ne trebuet osobogo predstavlenija. Etot proekt stal chrezvychajno populjarnym za vesma korotkoe vremja. I neudivitelno: v kazhdom malenkom sbornike soderzhitsja "kvintessentsija" tvorchestva kazhdogo kompozitora ili ispolnitelja. Soderzhanie: S chego nachinaetsja Rodina? Iz kinofilma "Schit i mech" Na bezymjannoj vysote. Iz kinofilma "Tishina" Romans. Iz telefilma "Dni Turbinykh" 9790660041536.

Zustand: new. Pages: 20 Language: Russian, English. This is the violin pieces Poem and Scherzo (1951), where the brilliant violinist Basner reveals wonderful knowledge of the instrument and its virtuoso abilities. The Poem is lyrical and pathetic, accepted at one breath. The composition is opened by the brief introduction, stained in stern contemplative hints. Then the palpitating melody appears performed by the violin on the ground of piano triplets. The elaborative section outbursts passion and fever, while the growing wave leads to apex. The Poem is completed on weary descending intonations of the theme that seems to have exhausted its energy, thus sounding peaceful and obedient. The Scherzo reveals concealed features of the composer's talent. Here the sounding outbreaks dominate as impetuous unbridled, even boorish force casting the moods of Prokofiev's characters in this genre. This is felt also through the melody of the middle episode, where lucid courageous handsome lyrical temper dominates. 9790660045886.

Zustand: new. Pages: 28 Language: Russian, English. Narodnyj artist Rossii, laureat Gosudarstvennoj premii Veniamin Efimovich Basner (1925-1996) - vydajuschijsja kompozitor, che tvorchestvo odnoj iz jarkikh stranits voshlo v istoriju otechestvennoj muzykalnoj kultury. 13 proizvedenij dlja muzykalnogo teatra, 3 simfonii, 2 instrumentalnykh kontserta, simfonicheskie sjuity, pjat kvartetov, vokalnye tsikly, muzyka k 100 kinofilmam, bolee 300 pesen - vot daleko ne polnyj perechen ego sochinenij, uspeshno ispolnjavshikhsja na rodine i za rubezhom. Skripichnaja sonata pamjati skripacha Mikhaila Vajmana byla napisana V. Basnerom v 1982 godu. V etom sochinenii zvuchit skorb nevozvratimoj poteri (so studencheskikh let V. Basnera i M. Vajmana svjazyvala ogromnaja chelovecheskaja i tvorcheskaja druzhba). Premera skripichnoj sonaty sostojalas v 1983 godu v Leningrade v ispolnenii B. Gutnikova i E. Zhokhovoj. Izdanie prednaznachaetsja dlja kontsertirujuschikh ispolnitelej, studentov konservatorij i muzykalnykh uchilisch 9790660009642.

Zustand: new. Pages: 144 Language: Russian. Veniaminu Basneru bylo shestnadtsat let, kogda nachalas Velikaja Otechestvennaja vojna. On zhil v Jaroslavle, zanimalsja v muzykalnom uchilische, a v 1943 godu ego prizvali v armiju i zachislili v Leningradskoe artillerijskoe uchilische, evakuirovannoe v Kostromu. Uznav o nezaurjadnykh muzykalnykh sposobnostjakh kursanta, general perevel ego v muzykalnyj vzvod pri Voenno-transportnoj akademii, kotoraja v kontse vojny vozvratilas domoj. Tak Basner okazalsja v Leningrade. Tam on srazu zhe postupaet v konservatoriju, gde zanimaetsja po klassu skripki, rabotaet v estradnom orkestre Radiokomiteta i s uvlecheniem otkryvaet dlja sebja neobjatnyj mir muzyki. Projavivshijsja esche v detstve interes k kompozitsii stanovitsja nastojchivoj potrebnostju. Dalnejshuju sudbu opredelila vstrecha s D. D. Shostakovichem, chi sovety pomogli bystromu stanovleniju Basnera kak kompozitora-professionala, a vskore otnoshenija s velikim muzykantom pererosli v lichnuju druzhbu, dlivshujusja do kontsa zhizni Shostakovicha. Tvorcheskoe nasledie Basnera porazhaet shirotoj khudozhestvennykh interesov. On postojanno perekljuchalsja v poljarnye obraznye i zhanrovye sfery. No tsentralnymi vsegda ostavalis temy, raskryvajuschie velichie dukha, vernost vysokim nravstvennym i grazhdanskim idealam. Poetomu sobytija Velikoj Otechestvennoj vojny, raspakhnuvshej serdtsa k podvigu, zhertvennosti, sostradaniju, osobenno chasto stanovjatsja osnovoj ego proizvedenij. Vtoraja simfonija ("Blokada"), gde ispolzovana melodija pesni "Leningradskij metronom", Poema ob osazhdennom Leningrade dlja simfonicheskogo orkestra, vokalno-simfonicheskij tsikl "Vechnyj ogon", simfonicheskie sjuity iz kinofilmov "Bessmertnyj garnizon", "Sudba cheloveka", Pjatyj kvartet, vkljuchivshij melodiju pesni "S chego nachinaetsja Rodina?.", - vot sochinenija krupnoj formy, v kotorykh voploschena voennaja tema. Obychno muzyku k kinofilmam Basner sochinjal bystro, i melodii pesen poroj rozhdalis srazu - takova priroda talanta i vysokogo professionalizma mastera. No sozdanie kazhdoj dlja nego bylo delom sokrovennym, ispovedalnym. Bolshinstvo pesen Basnera o vojne zvuchat kak vospominanija, otsjuda sderzhannyj, doveritelnyj ton povestvovanija, bez patetiki i povyshennykh strastej. Eto surovaja intonatsija cheloveka, perezhivshego gorech utrat i znajuschego tsenu pobedy. Pochti vse voennye pesni Basnera napisany v minornom ladu, kazalos by iznachalno sozdajuschem nastroenie grusti. Odnako v melodijakh est volevoj zarjad i chistyj svet nadezhdy ("S chego nachinaetsja Rodina?.", "Berezovyj sok", "Na vsju ostavshujusja zhizn"). Est u Basnera i ozornye, veselye pesni, khotja tozhe v minornykh tonalnostjakh. V nikh i junosheskij zador, i soldatskij jumor ("Makhnem ne gljadja", "Kak, skazhi, tebja zovut?"). Soderzhanie: S chego nachinaetsja Rodina? Iz kinofilma "Schit i mech". Slova M. Matusovskogo Berezovyj sok. Iz kinofilma "Mirovoj paren". Slova M. Matusovskogo Na bezymjannoj vysote. Iz kinofilma "Tishina". Slova M. Matusovskogo Zaveschanie. Iz kinofilma "Vladivostok. God 1918". Slova M. Matusovskogo Ot razluki do razluki. Iz kinofilma "Tishina". Slova M. Matusovskogo Maki. Slova G. Pozhenjana Leningradskij metronom. Iz kinofilma "Tishina". Slova M. Matusovskogo My - deti voennoj pory. Iz kinofilma "Voditel avtobusa". Slova M. Matusovskogo Ukhodili parni na vojnu. Iz kinofilma "Mat i machekha". Slova R. Kazakovoj A tuman na luga lozhitsja. Iz kinofilma "Front za liniej fronta". Slova M. Matusovskogo Orljata. Iz kinofilma "Krasnyj khleb". Aranzhirovka G. Firticha. Slova M. Dudina Ballada o frontovom kinooperatore. Iz kinofilma "Reportazh s linii ognja". Slova M. Matusovskogo Makhnem ne gljadja. Iz kinofilma "Schit i mech". Slova M. Matusovskogo Ja, rebjata, kazhetsja, vljubilsja. Iz kinofilma "Front za liniej fronta". Slova M. Matusovskogo Gruzovichok-frontovichok. Iz kinofilma "Reportazh s linii ognja". Slova M. Matusovskogo Pogranichnaja zastava. Iz kinofilma "Ja sluzhu na gr.