athos menaboni (33 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very good. Hardcover. 156pp. Very good hardback in a very good dustjacket.

Hardcover. Zustand: Good. No Jacket. This is just a good copy due to the rubbing of the covers. The inside is pristine. It is quite beautiful!

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Rinehart & Co. 1950 Tearing to jacket. Pen inscription to front fly leaf.

Hardcover. Zustand: Very good. Hardcover. First Edition. 132pp. Very good hardback in a price clipped, darkened, rubbed and chipped jacket.

Hardcover. Zustand: Very good. Hardcover. First Edition. 132pp. Ink gift inscription on front free endpaper, else a very good hardback in a heavily foxed jacket that has some minor chipping and a spot of loss at the front joint.

Hardcover. Zustand: Very good. Hardcover. First Edition. 132pp. Very good hardback in a corner clipped, but price intact jacket tat is slightly darkened and rubbed with some minor loss and a closed tear to the bottom of the rear joint.

Hardcover. Zustand: Very good. Hardcover. First Edition. 132pp. Very good hardback in a price clipped, darkened, rubbed and lightly chipped jacket that has a faint dampstain to the top of the rear panel.

Hardcover. Zustand: Very good. Hardcover. First Edition. 132pp. Very good hardback in a price clipped, darkened, slightly rubbed and edgeworn jacket that has a few small closed tears.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Signed by author on half-title page. Jacket has light wear, jacket flap is creased, binding sound, internally clean. Signed by Author.

1952 1st edition with numerous colour and B&W illustrations; ex-library copy with usual stamps, markings etc; tightly bound in red cloth with black cloth spine. Dust jacket not price-clipped and protected by clear adhesive film; now quite discoloured with small losses and wear to edges. page fore-edges darkened. Internally, edges of pages a little yellowed; otherwise, a good copy. Used - Good. Ex-lib hardback in Fair dust jacket Used - Good. Ex-lib hardback in Fair dust jacket.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Inscribed and signed by both authors. 1st Revised edition. Heavy, extra postage may be required if posted outside South Africa. Both jacket and boards are a bit edge worn and marked. Minor marks on page edges. However, it is in very good condition, excellent binding and internally clean. MK. Our orders are shipped using tracked courier delivery services. Signed.

Zustand: Assez bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Dust jacket in good condition. SIGNED by the author. Shelf and handling wear to cover and binding, with general signs of previous use. Signed by both Athos and Sara Meanboni. Minor creasing and chipping to the dust jacket. Light wear to the boards. Sound binding. Clean interior pages. New mylar added to the dust jacket. Book was previously held in the Library of the University of Georgia. Secure packaging for safe delivery. signed by author.

Hardcover. Zustand: Very Good. Hardcover. First edition. Some foxing to prelims, else a very good hardback in a darkened jacket that has a couple of tiny spots of loss. Inscribed and signed by Hicky on the front free endpaper.

Hardcover. Zustand: Very Good. Hardcover. First edition. Bookplate on front pastedown, ink name and offsetting on front free endpaper, else a very good hardback in a darkened, rubbed and lightly chipped jacket. Signed by Hicky.

4to. 132 S. OLn. mit Goldprägung und OSchU. Einband leicht berieben, Umschlag staubfleckig und mit Randläsuren und kleinen Rissen sowie in der Binnenfalte einem kleinen Fehlstück, Privatwidmung mit Blei auf Vortitel, sonst gut erhaltenes Exemplar. Sprache: englisch.

First edition hard back binding in publisher's original blackcurrant cloth covers, gilt title and author lettering to the spine. Quarto 10½'' x 7¼''. Athos Menaboni is widely regarded as one of the world's finest illustrators and painters of bird life and hailed by wildlife lovers, art collectors, and ornithologists alike as the twentieth century Audubon, but unlike Audubon, he worked mostly from live bird studies. Contains [xvi] 101 printed pages with full-page colour plates and illustrations throughout. Fine condition book in Fine condition dust wrapper, unused new book. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0865547122 ART [Italian].

USA Michael Joseph uå. 4:o XI,(5),132 sidor.Illustrerad.Förlagets klotryggband med trasigt skyddsomslag. Exlibris.[#192016].

Hardcover. Zustand: Good. Athos Menaboni (illustrator). Format is approximately 6.125 inches by 9.25 inches. [12], 62 pages. Cover has some wear and soiling. Minor endpaper soiling. Inscribed by the author on the fep. Inscription reads For George, with much affection--Devotedly, Daniel W. Hicky Atlanta: March 15, 1953. (signature in a different color ink as apparently the first pen was running out of ink). Daniel Whitehead Hicky (b December 6, 1900 Social Circle, Ga. - d July 17, 1976 Atlanta, Ga.) was an American poet and one of the most widely published poets in America during his prime. In addition to his six published books; "Bright Harbor" (1932), "Thirteen Sonnets For Georgia" (1933), "Call Back The Spring" (1935), "Wild Heron" (1940), "Never The Nightingale" (1951), and "The Poems of Daniel Whitehead Hicky" (1975), his work was regularly published in the national magazines, newspapers, and periodicals including The Saturday Evening Post, Harper's Magazine, The Atlanta Constitution, The North American Review, The New York Times, Cosmopolitan Magazine, New York Herald-Tribune, and others. He also wrote a column for the Atlanta Journal and Constitution, "As I Was Saying", discussing news, events and gossip from the local country clubs such as Piedmont Driving Club and Capitol City Club. And he gave lectures and readings of his poems throughout the South and Eastern USA at various colleges, clubs, and poetry societies. He was president of the Atlanta Writers Club for two years, and for many years was considered for Poet Laureate of Georgia. In 1931, he won the American Poetry Society's prize for his poem, "Machines". Athos Menaboni (1895 - 1990) was born in 1895 in the Italian port city of Livorno. As a result of his ship-supplier father's bringing home exotic animals from clients around the world, young Athos developed the lifelong fascination with birds and other animals, which later became the subjects of his paintings. At the age of nine, he began a formal study of art with private teachers. He later attended the Academy of Fine Arts in Florence. After serving in Italy's armed forces during World War I, Menaboni left home with a job on an American freighter and immigrated to the United States in 1921, eventually becoming an American citizen in 1936. By 1927, he was living in Atlanta, Georgia. During the next decade, he was hired by architect Philip Shutze to execute decorative painting at the Swan House (now a house museum at the Atlanta History Center) and in several other residences, as well as in public buildings. Other early commissions included restoration work on Atlanta's Cyclorama. During this period, he also earned money painting landscapes and seascapes. For the first year in Atlanta, Menaboni lived in a Peachtree Street boarding house owned by an uncle of his future wife. It was here he met Sara Regina Arnold, of Rome, Georgia, whom he married in 1928. In 1937, Menaboni returned to his childhood interest in birds. From then on, he steadily refined aspects of the art for which he is now famous - naturalistic oil paintings of birds. He developed a technique that used turpentine to thin the oil in order to paint in layers on paper and give the feathers translucency, detail, and depth. Among the poems included are: Nocturne: Georgia Coast, At the Symphony, Island Fishermen: St. Simon's, Harbor Night, Georgia Summer, Summertime Hill, Sea Captain, Battlefield, Snow Hill, Hyacinths, Taormina. First Edition [stated], presumed first printing.

Binder. Zustand: Good. shows minor wear.