Art graphics (30 Ergebnisse)

Zustand: New. In English. Fine Art, Ravencroft Graphics And (illustrator).

Paperback. Zustand: Brand New. 40 pages. 5.50x0.11x8.50 inches. In Stock.

Paperback. Zustand: Brand New. 30 pages. 5.50x0.06x8.50 inches. In Stock.

Paperback. Zustand: Brand New. 28 pages. 5.50x0.06x8.50 inches. In Stock.

Trade paperback. 272 p. Good. No dust jacket as issued. Weithas, Art (Graphics Direction) (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Art, Hekate; Graphics, Eadon (illustrator).

siehe Artikelbeschreibung. Zustand: siehe Artikelbeschreibung. ; ca. 30 x 21,5 cm; farb. ill. OBr; unpaginiert; Zustand: gebraucht! Einband besonders an Rändern berieben; innen: die 1. Seite ist herausgetrennt; die anderen Seiten ( ca. 94 Seiten ) sind teilweise von Kinderhand ausgemalt.

Paperback. Zustand: Very Good. First Edition. London: Marlborough Graphics [Marlborough Galleries], 1971. Catalogue of works by this artist at Marlborough's London galleries. Includes fifteen works illustrated. Softcover, sixteen pages. Very light edgewear, mainly to the corners and spine ends, internally about fine with no names or other markings. . First Edition. Soft Cover. Very Good. 4to - over 9¾" - 12" tall. …

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Art, Hekate; Graphics, Eadon (illustrator).

Paperback. Zustand: Brand New. 152 pages. 6.00x0.38x9.00 inches. In Stock.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

4to. 456 S. Mit zahlreichen Abbildungen. Orig.-Leinwand mit Orig.-Umschlag. Neuwertiges Exemplar.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. First Edition. 4to 11" - 13" tall; 272 pages; 1975 Grosset & Dunlap. Oversize hardcover in dust jacket. 1st edition, stated. Snugly bound and clean in full khaki green cloth lettered in gilt. Pictorial dust jacket price-clipped to front flap; light to moderate shelf rubbing with several short closed tears and nicks at edges; shallow fraying at crown of spine panel. In addition to the soldier's perspective associated with James Jones, the volume is notable for the curated selection by Wiethas of GI-produced drawings, paintings, and field renderings, reproduced in color throughout, including several fold-out panels. A useful visual complement to narrative accounts of WWII service. VG++/VG . Oversize book likely to require additional charges for expedited or international shipping.…

Paperback. Zustand: Brand New. 255 pages. 8.80x5.90x0.70 inches. In Stock. Casa Graphics; Inc. (illustrator).

Trade paperback. FIrst Ballantine Books Edition. [4], 272, [4] p. Illustrations (some in color, some fold-out). Artist's Biographies. Picture Credits. References. Index. This is a work of World War II graphic art--oils, watercolors, sketches, and drawings. This is a way to bring the art out of the galleries and collections and present it to a broad audience. Good. No dust jacket as issued. Cover has some wear and soiling. Small punch size hole in front cover. Slight warping at front edge noted. Weithas, Art (Graphics Direction) (illustrator).…

Zustand: New. In English. Graphics, Eadon; Art, Hekate (illustrator).

Zustand: New. Fine Art, Ravencroft Graphics And (illustrator).

Kartoniert / Broschiert. Zustand: New. Bill Byrne is a multimedia digital artist whose work has been exhibited internationally. His visual and sound art focuses on building surrealistic, organic worlds. He makes digital-photomontage-based prints, animated installations and conceptual sound art p.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Fair. First Printing [Stated]. 272 pages. Oversized volume, measuring 12 inches by 9-1/4 inches. Illustrated endpapers with unit patches. Illustrations. Artist's Biographies. Picture Credits. References. Index. DJ has wear, tears, soiling and chips. James Ramon Jones (November 6, 1921 - May 9, 1977) was an American novelist known for his explorations of World War II and its aftermath. He won the 1952 National Book Award for his first published novel, From Here to Eternity, which was adapted for the big screen immediately and made into a television series a generation later. Jones wrote of his WWII works that "It will say just about everything I have ever had to say, or will ever have to say, on the human condition of war and what it means to us, as against what we claim it means to us." James Jones is the author of From Here to Eternity, the classic novel of the Second World War. He has written a soldier's view of the war as it really was, directed by politicians and generals, but fought by American boys who became hardened, professional soldiers. Art Weithas, the graphics director of WWII, was formerly the head of Yank magazine, which during the second World War was a weekly magazine for the American G.I., written and produced by soldiers. Art Weithas studied at the Art Students League in NYC and at the School of Visual Art in NYC. He has had six one man exhibitions of his drawings, paintings and collages. His career in advertising covers art direction graphic design and package for Elizabeth Arden and Cover Girl Cosmetics as well as agencies BBD&O and SSC&B. He planned and designed the original copy of "YANK the Army Weekly", and became its head art director. As a Technical Sergeant he covered the Central and Southwest Pacific area as war combat artist and photographer. He volunteered for combat coverage in the Philippine invasion, took part in the capture of Manila, saw action at Corregidor and was in the Mindanao landing. He laid out the "Roosevelt Memorial", "V.E. Day" and "Japanese Surrender" issues of "YANKS" three outstanding issues. He was presented the Legion of Merit Medal by his commanding officer Col. Franklin S. Forsberg. He collaborated with the author James Jones to produce the book "WWII" from his concept of doing a book about the art of that war. His book "Close to Glory" is about the untold stories of the YANK correspondents during WWII, taken from their letters and stories. He is past Museum Chairman and member of the Society of Illustrators Museum of American Illustration. Arthur co-chaired their "200 Years of American Illustration" and chaired the "20 Years of Award Winners" exhibition at the New-York Historical Society. Derived from a Kirkus review: Not just another coffee-table picture book on World War II, but a collection of graphic art accompanied by James Jones' writings. As a whole, the paintings and drawings-accompanied by only a modicum of Sad Sack cartoons and period pinups-are remarkable and expressive. Watercolors and charcoal serve the war reportage best-a sketch of shell shock evokes Goya, the watercolors capture some of the flux of battle. A pencil drawing of Hiroshima flatness says more than a photo. Jones provides canny reassessments of battles. Critics will have something to say about artists and works left out. The book poses absorbing questions as to why 20th century wars in general have produced such art, and why these particular achievements are so impactful as reportage. A certain seller. Art Weithas (Graphics direction) (illustrator).…

20 x 25 cm. 156 S. ISBN: 3855040761. Original Pappband mit OU / Hard cover. In dust jacket. Guter Zustand / Good condition. x. Auflage. Sprache: 1.- * Versandfertig innerhalb von 20 Stunden! Kt67 (Va). Jpg.

Taschenbuch. Zustand: Neu. Neuware. Fine Art, Ravencroft Graphics And (illustrator).

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: very good. xv, 378, [2] pages. Illustrations. Endpaper illustrations. Appendices. Index, Signed by Lovell on t-p. DJ has slight wear and soiling. Previously published as Lost Moon. Contains a new Preface. James Arthur "Jim" Lovell Jr. (born March 25, 1928) is a former NASA astronaut and a retired captain in the United States Navy, most famous as the commander of the Apollo 13 mission, which suffered a critical failure en route to the Moon but was brought back safely to Earth by the efforts of the crew and mission control. Lovell was also the command module pilot of Apollo 8, the first Apollo mission to enter lunar orbit. He is a recipient of the Congressional Space Medal of Honor and the Presidential Medal of Freedom. He is one of only 24 people to have flown to the Moon, the first of only three people to fly to the Moon twice, and the only one to have flown there twice without making a landing. Lovell was also the first person to fly in space four times. In April 1970, during the glory days of the Apollo space program, NASA sent Navy Captain Jim Lovell and two other astronauts on America's fifth mission to the moon. Only fifty-five hours into the flight of Apollo 13, disaster struck: a mysterious explosion rocked the ship, and soon its oxygen and power began draining away. Written with all the color and drama of the best fiction, APOLLO 13 (previously published as Lost Moon) tells the full story of the moon shot that almost ended in catastrophe. Minutes after the explosion, the three astronauts are forced to abandon the main ship for the lunar module, a tiny craft designed to keep two men alive for just two days. As the hours tick away, the narrative shifts from the crippled spacecraft to Mission Control, from engineers searching desperately for a way to fix the ship to Lovell's wife and children praying for his safe return. The entire nation watches as one crisis after another is met and overcome. By the time the ship splashes down in the Pacific, we understand why the heroic effort to rescue Lovell and his crew is considered by many to be NASA's finest hour. Now, thirty years after the launch of the mission, Jim Lovell and coauthor Jeffrey Kluger add a new preface and never-before-seen photographs to Apollo 13. In their preface, they offer an incisive look at America's waxing and waning love affair with space exploration during the past three decades, culminating only recently when the Apollo 13 spacecraft itself, long consigned to an aviation museum outside Paris, was at last returned to its rightful home in the United States. As inspiring today as it was thirty years ago, the story of Apollo 13 is a timeless tribute to the enduring American spirit and sparkling individual heroism. Commemorative edition on the 30th Anniversary, second printing. Endpaper Art by Tech-Graphics (illustrator).…

Softcover. Zustand: gut. 1983. Art and Graphics. In deutscher Sprache. pages.

Gebunden. Zustand: New. Bill Byrne and Yael BrahaCaptivate your audience and enhance your storytelling with this tutorial based 4-color cookbook, featuring dozens of solutions to your titling needs. Each chapter includes case studies and interviews with the pros, lending cutti.

Zustand: Good. 4to. Four Loose Color Binder Pages, 8 pp., Images on recto & verso, Very Good.

Very Good (extremely tiny stain rear cover; else nice with contents clean & tight). 8vo., black & white pictorial wraps; 68 pages First Edition. A scarce cookbook. Developed as a fundraising project for the Rape & Domestic Violence Information Center. Graphics and Art Work Done by Carol Starr. (illustrator). …

Zustand: New. Graphics, Eadon; Art, Hekate (illustrator).

Twenty four postcards, each 3-1/2" x 5-1/2" or the reverse. Printed in colors on uncoated ivory cardstock; versos captioned at upper left, with publisher's imprint lower left. Uniformly fine, postally unused, free of soiling with corners square and sharp. An attractive series of art cards, reproducing original Native American and Western portraits by Henry H. Cross from the Thomas Barlow Walker Collection at the Wisconsin Historical Society. The Jaffé Heliochrome Company was a prolific collotype firm, specializing in fine art reproductions, active from the late 1920s through the 1970s. Sellers typically ascribe a "ca 1930s" date to these cards (which are undated), but we feel this is unlikely; for one thing, the cards are somewhat expensively produced, uncharacteristic for the Great Depression; for another, a monograph of Indian portraits from the Walker Collection was issued by the Wisconsin Historical Society in 1948, with plates reproducing many of the same images. We think it likely that these cards were produced at or around that date. In any case, a very pretty series in uniformly fine condition. …

First Edition. First printing. Quarto (31.5cm). Orange paper wrappers printed in black; 28pp; 15 loose plates, black and white relief blocks in text. With a subscription slip laid in. Rubbed at edges, spine half split, edges of portfolio split, mild foxing to text, occasional foxing to plate edges: around Very Good. A collection of art prints and stories from the 1925 New Leader, the weekly periodical of the Independent Labour Party (it was originally and is currently known as the Labour Leader). From 1922-1926, under the editorship of prolific leftwing journalist Henry Noel Brailsford, the paper "acquired an international reputation" by "[b]alancing ideological exhortation with cultural enrichment. Without neglecting practical politics or industrial affairs, it attracted leading artists and intellectuals to its roster" (ODNB). This issue includes a contribution from George Bernard Shaw, Gwen Raverat, Winifred Holtby, and Muirhead Bone, as well as several copies from Russian paintings in Moscow. Uncommon, with only 10 copies recorded in OCLC. #61870. …

Original four-color screenprint, 89cm x 57cm (ca 35" x 22-1/2"), on heavy white poster stock. Signed in pencil lower right, dated 1965. Light edgewear; darkening and adhesive tape remnants to verso; image bright and clean - Very Good to Near Fine. Striking portrait of a folksinger with a twelve-string guitar. Though untitled, the image bears a strong resemblance to Newman's 2009 poster-portrait of Pete Seeger, who we strongly suspect is the subject of this piece as well. Rare image by the talented West Coast printmaker Earl Newman (b. 1930), who began designing posters for the California music scene in the late 1950s. Some of his best-known designs have been his annual posters for the Monterey Jazz Festival, which he began producing in 1963. Signed.…