Verlag: Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 1991
ISBN 10: 3631437870 ISBN 13: 9783631437872
Sprache: Englisch
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Erstausgabe
Originalhardcover. Zustand: Sehr gut. 2., rev. and expanded ed. 175 S. Ein gutes und sauberes Exemplar. - The monograph aims for a comprehensive look at the history of «The Big Apple», incorporating material that has come to light since the first edition of this work was published in 1991. The overall picture now is: Apples, always important, became especially so with the appearance of the Big Red Delicious Apple in Iowa, 1870's. «The Big Apple» therefore came to refer to somebody or something very important. In 1920 an African-American stablehand in New Orleans mentioned in conversation: «We's goin' to 'the big apple'» (NYC racetracks as the big time in horseracing). Turf writer John J. Fitz Gerald overheard this statement and adopted «The Big Apple» (1921ff.) in his columns, popularizing it to refer particularly to the NYC tracks. Secondarily it could refer to big time horseracing in general. In the 1930's «The Big Apple» was picked up by black jazz musicians to designate NYC in general (and Harlem in particular) as the place where the greatest jazz in the world was being played. And in 1971 Charles Gillett revived «The Big Apple» as part of a public-relations campaign on behalf of NYC. Despite the increasingly clear picture of what happened, various incorrect etymologies have arisen about «The Big Apple». The monograph addresses and rejects them in some detail. ISBN 9783631613863 Sprache: Englisch Gewicht in Gramm: 329.
Verlag: Peter Lang, Peter Lang Jan 2011, 2011
ISBN 10: 3631613865 ISBN 13: 9783631613863
Sprache: Englisch
Anbieter: buchversandmimpf2000, Emtmannsberg, BAYE, Deutschland
Erstausgabe
Buch. Zustand: Neu. Neuware -The monograph aims for a comprehensive look at the history of «The Big Apple», incorporating material that has come to light since the first edition of this work was published in 1991. The overall picture now is: Apples, always important, became especially so with the appearance of the Big Red Delicious Apple in Iowa, 1870¿s. «The Big Apple» therefore came to refer to somebody or something very important. In 1920 an African-American stablehand in New Orleans mentioned in conversation: «We¿s goin¿ to ¿the big apple¿» (NYC racetracks as the big time in horseracing). Turf writer John J. Fitz Gerald overheard this statement and adopted «The Big Apple» (1921ff.) in his columns, popularizing it to refer particularly to the NYC tracks. Secondarily it could refer to big time horseracing in general. In the 1930¿s «The Big Apple» was picked up by black jazz musicians to designate NYC in general (and Harlem in particular) as the place where the greatest jazz in the world was being played. And in 1971 Charles Gillett revived «The Big Apple» as part of a public-relations campaign on behalf of NYC. Despite the increasingly clear picture of what happened, various incorrect etymologies have arisen about «The Big Apple». The monograph addresses and rejects them in some detail. 176 pp. Englisch.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The monograph aims for a comprehensive look at the history of 'The Big Apple', incorporating material that has come to light since the first edition of this work was published in 1991. The overall picture now is: Apples, always important, became especially so with the appearance of the Big Red Delicious Apple in Iowa, 1870's. 'The Big Apple' therefore came to refer to somebody or something very important. In 1920 an African-American stablehand in New Orleans mentioned in conversation: 'We's goin' to 'the big apple'' (NYC racetracks as the big time in horseracing). Turf writer John J. Fitz Gerald overheard this statement and adopted 'The Big Apple' (1921ff.) in his columns, popularizing it to refer particularly to the NYC tracks. Secondarily it could refer to big time horseracing in general. In the 1930's 'The Big Apple' was picked up by black jazz musicians to designate NYC in general (and Harlem in particular) as the place where the greatest jazz in the world was being played. And in 1971 Charles Gillett revived 'The Big Apple' as part of a public-relations campaign on behalf of NYC. Despite the increasingly clear picture of what happened, various incorrect etymologies have arisen about 'The Big Apple'. The monograph addresses and rejects them in some detail.