ann maria thomas (21 Ergebnisse)

40 pp.; 25.4 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 22 - March 29, 1972. Curated by Barbara Haskell. Artists include Charles Arnoldi, Karen Hansen Carson, Mary Corse, James Ganzer, Lloyd Hamrol, Richard Jackson, Allan McCollum, Ann McCoy, Barbara Munger, Maria Nordman, Thomas Seidel, William Wegman, John White, Tom Wudl, and Connie Zehr. Includes biographies and an exhibition checklist. Good. 2.5 cm. dog-ear to top right corner. Rubbing and scratching of covers and light bumping of corners. Light yellowing of pages. Contents clean and unmarked.

XXVI, 1051 p. Hardcover. Versand aus Deutschland / We dispatch from Germany via Air Mail. Einband bestoßen, daher Mängelexemplar gestempelt, sonst sehr guter Zustand. Imperfect copy due to slightly bumped cover, apart from this in very good condition. Stamped. Lecture Notes in Mechanical Engineering. Sprache: Englisch.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 22 x 28 cm, 274 Seiten/pages with 230 black-white and colour images thread-sewn softcover - He describes himself self-deprecatingly as the "most famous unknown artist": Frank Uwe Laysiepen aka Ulay. With his concept of transformation, he constantly creates new identities. His preferred medium is photography initially, in the form of the Polaroid, photography became an integral part of his earliest artistic practice. For Ulay the instant picture, which has now been replaced by the digital image, is the material in his decade-long search for a way to represent life.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. [1st ed., 1st printing ; ] ; 303 pages : illustrations ; 31 cm ; ISBN 9780394564265, 039456426X OCLC 16087189 ; LCCN 87042643 ; LC NK1980 .H63 1987 Dewey 747.2049 ; grass-green sunned cloth in color photographic dustjacket ; This extraordinary book features some of the most exciting work of the world's most talented and prestigious contemporary interior decorators. The selections are divided into two categories: work the decorators have done for clients and that which they have done for themselves. More than 250 full-color photographs. ; "Designers & Clients" chapters include Geoffrey Bennison for Baron & Baroness Rothschild, Denning & Fourcade for Oscar de la Renta, Mark Hampton for Ashton Hawkins, Mac II for Bill Blass, Peter Marino for Christopher Wittle, McMillen for Carolyn Farb, Renzo Mongiardino for Elsa Peretti, Parish Hadley for Enid Annenberg Haupt, Michael Taylor for Diana & Gorham Knowles, Piero Pinto for Laura Biagiotti, "Designers at Home" chapters include Mica Ertegun, Jacques Grange, Albert Hadley, William Hodgkins, Juan Pablo Molyneux, Renzo Mongiardino, Sister Parish, John Saladino, Stephen Sills, John Stefanidis. 9.5"W × 1"D × 12.25"H ; Book.

Hardcover. Zustand: Brand New. 345 pages. 10.75x8.50x0.75 inches. In Stock.

Zustand: New. In.

Zustand: New. In.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book features state-of-the-art contributions from two well-established conferences: Changeable, Agile, Reconfigurable and Virtual Production Conference (CARV2020) and Mass Customization and Personalization Conference (MCPC2020). Together, they focus on the joint design, development, and management of products, production systems, and business for sustainable customization and personalization. The book covers a large range of topics within this domain, ranging from industrial success factors to original contributions within the field.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book features state-of-the-art contributions from two well-established conferences: Changeable, Agile, Reconfigurable and Virtual Production Conference (CARV2020) and Mass Customization and Personalization Conference (MCPC2020). Together, they focus on the joint design, development, and management of products, production systems, and business for sustainable customization and personalization. The book covers a large range of topics within this domain, ranging from industrial success factors to original contributions within the field.

Paperback. Zustand: Brand New. 1077 pages. 9.25x6.10x2.12 inches. In Stock.

Zustand: New.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Oblong hardcover. 189 pages. A major monograph on this important German photographer who was a student of the Becher's. Published in conjunction with a traveling show that started in Dallas and went on to Los Angeles, New York and Chicago. Features essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie. Includes numerous color and black and white images, checklist, list of previous exhibitions, selected bibliography, and an index. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "Glamour Wounds: Rhonda Lieberman on The Jew Beat, Again," by Rhonda Lieberman; "Music: David Rimanelli and Tina Lyons on New Wave," by David Rimanelli and Tina Lyon; "Media Kids: Anne Marlowe on Rock at Princeton," by Ann Marlowe; "Exits and Entrances: Jeanne Silverthorne on David Mamets Oleanna," by Jeanne Silverthorne; "Film: Manohla Dargis on Gillian Armstrong's 'Last Days of Chez Nous,'" by Manohla Dargis; "Books: Gary Kamiya on James Miller's 'Passion of Michel Foucault,'" by Gary Kamiya; "Museum Piece: Thomas McEvilley on 'Exhibiting Cultures' and 'Museums and Communities,'" by Thomas McEvilley; "Eugenio Dittborn: Return to Sender," by Dan Cameron; "Half-Life: A Project for Artforum," by Nick Waplington with text by Jayne Anne Phillips; "Malice toward Nuns," Manohla Dargis talks with Abel Ferrara; "Luis Gordillo's Anxious Biology," by Lisa Liebmann; "You and I: The Art of Ketty La Rocca," by Judith Russi Kirshner; "The Sublime Theorist of Slovenia," Peter Canning interviews Slavoj i ek; "Openings: Chris Isner," by Daniela Salvioni. Reviews Donald Kuspit, Jan Avgikos, Barry Schwabsky, Kirby Gookin, Ben Lifson, Joshua Decter, A.M. Homes, David Pagel, Andrew Perchuk, Jenifer P. Borum, Keith Seward, Lois Nesbitt, Patricia C. Phillips, RoseLee Goldberg, Francine Koslow Miller, James Yood, Therese Lichtenstein, Maria Porges, Amy Gerstler, Benjamin Weissman, Laura U. Marks, Carlos Basualdo, José Luis Brea, Massimo Carboni, Giorgio Verzotti, Anne Dagbert, Miriam Rosen, Peter Nesweda, Claudia Jolles, Noemi Smolik, Sabine B. Vogel, Peter Funken, Michael Corris, Charles Green. Cover: Nick Waplington.

Hardcover. Zustand: Fine. Dust Jacket Included. oblong folio. pp. 189. profusely illus. in b/w. & colour. biblio. index. cloth. dw. Published in Conjunction with an Exhibition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Includes an announcement card for the exhibition at the Dallas Museum of Art. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Fine in Near Fine dust jacket (slight bump to upper left corner, else Fine; spine of dust jacket lightly sunned, else Fine). From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".

Zustand: gut. Rechnung mit MwSt - Versand aus Deutschland pages.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Near Fine in Near Fine dust jacket (corners lightly bumped, not affecting text block, else Fine). From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".

Zustand: gut. Photographien 1977-2001: Die grosse Monographie Struth, Thomas; Wylie, Charles; Morris Hambourg, Maria; Eklund, Douglas; Goldstein, Ann and Wolf, Matthias In deutscher Sprache. pages.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Includes an announcement card for the exhibition at the Dallas Museum of Art. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Fine in Fine dust jacket. From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do "enliven" her drawing room at the Hotel'. As the weather was 'so unfavorable' she was not able to visit Hardwick that afternoon, in order to thank Lady Cullum in person. In the 1850s Lind settled in England with her husband the German composer Otto Goldschmidt (1829-1907).