Attr (101 Ergebnisse)

Zustand: New.

Original wrappers, but in mediocre condition. Covers loose and sunned. Spine of wrappers missing, bookblock good. Text in French. Please see description or ask for photos.

Original wrappers. Spine discoloured, small annotation in pen on back side, else in good condition. Text in French. Please see description or ask for photos.

Paperback. Zustand: Brand New. 304 pages. French language. 6.93x4.17x0.63 inches. In Stock.

Paperback. Wrs. Auction catalogue - the manuscript was unsold.

Hardcover. Zustand: Fair. page edges gilt, foxing on title page and frontispiece, prize bookplate and a gift inscription, inner hinges cracked, internal binding weak and some pages loose, red cloth, black and gilt decs, covers quite bright, Fair condition.

Zustand: New.

Paperback. Limp cvrs.

Soft cover. Zustand: Good. Disbound. Incidental music to D'Avenant's version of Shakespeare's 'Macbeth', 1672, the text of the songs taken from Thomas Middleton's 'The witch'; the music has also been attributed to Purcell. Consists of pp.201-236 of Jeremiah How's 'Book of British song', without a title-page; running heading throughout reads: How's illustrated book of British song. Some tears to last three pages and repairs with no loss of music or text.…

paperback. Zustand: Good. Collana "Erotica Savelli", 1 - Brossura editoriale di 192 pagine; a cura di Riccardo Reim e con una nota di Guillaume Apollinaire. Buona-ottima copia -- Prima traduzione integrale italiana. Scoperto da Apollinaire, che nel 1911 ne curò un'edizione clandestina, "Memorie di una cantante tedesca" rievoca la movimentata esistenza di Wilhelmine Schroeder-Devrient, cantante lirica assai apprezzata da Beethoven, Wagner e Goethe. Dai teatri ai bordelli, dai salotti viennesi ai bassifondi di Londra, queste pagine rievocano non solo le vicende di una scabrosa vita privata, ma sono anche il ritratto di un'epoca raffinata e libertina. Occupatissima dai suoi studi, diligente e dedita fino all'abnegazione alla sua carriera, col suo buonsenso tutto borghese e la sua pignoleria che schematizza anche il vizio, Paolina, quasi suo malgrado, si fa fedele specchio di una classe sociale dai mediocri ideali, sazia e soddisfatta di sé. Ed è appunto il piacere borghese che qui si ricerca, prudentemente e con egoismo, senza nulla infrangere o trasgredire, nella più totale acquiescenza verso i canoni costituiti. Se davvero le Memoiren riguardano in qualche modo la Schròder-Devrient, bisogna dire che la sua natura appassionata" - se tal davvero fu - era dotata di un cuore profondamente borghese." (dalla Postfazione di Riccardo Reim).…

paperback. Zustand: Good. Ristampa anastatica (senza data, circa 1970-80) dell'edizione di Firenze (senza data ma intorno al 1850) - Brossura editoriale di 35 pagine. Le note tipografiche dell'edizione fiorentina riportano ironicamente: "Tipografia di Merdocheo Culetti, in Via Cacaberis n. 100, All'insegna della Trippa, Palazzo Stercuzio". In apertura un'altrettanto scherzosa nota privata a penna:"In festo Caroli O.M. pro culo suo (eius, nostro) Georgius - D. XII m. octobris a. MXMIX". Gore e tracce del tempo alla copertina, ma nel complesso buon esemplare. Book. …

Hardcover. Bds, VG. WYCLIF.

Zustand: Very Good. London: David Nutt, 1893. First Thus. Duodecimo. 209 pages. Blue cloth stamped in decorative gilt. Worn at extremities and cracked at top of front joint. Binding and interior are sound. A sensation upon its publication in 1669, this epistolary work of fiction has had its authorship disputed over the centuries. Here attributed to Alcoforado, many scholars believe de la Vergne to be the real author. Albert Camus does clear things up a little in The Fall, declaring, "I was not the Portuguese nun.".…

No Binding. Zustand: Good. Theatrical lithograph of William Blanchard (1769-1835) in the roll of Robinson Crusoe, puiblished circa 1825/30, scarce uncoloured, 10 inches x 7 1/2 inches, good condition. [ William Blanchard's first London appearance was as Bob Acres in Sheridan's The Rivals. He remained at Covent Garden Theatre except for a brief tour in America in 1832, for 34 years. He was praised by Leigh Hunt and other major critics of the time.] [QP]. JONES, T. H. (Attr.) (illustrator).…

Disbound. First edition. 46 pp. 8vo. Simeon Jocelyn (1746-1823) was the publisher of the Chorister's Companion (1782-3) where he followed Andrew Law's approach to mix English and American and the new and the old composers. In 1787 he published A Collection of Favorite Psalm Tunes. Neither Sabin nor Shaw and Shoemaker list Jocelin as the author. Scarce. Sabin 50494. Shaw and Shoemaker 6820. Lacking the wrappers, some light dampstaining to the top edge else about very good.…

Hardcover. Zustand: leichte Gebrauchsspuren. 30 S., 1 ungez. Bl. 8°. Einband leicht nachgedunkelt sowie mit leichten Rand- und Eckläsuren. Seiten und Schnitt altersgemäß nachgedunkelt. Innen sauber. 1.-20. Tausend. Jenne 368[2A] 1938/1.-20./ EB 135a. Mit Schlussvignette der Mainzer Presse.

Paperback. Wrs, worn & lacking front cvr, spine taped; some foxing. Scarce.

Zustand: New. 2022. Derek Attridge. Hardcover. . . . . . Books ship from the US and Ireland.

No Binding. Zustand: Good. Theatrical lithograph published by the artist circa 1836 of John Reeve in the role of Marmaduke Magog in John Baldwin Blackstone's Wreck Ashore, scarce coloured, 10 inches x 7 1/2 inches, good condition. [Very popular English comic actor famous for never knowing his part, ad llibbing and winking at the audience. Despite his antics on stage (possibly because of them) and his heavy drinking he was able to continue in work. In 1835 he was well paid to go to appear in America but was unable to win over the audience.] [QP]. JONES, T. H. (Attr.) (illustrator). …

4 SS. Sauber und von guter Erhaltung. Gerne senden wir Ihnen, falls nötig, Bilder dieses Artikels via E-Mail. WICHTIG! IMPORTANT! Neue EPR-Regeln: Nur Versand möglich innerhalb Deutschlands und außerhalb der EU! Kein Versand in EU-Staaten möglich! EPR Rules: We ship only within Germany and to countries outside the EU! We do not ship to EU countries! Sprache: Deutsch Gewicht in Gramm: 0 Fol. klammergeheftet, ohne weiteren Einband.…

leather_bound. Zustand: Good. Volume rilegato in coeva pergamena mancante del dorso, bella incisione in antiporta e fregio al frontespizio, 852 pagine di testo in lingua latina precedute da indicazioni al lettore sulle regole della poesia latina, declinazioni e coniugazioni dei verbi ecc. Nota calligrafica di ex libris alla sguardia posteriore. Oltre agli evidenti segni di usura alla copertina, le pagine sono interessate da fioriture e bruniture, più dense in alcune parti; testo in carattere molto fitto, ma comunque leggibile; esemplare più che accettabile di una ricca e interessante settecentina ? Questo dizionario poetico anonimo è stato attribuito a padre Jacques Vanière (1664-1739), poeta e latinista gesuita francese. Era noto soprattutto per le sue poesie latine, che gli valsero il soprannome di ?Virgilio francese.. Book.…

Softcover. Zustand: Slightly used. [Beethoven, Ludwig van (mistakenly attr.)]: Sehnsuchts-, Schmerzens- und Hoffnungs-Walzer ? Prag, [c1830], Marco Berra. PN MB430. 3, [1] p. Oblong shape format, 250 mm ? Good copy.

Modern blind half leather binding, a very good copy. Text in French. Please see description or ask for photos.

Zustand: Very Good. [Wilmington, DE]: Eros Goldstripe Publication, 1974. First Edition. 12mo (17cm.); publisher's white pictorial card wrappers; 181,[9]pp.; illus. throughout. Moderate wear to wrapper margins, previous owner has filled in the illustration archway with red ink, textblock a bit toned, else Very Good and sound. Sadomasochist kink fiction meets gumshoe noir. Not in OCLC as of January, 2025. …

Zustand: Very Good+. First Edition. New York: A.S. Barnes & Company, [1878]. First Edition. Thick quarto (23cm); slightly later dark green goat over marbled paper-covered boards by Little, Brown & Co., elaborate gilt spine in six compartments, all edges marbled, marbled endpapers; 672,lxiiipp.; steel engraved frontispiece, twelves leaves of plates, text illus. throughout. Just a hint of edge wear, textblock a bit toned, else a Near Fine example. Contemporary ownership ex libris to both front and rear pastedowns. At head of title page: "Barne's Popular History.". …

Hardcover/Hardback. Zustand: Fine. 2nd Edition. Avec sa préparation & son usage, pour le plus part des indispositions du corps humain, ensemble les diverses façons de le falsifier, & les marques pour le recognoistrè: Composé premierement en Latin par Iean Neander, Médecin à Leyden (.). 1626 Second Edition. In 8vo. Pp. [1] f.e., [8], 342, [2], [1] r.e.; 9 total engraved plates of which [7] outside the numeration and 2 within it. Lyon. Chez Barthelemy Vincent. Woodcut ornament on the title page, woodcut initials and decorations. Rebacked in old full parchment with (discolored) title at the spine; endpapers renewed in modern times. A slight peculiarity is perceptible in the frontispiece's impression and paper, though not in a way that allows any firm conclusion. While a restoration or an anastatic replacement on old paper cannot be ruled out, there is no definite evidence for it. Consultations with a few colleagues did not yield agreement. Regardless, the volume is overall uniform and attractive, with charming fresh plates. Reference: Graesse IV, 652; Waring II, 709; Ferchl 379; Leclerc, Bibliotheca Americana , 407; Sabine XII, 576. Second emission of the first French translation by Jacques Veyras (the first emission was issued only a few months before, in October 1625, and it is extremely rare, being its most recent sale recorded on Rare Book Hub from 1977). The first absolute Latin edition was printed in 1622 and it is apparently less pursued than the French one(s). The book presents a study of tobacco and its medicinal applications, firmly rejecting its use only for mere pleasure and insisting on its medical benefits. Its illustrative content, consisting of nine plates in total, features botanical plates, extremely rare images of Native Americans cultivating and curing tobacco, alongside some of the first depictions of long pipes and the Persian kalian (basically a hookah, or shisha, or narghile). Ref. Bragge, Bibliotheca Nicotiana, no. 26, p. 10. This second Lyon printing retains a splendid series of engraved plates, among the earliest European depictions of tobacco and its worldwide culture. The images, executed in the clear, linear style characteristic of early scientific illustration, blend the instructional clarity of a herbal with the inquisitiveness of an ethnographic record. They are conventionally attributed to Moses van Uyttenbroeck, though the French imprint does not name the artist. The first 3 charming botanical plates include "Tabac mâle" and "Tabac femelle," rendered as botanical portraits accompanied by verses beneath each figure. They are followed by 3 especially notable scenes portraying Native Americans cultivating and curing tobacco, showing the successive stages of cultivation, drying, and preparation of the leaves, with meticulous detail of the tools, baskets, and fermentation setups employed. The final 3 engravings, again particularly remarkable, present the Persian kalian together with various pipes, representing one of the earliest printed portrayals of such instruments in Central Europe. The engraver's technique, sharp in outline, softly shaded, and marked by a touch of naivete, imbues the series with a distinctly 17th-century atmosphere, part scientific treatise, part decorative art. The text begins with Neander's structured chapters on the names and origins of tobacco, its various types and qualities, the proper seasons for planting and harvest, and the detailed preparation method known as 'Caldo' (p. 26 and following), a medical potion based on fermented drink, ginger powder, and other spices. The resulting product was stored in closed containers, and tobacco leaves could be dipped in it to obtain a special "vigor". Subsequent sections outline tobacco's properties as a medicinal herb, antidote, and universal remedy, enriched with anecdotes from the Americas, Europe and Middle East. Moses van Uyttenbroeck (attr.) (illustrator).…

Zustand: Good. Bensley Date: 1805. 8vo. 252 and 284 pp, illustrated with 21 portrait engravings green labelled full calf bindings with gilt lettering, some wear to edges. Very Good Condition. Contemp. Ex-libris pasted inside. [A series of letters that appeared .

Zustand: Good. Original engraving. 20.5 x 15 cm (sheet). Very Good, sheet trimmed to the plate mark.

Zustand: Good. Lithograph on wove paper, with margins. 14 x 10 1/4 inches (sheet). Very Good. Sheet toning in the margins. Print affixed at right sheet edge to another support sheet.Ref: (Catalogue Raisonne): Les Graveurs du XIX Siecle, Guide de L'Amateur d'Estampes Modernes par Henri Beraldi (Paris: Librairie L. Conquet, 1888).Jean Francois Gigoux (1806-1894), painter, printmaker, and illustrator, was born on January 8, 1806, in Besancon, France and he first studied at l'Academie de Besancon. In 1828 Gigoux went to Paris and enrolled in the Ecole des Beaux-Arts where he studied under Theodore Gericault and Camille Corot.Gigoux was foremost a portrait and history painter and he holds a distinguished place among the painters of the Romantic School. He also worked in woodcut and etching but he was quite facile with the lithographic crayon and is noted for his romantic and passionate portraits in the medium.In 1842 Gigoux became a chevalier in the Legion of Honor and was named an officer of the Legion in 1880. He was the last love of countess Eveline Hansak, the widow of French novelist Honore de Balzac. Gigoux dies December 31, 1894 at the age of eighty-eight.…

Paris, Picard, 1900. xxiv,226 pp. Toile moderne. (lég. usé; qq. soulignes au crayon) Formerly ascribed to Origenes, now believed to be written by Gregorius Baeticus.