arthur hurd (10 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781902031453.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9781902031453.

Paperback. Zustand: Very Good. . ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: New. In.

Hardcover. Zustand: Good. Arthur J. W. Burgess (Art Editor) (illustrator). xxii, xiv, [2], 496, xxiii-xlii, [12] pages. Illustrations. Tables. Profiles and Plans. British and Foreign Ordnance Tables. Naval Reference Section, Merchant Shipping Reference Section. Index to advertisers. Ex-library with usual library markings. Some weakness in rear board. Bookplate of Richard W. Mindte inside front cover. The Naval Annual was a book that provided considerable text and graphic information (largely concerning the British Royal Navy) which had previously been obtainable only by consulting a wide range of often foreign language publications. It was started by Thomas Brassey, 1st Earl Brassey in 1886. The Brassey series began a dozen years earlier, and its special strength was the dozen or more detailed articles on naval matters, authored by experts. They covered British and other nations' naval developments ranging from the latest ships to overall policy. Among the contributors are: C. N. Robinson, E. Altham, Alfred Dewar, Paul Chack, Clifford Albion Tinker, R. L. Nicholson, J. E. T. Harper, P. L. Holmes, Cuthbert Maughan, William Raeburn, Alfred Regnauld, John Slee, W. H. Clapham. The contents include: Naval Forces of the British Empire, Foreign Navies, Comparative Naval Strengths, Geneva Conference, 1927, French Naval Policy, Naval Situation in the Pacific, Warship Design, Flying Boats, Imperial Defence, Mercantile Marine, Engineering Progress, Port of Glasgow, Electric Ship Propulsion, Wireless Communication on board Ship, Capital Ships, Cruisers, Torpedo-Boats, Merchant Ships Ballistics of Guns, Naval Estimates, Presumed First Edition, First printing thus.

Vintage studio still photograph from the 1959 film. The first film by Cassavetes, for which he raised the entirety of the production budget himself, the story of three African American siblings in Harlem, two of whom often pass for white. Begun as an acting exercise in a workshop Cassavetes was conducting with Burt Lane, the story was originally filmed in 1958 with completely improvised dialogue and action based on scene outlines created by Cassavetes. After the film was poorly received at its three initial screening by just about everyone Cassavetes knew, he reworked the ideas into a more traditional script with screenwriter Robert Alan Arthur, and reshot the film, replacing between half and two thirds of the original footage and dramatically altering the story. Released in 1959, this version better reflected his vision for the film, and received a critics award when shown at the Venice Film Festival the following year. A watershed moment in American independent films, heralding not just the arrival of a new, iconoclastic director, but the birth of an entire movement. Shot on location in New York. 8 x 10 inches. Near Fine.

Vintage borderless reference photograph of director Arthur Penn and actress Alexandra Stewart on the set of the 1965 film. From the archive of film historian and author Joel Finler. After angering the Mafia, a stand-up comedian (Warren Beatty) finds himself on the run, taking on an alias and heading to Chicago. The film received spotty reviews upon release, but has since been reconsidered as a cult classic, heavily influenced by the New Wave and presaging Penn and Beatty's collaboration in "Bonnie and Clyde" two years later. Grant US. Spicer US.

Seven vintage studio still photographs from the British release of the 1959 film. The first film by John Cassavetes, entirely self-funded, about three Black siblings in Harlem, two of whom often pass for white. A watershed moment in American independent films, heralding not just the arrival of a new, iconoclastic director, but the birth of an entire movement. With its roots in an acting exercise from Cassavetes' Drama Workshop, the story was originally shot in 1958 with completely improvised dialogue and action, based on loose scene outlines. After the finished film was poorly received at its initial screenings, Cassavetes reworked the ideas into a more traditional script with screenwriter Robert Alan Arthur, and reshot the film, replacing between half and two thirds of the original footage and dramatically altering the story. Released in 1959, this version better reflected his vision for the film, and received a critics award when shown at the Venice Film Festival the following year. Shot on location in New York. 10 x 8 inches. Very Good plus to Near Fine.