Anne noland (2 Ergebnisse)

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. First Edition. Dunwoody, Georgia USA: Norman S. Berg, Publisher, 1973. First edition, 1973, signed by the author on the half-title. Mint green linen with gilt cover lettering, kelly green endpapers, seventy-six pages, printed dustjacket. The book is in very good condition, looks and feels about new, with foxing to top edge, sound text block, good hinges, clean pages with no other names or markings. The mylar protected dustjacket is not priceclipped and is in good condition with darkened spine and with an age-toned and foxed right edge to front cover, little to no paper loss. . Signed by Author. First Edition. Hard Cover. Very Good/Good. 8vo - over 7¾" - 9¾" tall.…

336 pp.; 26 x 21.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed "This radical new study aims to change the way that some of the most influential artists of the past 40 years are seen--all of them women. Emphasizing questions of autonomy, critical intelligence and artistic intention, Witness to Her Art presents works by Adrian Piper, Mona Hatoum, Cady Noland, Jenny Holzer, Kara Walker, Daniela Rossell and Eau de Cologne, a magazine published by gallerist Monika Sprüth. The artworks are accompanied by original writings by the artists, contemporaneous criticism and newly commissioned essays by Pamela Franks, Aruna D'Souza, Johanna Burton, David Levi Strauss, Hamza Walker and Cuauhtémoc Medina. The ambitious works presented and interpreted herein invite us to consider the impact of the feminist revolution across generations while rendering obsolete any stigma associated with shows or catalogues limited to women artists. Taking its lead from Conceptualism, feminism, and from its included artists, Witness to Her Art reaches for art history's capacity as a medium of world-making." -- publisher's statement. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked. …