baker shelley (19 Ergebnisse)

Paperback. Zustand: Very Good. Secatore, Janie (illustrator). It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Soft cover. Zustand: Fair. No Jacket. Some browning of pages. Some underlinking in ink in first few pages (not throughout entire book). Otherwise a good readable copy fully intact. (PM) "S"helley.

Zustand: New. In.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. As New/As new copy. BP/Artists.

Hardcover. Zustand: Brand New. 86 pages. 5.00x0.25x8.00 inches. In Stock.

Paperback. Zustand: Brand New. 200 pages. 9.00x6.00x0.75 inches. In Stock.

Soft cover. Zustand: Very Good. approx. 44 copies ; SATB ; Pro Art 1200 ; Sheet music.

Hardcover. Zustand: Very Good. 555pp. Lavishly illustrated in colour and b&w. There are small indentations in the back cove which affect the jacket, but do not damage the cloth binding.

Hardcover. Zustand: Brand New. new title edition. 160 pages. 12.50x10.00x1.00 inches. In Stock.

Vintage insert poster for the 1976 film. An aspiring Jewish actor moves out of his parent's Brooklyn home to Greenwich Village in 1953, and ends up hanging out with an eccentric group of bohemians and artists. Nominated for the Palme d'Or. Set in and shot on location in New York City. 14 x 36 inches. Very Good plus, with several pinholes.

Three vintage studio still photographs and one vintage borderless reference photograph from the 1959 film. Based on Frances Goodrich and Albert Hackett's 1955 play. The first adaptation of Anne Frank's diary, considered by many to be the best, winner of three Academy Awards, including one for Best Supporting Actress for Shelley Winters. Set and shot on location in Amsterdam. 10 x 8 inches. Near Fine.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. Project for the Renovation of a Panopticon Prison," by Rem Koolhaas; "Architecture and Limits III. Violence of Architecture," by Bernard Tschumi; "Architecture and Limits III. Emblems of the City: Civic Pageantry and the Rhetoric of Urbanism," by Alan J. Plattus; "The Awning that Flapped in the Breeze and the Bodies that Littered the Field: 'Painting and the Invention of Photography,'" by Max Kozloff; "Norman Toynton's Grounds for Painting," by Kenneth Baker; "'Study for Yellow Apple' and 'Yellow Apple,'" by Roy Lichtenstein; "Charles Ludlam: The Mating of Theater and Art," by Ted Castle; "Books," by Hal Fischer. Reviews by Joan Casademont, Colin Westerbeck, Hal Foster, Thomas Lawson, Richard Flood, Shelley Rice, Ronny Cohen, Mark Levy, Thomas McEvilley, John E. Bowlt, Richard Armstrong, and Ida Panicelli. Cover: Roy Lichtenstein.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Energism: An Attitude Ronny H. Cohen Picasso: The Surrealist Realist Excerpts from a conversation between Roland Penrose and Dominique Bozo Passive Action/Active Passion Conrad Atkinson Independent Video: The First Fifteen Years Barbara London A Chronology of Video Activity in the United States: 1965 1980 Barbara London with Lorraine Zippay Random Access Information Nam June Paik Breaking the Silence: The Spectator as Speaker Kenneth Baker St. John s Rotary Arc Richard Serra Better Never than Late: The Late Entries to the Chicago Tribune Competition John Vinci COLUMNS FEATURES REVIEWS NEW YORK Kenneth Baker on Ralph Humphrey Hal Foster on Massimo Scolari Hal Foster on Eve Sonneman Hal Foster on Michael Heizer J. Hoberman on Jack Smith Amy Taubin on Robert Breer Amy Taubin on Ernie Gehr Colin L. Westerbeck, Jr. on The New Vision Colin L. Westerbeck, Jr. on Photography of the Fifties Colin L. Westerbeck, Jr. on Robert Walker Colin L. Westerbeck, Jr. on Merle Steir Tony Whitfield on Vigilance: An Exhibition of Artists' Books Exploring Strategies for Social Change Robert Broner on Jack Sonenberg Shelley Rice on System/Inquiry/Translation Shelley Rice on Hermine Freed Shelley Rice on Film as Installation Ronny H. Cohen on Ronald Bladen Ronny H. Cohen on The Italian Wave Nancy Princenthal on Seven Toronto Artists Joan Casademont on George Landow Joan Casademont on Margaret Harrison Joan Casademont on Judy Tomkins CAMBRIDGE Kenneth Baker on Ann & Patrick Poirier CHICAGO Jack Burnham on Beverly Feldmann FORT WORTH Susan Platt on Roy Fridge SAN FRANCISCO Mary Stofflet on Nina Wise & Lauren Elder SOUTHAMPTON/LONDON Stuart Morgan on Theatre of Mistakes, Homage to Morandi AMSTERDAM/EINDHOVEN Micky Piller on Sigurdur Gudmundsson EINDHOVEN Micky Piller on Arnulf Rainer.

Draft script for the 1988 British play, seen here under the working title "The Power of Prayer," which has been struck through and amended to the play's final title, "The Secret Rapture." Copied manuscript annotations throughout, noting editorial revisions. Set in 1980s Britain, about the impact of Thatcherism on the family of a junior government minister after the death of the family patriarch. Basis for the 1993 film starring Juliet Stevenson, Joanne Whalley-Kilmer, and Penelope Wilton. Self wrappers. Title page present, undated, with credits for playwright David Hare. 114 leaves, with last page of text numbered 111. Xerographic duplication, rectos only. Pages Very Good plus, partially bound at the top left corner with a single silver brad.

Draft script for the 1967 film. Working script belonging to an unknown cast or crew member, with annotations in manuscript pencil and ink throughout, largely noting deletions. A gathering of ancient human remains and a mysterious metallic object are discovered buried beneath the site of a planned extension to the London Underground. Renowned scientist Bernard Quatermass is called in to investigate. Based on the successful 1950s British science fiction serial "The Quatermass Experiment," and a follow-up to the films "The Quatermass Xperiment" (1955) and "Quatermass 2" (1957). Blue untitled wrappers with a die-cut title window in the British style on the front wrapper. Title page present, dated 25th January, 1967, with credit for screenwriter Nigel Kneale. 154 leaves, with last page of text numbered 131. Roneograph duplication on eye-rest green stock, rectos only, with undated pink and green revision pages (mimeograph) laid in throughout. Pages Good, moderately worn, with foxing on some revision fore-edges, wrapper Very Good plus, bound internally with two silver brads.

Ten vintage reference photographs from the 1976 film, including nine borderless and one bordered. Director Paul Mazursky's semi-autobiographical comedy, about a young Jewish man from Brooklyn who moves to then-bohemian enclave Greenwich Village, befriending a motley cast of characters in the process, including a Black gay man, a WASP poet, and a wacky hippie girl. Featuring early performances by Jeff Goldblum and Christopher Walken. 10 x 8 inches. Generally Near Fine.