barry crane (13 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Zustand: Fine. Softcover, 208 pgs. Postcard written to contributor tipped in. Fine.

Hardcover. Zustand: Fine. Illustrated by Barry Moser (illustrator). Illustrated by Barry Moser. Introduction by Alexander Eliot. (Northampton): Pennyroyal Editions, 1984. 12.25" x 8.25". 136[4]pp. Beige cloth, paper labels. Fine condition in equally fine beige cloth slipcase. Designed by Barry Moser and printed at the Stinehour Press on Superfine; typeface is Galliard, calligraphy by Yvette Rutledge. Text based on the 1895 D. Appleton and Company edition preserving all textual details of the first American printing. With 25 full-page wood engravings printed from the original block. ; 12.25 x 8.25 inches; 140 pages.

Hardcover. Zustand: Very Good. 136pp. Quarto [32 cm] Natural beige cloth over boards with paper title labels printed in red and black on the backstrip and front board. The front board is a bit warped at the fore-edge. In a matching cloth covered slipcase, with minor fraying to the edges. This edition is based on the text as published by D. Appleton and Company in 1895. Illustrator Barry Moser (b. 1940) is a printmaker specializing in wood engravings. He is most known for his illustrations of the King James Bible. Pennyroyal Reprint Edition illustrated by Barry Moser.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

Final Draft script, printed on pink leaves, for episode sixteen of the 1982-1983 CBS television series, which aired on January 12, 1983. The series aired for one season, with 22 episodes, which premiered on September 19, 1982 and ended on March 23, 1983. Loosely based on the 1954 musical directed by Stanley Donen and starring Jane Powell and Howard Keel, about a parentless family of rowdy brothers trying to run the family ranch in Northern California. In this episode Brian (Drake Hogestyn) teaches Guthrie (River Phoenix) how to hunt, but Guthrie is not sure he can kill an animal. When a wounded mountain lion threatens the life of Adam (Richard Dean Anderson), Guthrie is forced to make a life or death decision. Goldenrod titled wrappers, noted as FINAL DRAFT on the front wrapper, dated November 8, 1982, with credits for screenwriter Jud Scott. Title page present, dated November 8, 1982, noted as FINAL DRAFT, with credits for screenwriter Jud Scott. 51 leaves, with last page of text numbered 49. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.

Zustand: New. Die umfassendste visuelle Darstellung der Urzeit- Farbenpraechtig und opulent: ueber 2200 Illustrationen, Fotografien, 3D-Grafiken sowie Abbildungen spektakulaerer Rekonstruktionen- Herausragende Kombination aus wissenschaftlich fundi.

Final Draft script for Season 4 Episode 10 of the 1966-1973 television series. The successful espionage series followed the adventures of a small team of government agents as they fought a changing roster of Cold War spies, corrupt leaders of industry, and Third World dictators. In this installment, an art lover is convinced to return a stolen secret missile fuel formula in exchange for a valuable piece of art. The episode originally aired on December 7, 1969, on CBS. Goldenrod titled wrappers, dated August 5, 1969, and noted as FINAL DRAFT on the front wrapper, with credit for screenwriter Jerry Ludwig, noted as production No. 60034-084. Title page integral with the front wrapper, as issued. 67 leaves, with last page of text numbered 46. Mimeograph duplication on pink stock, rectos only, with rainbow revision pages laid in and bound in throughout, dated variously between 8/6/69 and 8/12/69. Pages lightly foxed on the edges, else Near Fine, wrapper about Near Fine, bound with two gold brads.

Final Draft script for Season 4 Episode 24 of the 1966-1973 television series. The successful espionage series followed the adventures of a small team of government agents as they fought a changing roster of Cold War spies, corrupt leaders of industry, and Third World dictators. In this installment, the team gathers to fight a chief of police operating a secret, illegal "death squad" in a small Latin American country. The episode originally aired on March 15, 1970, on CBS. Dark blue titled wrappers, dated January 12, 1970, and noted as FINAL DRAFT on the front wrapper, with credit for screenwriter Laurence Heath, noted as production No. 60034-100. Title page integral with the front wrapper, as issued. 56 leaves, with last page of text numbered 55. Mimeograph duplication on blue stock, rectos only. Pages lightly foxed on the edges, else Near Fine, wrapper about Near Fine, bound with two gold brads.

Final Draft script for Season 5 Episode 19 of the 1966-1973 television series. The successful espionage series followed the adventures of a small team of government agents as they fought a changing roster of Cold War spies, corrupt leaders of industry, and Third World dictators. In this installment, the team plans to steal the body of a deceased leader in order to gain access to a sensitive political document. The episode originally aired on February 6, 1971, on CBS. Red titled wrappers, dated September 4, 1970, and noted as FINAL DRAFT on the front wrapper, with credit for screenwriter Paul Playdon, noted as production No. 60035-113. Title page integral with the front wrapper, as issued. 54 leaves, with last page of text numbered 53. Mimeograph duplication on pink stock, rectos only. Pages Near Fine, wrapper about Near Fine, bound with two gold brads.