baldwin michael mel ramsden (17 Ergebnisse)

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 16,5 x 23,5 cm, 272 pages, numerous colour illustrations - This publication is built around an important installation Homes from Homes 2 (2000 2001), which simultaneously references the development of Art & Languages's work over the decades and the collection of the Migros Museum für Gegenwartskunst in Zurich, in which it is now included.

Zustand: Gut. Erstauflage. / First edition. 11 S. Text + 6 farbig. Tafeln (Malerei), insges. ca 24 S. Papier minimal randvergilbt. * Julian Gilbert Opie (Gebor. 12. Dezember 1958 in London) ist ein britischer Graphiker, Maler, Bildhauer. Installationskünstler, Videokünstler. Er erlangte mit seinen farbigen Stahlobjekten bei der documenta 8 im Jahr 1984 erste internationale Anerkennung, danach Ausstellungen in renommierten Galerien und Museen, darunter 1993 Biennale Venedig, 1999 Lenbachhaus München, 2000 Tate Britain, London, 2003 K21 Kunstsammlung Nordrhein-Westfalen in Düsseldorf, 20042005 animals, cars and people veranstaltet vom Public Art Fund im City Hall Park in New York City. Sprache: Englisch Gewicht in Gramm: 115 Gr.-8°, O(Gelb)-LeichtKarton./Paperback oder Broschur. Minimale Gebrauchsspuren. Gut erhalten.

Zustand: Good. Original yellow cloth, illustrations in colour and b/w, 8vo.

Softcover. Zustand: Good. 1ª Edició. Language: Català/English. 300 pg.

Encuadernación de tapa blanda. Zustand: Muy Bien.

48 pp.; 20.8 x 15 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue / artist's book published in conjunction with show "Collaborations," held September 14 - October 15, 1983. "Collaborations," was a counterpart exhibition to "ABHASA : Image - Bearing Light," held concurrently at the Fisher Gallery, University of Southern California, Los Angeles. Introduction by Robert L. Smith. Preface by Dan Wasil. Transcript of part of a seminar, "A Cultural Drama: The Artist's Studio," held at the Ikon Gallery, Birmingham with Fred Orton, Michael Baldwin, Mel Ramsden, Charles Harrison, Antonia Payne, and others. Design by Art & Language. Very Good. Sunning, rubbing, and light scratching of covers with mild edge wear. Contents clean and unmarked.

Hardcover. Zustand: Gut bis sehr gut. 1. Auflage. Z : 17 x 22,5 cm, 306 Seiten, zahlreiche Abbildungen - Art & Language war ursprünglich der Name einer Gruppe englischer Künstler, die es vorzogen, kollektiv und anonym zu arbeiten, und einer 1968 gegründeten Zeitschrift. Art & Language steht für eine kritische Analyse der Beziehungen zwischen Kunst, Gesellschaft und Politik. Vor dem historischen Hintergrund des Linguistic Turn verknüpfen Art & Language Kunst mit Sprache und hinterfragen damit die systemischen Annahmen von Kunsttheorie und Praxis. Seit 1976 betreiben Mel Ramsden und Michael Baldwin in Zusammenarbeit mit Charles Harrison das Projekt Art & Language. In ihrer medial vielfältigen Arbeitsweise diese reicht von Malerei bis Rockmusik setzen sich Ramsden und Baldwin noch immer mit den Hinterlassenschaften des Zusammenbruchs des Modernism auseinander. Diese Publikation ist rund um die wichtige Arbeit 2000-2001) aufgebaut, die sich gleichzeitig auf frühere Arbeiten von Art & Language und auf ältere Werke der Sammlung des migros museum für gegenwartskunst beziehen, in die diese Arbeit aufgenommen wurde. Ausführliche Bildlegenden und Essays der Künstler beschreiben und kommentieren jedes Element der Installation verorten diese in den Kontext ästhetischer, theoretischer und politischer Problemstellungen.

34 pp.; 21 x 15 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1972 issue of Art-Language. Contents include: "Some Questions on the Characterization of Questions," by Ian Burn and Mel Ramsden; "Information," by Terry Atkinson and Michael Baldwin; "Art Language and Art-Language," by Ian Burn and Mel Ramsden; "Interim Remarks," by Harold Hurrell; "Lupus in Fabula," by David Bainbridge and "In Reply," by Victor Burgin. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 75. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Very Good. Pale yellowing and dusting of covers with light edge wear. Fingerprint marking on verso. Contents clean and unmarked.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.

36 pp.; 21.5 x 13.9; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June 1970 issue of Art-Language edited by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, and Joseph Kosuth. Contents include: "Proceedings: Society for Theoretical Art and Analyses," by Ian Burn, Mel Ramsden, and Roger Cutforth; "Art Enquiry (2)," by Mel Ramsden; "(i) Concerning Some Theories and their Worlds," by Graham J. Howard; "(ii) Mona Lisas," by Graham J. Howard; "Marshal McLuhan and the Behavioral Sciences," by Bernard Bihari; "A Preliminary Proposal for the Directing of Perception," by Mel Ramsden and "General Note: M. Baldwin, (i) Atkinson and Meaninglessness, (ii) Preface, (iii) Dead Issues," by Michael Baldwin. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 75. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. "Book as Artwork 1960 / 1972" by Germano Celant. London, United Kingdom : Nigel Greenwood Inc. Ltd., 1972, pp. 77. Fine. Covers and contents clean and unmarked.

57 pp.; 21.1 x 14.7 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February 1972 issue of Art-Language. Contents include: "Unnatural Rules and Excuses," by Terry Atkinson and Michael Baldwin; "Four Wages of Sense," by Ian Burn and Mel Ramsden; "Aspect of Authorities," by Philip Pilkington, David Rushton, and Kevin Lole; "On Material-Character / Physical-Object Paradigm of Art," by Terry Atkinson and Michael Baldwin and "Ontological Relativity: A Note," by Graham Howard. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 75. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Very Good. Yellowing and rubbing of covers with light edge wear. Contents clean and unmarked.

5 vol. : 97 pp. ; 78 pp. ; 80 pp. ; 60 pp. ; [unpaginated]; 30 x 21.2 cm.; glue bound; slipcase; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist's book / exhibition catalogue published in conjunction with show held May 27 - June 24, 1973. Texts by Joseph Kosuth, Terry Smith, Mel Ramsden, Michael Baldwin, Terry Atkinson, Phillip Pilkington and David Rushton. First volume features "Protoinvestigations & The First Inverstigation (1965, 1966 - 1968)," second volume features "The Second Investigations (1968," third volume features "The Third, Fourth, Fifth, Sixth & Seventh Investigations (1968 - 1971)," fourth volume features "The Eight & Ninth Investigations (1971, 1972-1973)." Last volume features Kosuth's biography, bibliography and photographs. Texts in English, French, German, and Italian. Fair / Fine. Slipcase has substantial wear. Books are Fine, clean and unmarked. Due to large size and weight, additional shipping charges will be required for international orders.

[unpaginated]; 28 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. Includes artists' biographies, bibliographies, and contribution list of participants. Catalogue contains no reproductions. Good / Very Good. 4 cm., 3 mm., 9 mm., and 1.9 cm. of bumping to recto with light soiling and additional overall dust soiling of covers and a 2 mm. and 4 mm. spot of soiling to recto. 8 mm. tear and a 7 mm. tear to bottom edge of spine. 4.4 cm. of bumping adjacent to bottom edge of verso carrying through to last eight pages, contents otherwise clean and unmarked. Includes two-sided sheet of text "The Seventies: Post-Object Art" by Donald Karshan with 3 mm. creases along length of top, bottom, and right edges of sheet with yellowing and tears measuring 4 mm., 3 mm., and 1 mm.

[unpaginated]; 28 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. Includes artists' biographies, bibliographies, and contribution list of participants. Catalogue contains no reproductions. Very Good. Rubbing of covers including a 16 mm. vertical mark on recto. 2 mm. dent on verso with 2.5 cm. area of light soiling. Includes two-sided sheet of text "The Seventies: Post-Object Art" by Donald Karshan, folded in two with two 1 mm. tears to right side edge and a 6 mm. dog-ear to top right corner of sheet. Contents clean and unmarked.

[unpaginated]; 28 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held April 10 - August 25, 1970. Organized and catalogue compiled by Donald Karshan. Incorporates statements by conceptual artists in the show including Joseph Kosuth, Frederick Barthelme, On Kawara, Christine Kozlov, Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell, Ian Burn, Roger Cutforth, Meld Ramsden, Bruce Nauman, Dennis Oppenheim, Stephen Kaltenbach, Jan Dibbets, Douglas Huebler, Iain Baxter, Robert Barry, Hans Haacke, Daniel Buren, Bernar Venet, Ian WIlson, Mel Bochner, Saul Ostrow, Lawrence Weiner, Ed Ruscha, Donald Burgy, James Lee Byars, and Adrian Piper. Includes artists' biographies, bibliographies, and contribution list of participants. Catalogue contains no reproductions. Good / Very Good. Mild wear and soiling to covers and spine. Contents clean and unmarked. Includes slipped in two page text "The Seventies: Post-Object Art" by Donald Karhan issued in conjunction with the show and dated April 9, 1970.

95 pp.; 20.5 x 29 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; May 1975 issue featuring collaborative contributions. Essays "For Thomas Hobbes - I," by Terry Atkinson, Michael Baldwin, Joseph Kosuth, Lynn Lemaster, Philip Pilkington; "A Review of Styles," by David Rushton and Paul Wood; "'To Begin With, While I am Clearly a Marxist Sympathizer.,'" by Sandra Harrison; "Pedagogical Sketchbook (AL)," by Charles Harrison; "Brainstorming - New York," by Ian Burn and Mel Ramsden; "Art and Language," by Terry Atkinson, Michael Baldwin, Harold Hurrell, Lynn Lemaster; "Community Work," by Terry Atkinson, Lynn Lemaster, Philip Pilkington; "Rambling: To Partial Correspondents," by Michael Baldwin, Ian Burn, Joseph Kosuth, David Rushton; "Vulgar and Popular Opinions," by Philip Pilkington; "Little Grey Rabbit Goes to the Sea," by Michael Baldwin, Philip Pilkington; "Overview: The Paradox of the Heap of Stones," by PHILIP Pilkington; "Slogan Adaptation," by Charles Harrison, Harold Hurrell; "'Mr. Lin Yutang Refers to 'Fair Play'.?'" by Michael Baldwin, Sarah Charlesworth, Charles Harrison, Harold Hurrell, Lynn Lemaster; "Strategy is Political: Dear M.," by Ian Burn, Andrew Menard, Mel Ramsden; "My Amazed Admiration (.of the Subtle Complexity Reached by Western Capitalism)," by Sandra Harrison";Utopian Prayers and Infantile Marxism," by Charles Harrison, Sandra Harrison, Philip Pilkington, David Rushton, Mel Ramsden, Paul Wood; "Accidental Synopsis," by Michael Baldwin, Harold Hurrell "On the Embarassing Dangers of Banishing 12-Tone Music," by Charles Harrison, Sandra Harrison. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 76. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 237. Good. Covers show considerable wear including stains, scuffing and .5 cm nicks on spine. Contents clean and unmarked.

Zustand: Very good. Art & Language, Alternate Map for Documenta / Documenta Memorandum, Paul Maenz, Cologne, 1972. 722 x 506mm. Offset lithograph newsprint, printed recto and verso. Printed on the occasion of Documenta 5, by members of the Art & Language group including Terry Atkinson, David Bainbridge, Ian Burn, Michael Baldwin, Charles Harrison, Harold Hurrell, Joseph Kosuth and Mel Ramsden. Ref.: Robert Bailey, Art and Language International: Conceptual Art between Art Worlds (Duke University Press, 2016); and Charles Harrison, Essays on Art and Language (MIT Press, 2003), 66. Condition: folded three times with faint creasing; evenly toned to 'Alternate Map' side; minor chipping to edges, six hard-to-see closed tears to right-hand edge on 'Alternate Map' side and slight toning to edges to left-hand edge on 'Documenta Memorandum' side. Overall: Very good.