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Paper Back. Zustand: Remainder.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Wrappers. Zustand: Very Good. 208 pages. Paperback. Texts in English. Bound in illustrated stiff paper French fold covers. Lower right front cover is bumped, but otherwise the binding is tight and solid, with an uncreased spine and clean interior free of markings. Scholarly texts in English, well researched and indexed. Illustrated with beautifully full color reproductions of works that were presented in the exhibition for which this was published, presented in New York from October 5, 2010-January 9, 2011. Book.…

Zustand: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Published by Bedford Press Publishers, 1986. Folio. Hardcover. Book is like new. Dust jacket is like new.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Wrappers. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. 140 pages, 121 colour & b/w illustrations, cv, bibliography, signed by artist to title page, also includes als to supporter of the publication, signed by artist, laid-in. Minor wear, small tear to head of dustjacket spine. [767] Size: 255mm. x 215mm. Signed by Artist.…

Zustand: Good. 4to. 140 pp. Soft, printed glossy wraps with French folds. Very good with marginal edgewear. Color plates.

Zustand: New. The Princeton University Art Museum's collection of Spanish drawings includes masterworks by artists such as Jusepe de Ribera (1591-1652), Francisco Goya (1746-1828), Pablo Picasso (1881-1973), and Salvador Dali (1904-1989). In this book, each of the 95 drawings is reproduced in colour, often accompanied by comparative illustrations. Series: Princeton University Art Museum. Num Pages: 286 pages, 195 colour illustrations. BIC Classification: 1DSE; AC; AFF; AGC. Category: (G) General (US: Trade). Dimension: 292 x 248 x 22. Weight in Grams: 1328. . 2013. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 286 pages. 11.40x0.90x9.70 inches. In Stock.

Zustand: New. In English.

Zustand: New.

mit Schutzumschlag. Erste Augabe. 16 x 24 cm. Erste Auflage, 249 S. Silbern geprägte Originalpappband. Abbildungen. minimale Lagerspuren, ganz leicht gebogen, sonst noch gut.

Zustand: New. In English.

Paperback. Zustand: Brand New. 270 pages. 9.21x6.14x0.62 inches. In Stock.

Zustand: New. BIC Classification: AC; AMN. Category: (G) General (US: Trade). . . 2016. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: New.

Zustand: New. pp. xix + 249 45 Illus.

Zustand: New. In English.

Zustand: New. Demonstrates how Francisco Gomez de Sandoval y Rojas, first Duke of Lerma, served as a vital link in Habsburg architectural patronage. This book traces Lerma's trajectory as, beginning with the ancient royal city of Valladolid. Num Pages: 270 pages, Includes 45 b&w illustrations. BIC Classification: AC; AMN. Category: (G) General (US: Trade). Dimension: 234 x 156 x 16. Weight in Grams: 736. . 2009. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: Brand New. 180 pages. 9.53x7.28x1.02 inches. In Stock.

Exhibition catalogue. First paperback edition. 280x230mm 208 pages.Illustrated in duotone, some colour. Paperback. Fine. This elegantly designed, fully illustrated volume presents exquisite drawings by Spanish artists over the course of two centuries, featuring works by Ribera, Murillo and Goya from public and private collections in the New York area. Published to accompany a major exhibition at The Frick Collection in New York, this book presents the character, range and depth of the Spanish tradition of drawing from the early 17th to the early 19th century. These extraordinary works share a distinctiveness of technique, subject and mood that sets them apart from Italianate examples produced on the Peninsula in the same period - in other words, they represent a specifically 'Spanish manner'. Although Italian Renaissance principles of figure drawing and perspective were practiced by Spanish draftsmen, the greatest of them also employed techniques of dazzling idiosyncrasy: lines dart and dash freely over the paper as if the hand of the artist could not be restrained, and energetic splotches of ink wash enrich forms. Many of the themes favoured by these artists - fantastic creatures, murderers and martyrdoms, and unusual treatmants of the human body - also distinguish these works. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc., with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 32 years experience, you may order with confidence.…

Zustand: Good. First edition in publisher's original colour illustrated stiff deep French flap card wrap covers [soft back]. Quarto. 10½'' x 7¼''. This book brings together 32 texts about Velázquez that appeared between 1964 and 2006 in academic publications, exhibition catalogues, newspapers and general magazines. A good number of them are published here in Spanish for the first time. The set is the result of Jonathan Brown's long dedication to the life and works of the great Spanish painter, and also collects his opinions on many of the attempts to solve the mysteries that arise from the paintings of this enigmatic artist. All these issues are addressed in the last of the essays, "Velázquez, today and tomorrow," unpublished so far. There are two issues that give unity to the set of essays. Velázquez was a painter of the court of Felipe IV, and the changing relationship he maintained with the monarch is the framework in which the artist's career has to be interpreted. The central element of this relationship is Las Meninas, to which Brown dedicates two long essays: the classic one "On the meaning of Las Meninas" (1978) and "Las Meninas as masterpiece" (1999). The second theme is the question of the attributions and the related problem of the innovative technique of the artist. Velázquez was not a prolific painter. Since most of his safe works are in museums today, and as the price of large paintings continues to break records, determining what new works are authentic is an increasingly controversial task. In this book, Brown addresses this issue in its broadest dimension and participates in the debate on some specific attributions. Contains 449 printed pages of Spanish text with monochrome and colour illustrations, works of art and photographs throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 9788493606053 ART [Spanish].…