Verlag: Heckscher Museum of Art, Planting Fields Foundation, 2023
ISBN 10: 1734772239 ISBN 13: 9781734772234
Anbieter: Paradou Books, Richmond, VA, USA
Soft cover. Zustand: Near Fine. Softcover, 45 pgs. Near fine. Catalogue for both the retrospective exhibition COURTNEY M. LEONARD: Logbook 2004-2023 on view at The Heckscher Museum, and her site-specific installation at Planting Fields, BREACH: Logbook 2023|.
Sprache: Englisch
Verlag: Verlag der Buchhandlung Walther Konig, 2024
ISBN 10: 3753304409 ISBN 13: 9783753304403
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 41,09
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. bilingual edition. 146 pages. 10.75x8.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Verlag der Buchhandlung Walther Konig, 2024
ISBN 10: 3753304409 ISBN 13: 9783753304403
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 49,29
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. bilingual edition. 146 pages. 10.75x8.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Verlag der Buchhandlung König, 2023
ISBN 10: 3753304409 ISBN 13: 9783753304403
Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. Ab Mitte der 1940er Jahre, als Reaktion auf die erschuetternden Nachrichten ueber den Holocaust und die anderen Graeueltaten des 2. Weltkriegs, schuf George Grosz seine letzte grosse Werkreihe, bestehend aus Gemaelden und Aquarellen: die Stick Men . Der Abwurf .
Verlag: , Walther and Franz Koenig Verlag, 2023, 2023
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
HB, 270 x 200 mm, 120 p, ENG / GER. edition, Publication date: Juni 23 . ISBN 9783753304403. George Grosz created his last major series of paintings and watercolors, the "Stick Men", beginning in the mid-1940s in reaction to the devastating news about the Holocaust and the other atrocities of the Second World War. The deployment of atomic bombs at the end of the war, and the threat of a Third World War, further deepened his pessimistic vision of mankind's future. He presented his "Stickmen" as dehumanized, famished beings aimlessly wandering through a contaminated, post-apocalyptic world. The catalogue forcefully contradicting the widespread misconception that Grosz had become "soft" and apolitical during his American years. The contrary is true: his Stick Men series is the culmination of the political and artistic convictions of a lifetime of struggle - an artistic legacy that, given the current state of the world, could not be more timely and relevant. 0 g.