baskin leonard d (23 Ergebnisse)

Zustand: Acceptable. Leonard Baskin (illustrator). Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Leonard Baskin (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. Leonard Baskin (illustrator). It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Leonard Baskin (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. No Jacket. Leonard Baskin (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Leonard Baskin (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Leonard Baskin (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Leonard Baskin (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Leonard Baskin (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. Leonard Baskin (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Leonard Baskin (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Leonard Baskin (illustrator). Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Zustand: Good. Leonard Baskin (illustrator). Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: New. In.

Zustand: NEW. Baskin, Leonard (illustrator).

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. Slim 8vo.pp.61. Original publisher's cloth binding in blue lettered gilt at spine. Dust jacket in go see blue with a repeat pattern of the publisher's initials 'ff ', lettered black with an attractive illustration of an Iris flower head. Striking full page colour illustrations by Leonard Baskin. Ownership signature of author Ronald Blythe on front endpaper. Poetry. ISBN:0571133177. Very good indeed in very good indeed dust jacket. Excellent condition.

Soft cover. Zustand: Very Good. 1st Edition. 128 p. : ill. (some col.) ; 31 cm. ISBN 9780896593893 0896593894 LCCN 83006342 LC N8260 .B74 1984 Dewey 704.9499047 ; OCLC 9393844 ; color pictorial stiff paper wrappers ; features artwork by Benny Andrews, Radi Angelov, Boris Angeluschev, Rudolf Baranik, Leonard Baskin, C D Bachelor, Maurice Becker, Max Beckmann, Michael Biddle, Abe Birnbaum, William Blake, Arnold Bocklin, Breughel the Elder, Jacob Burck, Jacques Callot, Bill Charmatz, Seymour Chwast, Alan E Cober, Austin Cooper, George Cruikshank, Honore Daumier,Romeyn de Hooghe, Andre Sunoyer de Segonzac, Otto Dix, Albrecht Durer, Harald Engman, Hans Erni, Philip Evergood, Farbery, Daniel Fitzpatrick, Antonio Franconi, Shigeo Fukuda, Andre Gill, James Gillray, Milton Glaser, Henry Glintenkamp, Leon Golub, Francisco Goya, Urs graf, J J Grandville, Gunter Grass, Georg Grosz, Heinz Halke, Huane Hanson, John Heartfield, Th. Heine, C Herouard, Hans Holbein, Brad Holland, Steve Horn, Karl Hubbuch, Pide Jung, I J Jordaan, Peter Kennard, Rockwell Kent, Edward Kienholz, Oskar Kokoschka, Kathe Kollwitz, Benjamin Kopman, Alfred Kubin, Bronislaw Wojciech Linke, James McMullan, Reginald Marsh, Franz Masereel, Robert Minor, Luc-Albert Moreau, Robert Morris, Lou Myers, Paul Nash, Thomas Nast, Charles Nelan, Bohdan Nowak, Robert Osborn, Robert Andrew Parker, Pablo Picasso, Paul Peter Piech, Jackson Pollock, George van Raendonck, Louis Raemakers, Boardman Robinson, Georges Roualt, Henri Rousseau, Thomas Rowlandson, Peter Paul Rubens, Ben Sakoguchi, U G Sato, Rudolf Schlichter, Lorraine Schneider, Ben Shahn, Chas R Slackman, Edward Sorel, Theophile Steinlen, Wolfgang Stauch, Pal Sujan, Roland Topor, Tadeusz Trepkowski, Tomi Ungerer, Jean Veder, V V Vereshchagin, Jacques Villons, Jean Veber, William H Walker, Jurgen Walker, A Paul Weber, H C Westerman, Adolphe Willette, Art Young, Gyula Ziber ; VG. Book.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware.

Hardcover. Zustand: Very Good. First Edition. Hardback. 4to. 1/1,100 305 by 241mms pp 81 Original publisher's marbled boards with printed spine label on cover. Nummer 338 of 1100 copies on hand made paper. Fine solander box with printed spine label.

Hardcover. Zustand: New. 1st Edition. Please inquire about pricing. First edition, first printing Limited edition of 235 signed and numbered copies (this being copy number 95). Signed in pencil on the limitation page by Bernard Faucon, Michael Kenna, Luis González Palma, Keith Carter, Holly Wright, Sandy Skoglund, Mark Klett, Jock Sturges, Duane Michals, Ernestine Rubin, Patrick Mailly-Maître-Grand, Willie Middlebrook, John Metoyer, Olivia Parker, Steven Albahari and Leonard Baskin. Hardcover. Fine black Japanese silk-covered boards with title stamped in black on cover, with burgundy quarter Morocco goatskin binding, no dust jacket as issued. The book is contained in a handmade black Japanese silk cloth-covered basswood clamshell box. 218 pp., with 15 hand-pulled bound photogravures by Jon Goodman Photogravure, one bound woodcut and 32 tritone plates exquisitely printed on Mohawk Superfine matte art paper by The Stinehour Press, Lunenburg, Vermont. Book measures 15-1/4 x 13-3/4 inches, clamshell box is 16-7/8 x 14-3/4 inches. New (a Mint flawless copy). Hand-pulled bound photogravures by Bernard Faucon, Michael Kenna, Luis González Palma, Keith Carter, Holly Wright, Sandy Skoglund, Mark Klett, Jock Sturges, Duane Michals, Ernestine Rubin, Patrick Mailly-Maître-Grand, Willie Middlebrook, John Metoyer, Olivia Parker and Steven Albahari, and one original bound woodblock print by Leonard Baskin. Essays by John Wood, Steven Albahari, Leonard Baskin, Frederick Turner, Jahn Stauffer, John Bennette, Christopher Mahoney, John Stilgoe, A.D. Coleman, Anne Wilkes Tucker, Paul Zimmer, Duane Michals, Robert Olen Butler, Amy Fleury, Ann Beattie, Daile Kaplan, Dana Gioia, Thomas W. Southall, Rixon Reed, John Stevenson, Denise Bethel and Lance Speer. Poems by Richard Wilbur, Morri Creech, Raúl Peschiera, Kevin Meaux and R. S. Thomas. Conversation with Holly Wright by Ann Beattie. Includes notes on the contributors. Designed by Paul McMenamin. Signed by Author.

Zustand: Fine. Signed limited edition. One of thirty-five deluxe copies bound in vellum, this being copy number two, in a total edition of 130. Signed by Leonard Baskin and editor John Fowles on the colophon. Each deluxe copy includes a suite of nine unbound signed prints by Leonard Baskin and is housed in a bay laurel and cedar wood box. A Fine copy, illustrated throughout with woodcuts by Baskin. D.H. Lawrence's short novel The Man Who Died was originally published as The Escaped Cock in 1929. Inspired by a visit to Etruscan tombs in 1927, the novel retells the resurrection of Christ to reflect on life, death, myth-making, and "the despairing, almost hectic seriousness with which Lawrence saw mankind's deep-rooted psychological and emotional problems" (Fowles, p. 100). This edition, which is illustrated throughout with the striking, energetic woodcuts of Leonard Baskin, was finely printed by Aaron Johnson at the Yolla Bolly Press using Bembo type on mold-made Somerset paper, with handmade endpapers from the Twinrocker Paper Mill. The elegant vellum binding of the deluxe issue was done by Renee Menge. In his commentary on The Man Who Died, editor John Fowles quotes Richard Adlington's perspective on the novel: "It is intensely personal, and the saddest thing Lawrence ever wrote. It is the only thing in his work that looks like a confession of defeat.The opening part when he describes the mingled agony and gradual happiness in creeping back from death to life is full of pathos; one can't help thinking of his own sufferings as he recovered from one or other of his serious crises. Like much of Lawrence's writing, it has more than one meaning. You can take it as an expression of his latest feelings about Jesus - a rejection of Jesus as a teacher, an acceptance of Jesus as the lover.Even when he was struggling with the problem of love and hatred, Lawrence was always a great lover; his deepest and most passionate belief was in love" (p. 101). Fine. Signed.

373 x 262 mm. (14 3/4 x 10 1/4"). 2 p.l., 101, [3] pp.With commentary by John Fowles. Bound at the press in full vellum by Renee Menge, simple gilt cross on upper cover, white leather stitches along joints. Housed in a bay laurel and cedar wood box with a plain cross carved into the lid. WITH NINE WOODCUTS BY LEONARD BASKIN. SIGNED in the colophon by Leonard Baskin and John Fowles. Anthony Burgess, "Flame into Being," pp. 174-78. As new. Expressively illustrated by Leonard Baskin, this is one of five Press Copies of an elegant fine press edition of D. H. Lawrence's provocative novella of the Resurrection. David Herbert Lawrence (1885-1930) composed "The Man Who Died" (originally titled "The Escaped Cock") in two sections in 1927-28 as he descended into his final illness. In the novel, a resurrected Jesus embraces humanity and the flesh, turning away from his previous teachings to believe that the body is more important than the spirit. DNB tells us that the book is "a work of intense nostalgia for the body," written by the slowly withering Lawrence. That this openly sacrilegious book did not spark more controversy is surprising; Lawrence biographer Burgess suggests it is due to his care never to explicitly name Jesus in the text, or perhaps because "the whole work is so masterly a piece of prose poetry that it has the capacity to disarm even the faithful." Our edition, with its elegantly simple binding and box, both decorated only with a cross, has not shied away from the connection. From 1983-2001, our publishers, Carolyn and James Robertson, created hand-printed works on the finest handmade paper at their press in Covelo, California, adjacent to the Yolla Bolly Wilderness, from which their press obviously takes its name. As noted in the introduction to "Making Books in the Woods," Stanford University Library's 2002 exhibition of the press' works, "the design of each Yolla Bolly Press book is intimately tied to the nuances of the text, and is completed with great attention to craft. . . . The Press commissions original artwork as well as fresh commentaries by contemporary authors to accompany classic texts, offering an 'interpretation of the original text in a contemporary context.'" The text here is accompanied by commentary from writer John Fowles (1926-2005) and a suite of evocative woodcuts by Leonard Baskin. One of the preeminent American artists of the 20th century, Baskin (1922-2000) considered himself primarily a sculptor, but he is best known for his woodcuts, book illustrations, and the fine books created at the Gehenna Press, which he founded in 1942, while still a student at Yale. His woodcuts and sculptures were in the figurative tradition at a time when abstract expressionism was the dominant movement in art; his defense of his style, quoted in his New York Times obituary, seems especially applicable to the etchings here: "Our human frame, our gutted mansion, our enveloping sack of beef and ash is yet a glory. Glorious in defining our universal sodality and in defining our utter uniqueness. The human figure is the image of all men and of one man. It contains all and can express all." Rugged and emotional, these depictions, like the text, depict a raw and human Jesus, using closely cropped compositions and dark, uneven lines to draw out the visceral celebration of humanity in Lawrence's work. ONE OF 35 COPIES BOUND IN VELLUM, 30 of these for sale, OURS ONE OF FIVE RESERVED for the Press (from a total edition of 130 copies, 100 of which were for sale).