Barnwell andrea (28 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. First edition. Softcover. Introduction by Susan F. Rossen. Essays by Colin L. Westerbeck, Amy Mooney, Andrea D. Barnwell and Kirsten P. Buick, Daniel Schulman and Cherise Smith. Includes numerous color and black and white illustrations. A near fine copy in wrappers.

Soft cover. Zustand: As New. By Andrea D. Barnwell with contributions by Tritobia Hayes Benjamin, Kirsten P. Buick, Walter O. Evans, and Amy M. Mooney. 165 pages, 106 illustrations (93 color), quarto (4to), soft cover. As New condition, unsold inventory from an old bookstore. Inventory #14791-1.

Soft cover. Zustand: Near Fine. 64 pgs. Issue focused on contemporary African-American abstraction, with articles on Howardena Pindell, Joe Overstreet, Sam Gilliam Norman Lewis, Oliver Jackson, and more. Minimal wear.

Soft cover. Zustand: Fine. 1st Edition. 182 Pp. First Printing Indicated, Soft Cover Issue. Fine, No Wear Or Marks. Color And B/W Illustrations Throughout (illustrator).

Hardback. Zustand: Very Good. Cinema Remixed and Reloaded is a daring, bold, innovative look at black women artists and video art. This historical survey examines an intriguing and unbounded scope of work, including experimental film, projections, and installations. Creative projects by established artists who became interested in time-based media several decades ago, such as Camille Billops, Barbara McCullough, Howardena Pindell, and Adrian Piper, are presented alongside such midcareer artists as Berni Searle, Lorna Simpson, Kara Walker, and Carrie Mae Weems, who continually garner international acclaim. Large; Heavy; No DJ As Issued. 195 pages.…

Softcover. Zustand: Fine. First edition. Quarto. 165pp. French flap wrappers. Fine.

Paperback. Zustand: Very Good. With review slip. 165 pp. Colour illustrated with 80 colour plates. Paperback. Showcasing the private collection of paintings, photographs, sculpture and works on paper of Walter O. Evans by African American artists from 1848 to 1997. With essays by Tritobia Hayes Benjamin, Walter O. Evans, Kirsten Buick, Amy Mooney and Andrea Barnwell. A clean, VG copy. 4to.…

Soft cover. Zustand: Fine. 1st Edition. Illustrated wrappers (softcover) with French folds, 165p, illustrations in colour, 28 cm. Fine, clean crisp and unmarked copy.

Zustand: very good. vendeur pro, expedition soignee en 24/48h.Le livre peut montrer des signes d'usure dus à son utilisation, des défauts esthétiques tels que des rayures, des bosses et/ou des coins legerement endommages.

SOFTCOVER. Zustand: As New. 1st Edition. Large square 4to in colour printed stiff card covers, 165pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy (merest hint of tanning to leaves) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Zustand: New. In English.

Illus., 10.5 x 9.5", pict wraps, 165pp, covers with minor minor minor rubbing else a nice, fresh, clean copy. INSCRIBED AND SIGNED BY WALTER O. EVANS, who adds the date "6/3/00".

Hardcover. Zustand: Brand New. 196 pages. 10.25x10.25x1.00 inches. In Stock.

Hardcover. Zustand: As New. 1st Edition. As New - Out of Print A landmark and increasingly prescient survey, *Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970* (2008), edited by Andrea Barnwell Brownlee, traces a vital yet historically under acknowledged lineage within experimental film, video, and time-based media. Published in conjunction with the Spelman College Museum of Fine Art, the volume arrives ahead of the now-widespread institutional reassessment of early video art, offering a corrective lens on a field long defined through a narrow canon. While the dominant narrative of video art has centered figures such as Nam June Paik, Bill Viola, Vito Acconci, and Bruce Nauman—artists whose work was supported by galleries, museums, and early distribution networks—this publication makes clear that Black women artists were working concurrently, often with equal or greater conceptual ambition, but outside those same validating structures. Bringing together multiple generations, the book places pioneering figures such as Camille Billops, Barbara McCullough, Howardena Pindell, and Adrian Piper in dialogue with internationally recognized artists including Berni Searle, Lorna Simpson, Kara Walker, and Carrie Mae Weems. The relative marginalization of these artists can be understood through structural factors including limited institutional support, distribution disparities, and critical frameworks that undervalued work addressing race and gender. As a result, the canon that emerged was not simply incomplete, but selectively constructed. Today, as institutions actively reassess art history, this volume stands as both a survey and an early corrective—documenting artists whose contributions were never absent, only overlooked.…

Zustand: New. pp. 195 82 Illus. (Col.).

Zustand: New. Looks at black women artists and video art. This survey examines an intriguing and unbounded scope of work, including experimental film, projections, and installations. It presents creative projects by established artists who became interested in time-based.

Lex.8°, 165 S., überwiegend Abb., OBrosch., Ebd. schwach berieben, Na>V., sonst schönes Exemplar.

Hardcover. Zustand: Brand New. 128 pages. 11.25x8.75x0.75 inches. In Stock.

Zustand: fine. vendeur professionnel. envoi soigne en 24/48h.l'article peut presenter de tres legers signes d'usure.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Many illustrations in color & in black and white. Small 4to, 116pp., yellow cloth, d.w. San Francisco: Pomegranate, (2002). A fine copy in a fine dust wrapper. White, Charles (illustrator).

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. With color and b/w illustrations. 216 pages. Folio, brown cloth, d.w. Atlanta: Spelman College Museum of Fine Art, (2007). A fine copy in a fine dust wrapper.

Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. San Francisco, CA: Pomegranate, [2002]. First Edition with full number line. Quarto; publisher's cloth in unclipped pictorial dust jacket; xii,116pp.; halftone and full color illus. throughout. Light wear and dust-soil to jacket, else Very Good and sound. Signed by the author and the series editor on title page. The first in a series of gorgeous artist monographs devoted to the lives and works of Black artists, beginning with Charles White (1918-1979), who "intentionally and unapologetically dedicated his life and work to conveying the concerns, sentiments and beauty of African Americans" (front jacket flap). Signed. …

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 160 page 80 illustrations in color. Still in shrinkwrap. Fine condition. Illustrated boards. Interview between Deborah Roberts and Valerie Cassel Oliver. Foreword by Mary Schmidt Campbell, PhD. Illustrated boards. Published on the occasion of the exhibition from the Spelman College Museum of Fine Art, Atlanta, Georgia January 25-May 19, 2018. Book. …

Zustand: Good. 4to. Hard Cover [ca. 160 pp.] B&W and Color Plates. Good with Tearing along Hinge at Title page, Dust Jacket is Very Good with , Creasing.

Illus., 10.75 x 9.75", cloth, 165pp, covers a little rubbed, hinges loose else a nice, clean copy in a lightly edge-worn dustjacket. INSCRIBED "For George, with my best wishes." AND SIGNED BY WALTER O. EVANS, who adds the date "4/8/06".