andrews nigel (83 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. He arrived in California with $20 in his pocket; now he's governor of the state. But who is Arnold Schwarzenegger? A superachiever, rising from a steroid-enhanced bodybuilder into a global star and the highest-paid actor in Hollywood? Or a Teutonic terminator, sent from Austria to America to kick Democratic butt? Nigel Andrews unearths Arnold's riveting story from his strict Germanic upbringing through the worlds of bodybuilding and movies to his metamorphosis from muscle-bound star to political powerhouse. Andrews illuminates the myth-making power of Arnold's own ambitions and follows his strange career all the way up through the stage-managed but scandal-assailed campaign and dramatic recall election to his eventual triumph. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Zustand: Good. Revised. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Good. Bumped and scratched dust jacket No.1 BESTSELLERS - great prices, friendly customer service â" all orders are dispatched next working day.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Zustand: BUONO USATO. INGLESE IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Leggero ingiallimento delle pagine, tagli ingialliti e con fioritura. Numero pagine 346.

Hardcover. Zustand: Gut. einige Abb. (illustrator). kA. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: de - Einband: Hardcover - Gewicht: 558 - Illust.: einige Abb. - Zustand: Gut - leichte Benützungsspuren.

95 S., 4°, das Buch ist auf Englisch, Oppbd, mit OS, hinterer Deckel ist von innen geklebt, Gelenk gebrochen, gut erhaltenes Exemplar.

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Minor bump on the lower corner of the back cover also affecting the jacket.

Zustand: very good. Toronto : Doubleday, 1976. Orig. cloth binding. Dustjacket. 95 pp. Ills. by Vicky land. Condition : very good copy. Keywords : RECHT, *2006-100 ned. recht, rede 1.

Taschenbücher sind alle in einem sehr guten Zustand - wie neu, als Mängelexemplare gekennzeichnet, über 1000g.

Paperback. Zustand: Fine. First Edition. Signed by the author Nigel Andrews. Publication of 163 pages. The wraps are in fine condition. Internally the pages are immaculately clean and complete. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services. Signed.

Taschenbuch. Zustand: Neu. Neuware - This volume is the first handbook to explore existentialism as epistemology and method. Trans-disciplinary in scope, it considers the nature of human subjectivity and how human experience ought to be studied, examining the connections that exist between the individual's imagining of the world and their everyday practice within it.

Hardcover. Zustand: Brand New. illustrated edition. 960 pages. 8.75x5.00x2.00 inches. In Stock.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Archive of three scripts and one post-production script for the 1942 film. May 4 script missing one page, likely as used or issued. First, an early Draft script, under the working title "Sherlock Holmes vs. Lord Haw-Haw," by screenwriter John Bright, noted as "Contract File Copy" on front wrapper. Carbon typescript, preceded by a four page ribbon copy typescript outline, dated 3/10/42. Annotation of inquiry into necessary story elements and plotline on title page, in manuscript pencil. Several annotations throughout, of Bright's name, page numbers, strikes, question mark, and dates (ranging from 3/10/42 to 3/27/42), in manuscript pencil and ink. Second is a Draft script, under the working title "Sherlock Holmes #1," by screenwriter Lynn Riggs, dated April 2, 1942. Annotations in red and graphite manuscript pencil on front wrapper, some illegible, citing Arthur Conan Doyle and the story upon which script is based, and "Copy from which we mimeod yellow script 4/27/42." Carbon typescript on onionskin, with annotations in manuscript pencil and ink throughout, primarily amending page numbers, scene numbers, and character names, as well as striking the "#1" on title page title and adding "Saves London," amending title to "Sherlock Holmes Saves London," another early working title. Third is a Draft script, under the working title "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'," credited as "A Free Adaptation" by Robert Andrews, and credits for screenwriters Lynn Riggs and John Bright, dated May 4, 1942. One annotation in manuscript pencil of the name "M. Nicht" on top right of page 107, likely a stenographer. Lastly, the post-production Dialogue and Contitnuity script, here under the working title "Sherlock Holmes and the Voice of Fear," dated July 28, 1942. Annotation on front wrapper, in manuscript pencil, striking "Fear" in title, adding "Terror," amending title to it's release title. Based on the 1917 short story "His Last Bow. The War Service of Sherlock Holmes," by Sir Arthur Conan Doyle, and loosely, on the real-life exploits of Lord Haw-Haw, (several broadcasters, but most notably) William Joyce, a US born Briton who broadcast Nazi Propaganda from Germany to the UK during WWII. Joyce would be convicted of high treason in 1945 and hanged in 1946, the last person executed for treason in the UK. The third Sherlock Holmes movie starring Basil Rathbone and Nigel Bruce, and the first produced at Universal Studios. Preceded by "The Adventures of Sherlock Holmes" (1939), directed by Alfred L. Werker, and followed by "Sherlock Holmes and the Secret Weapon" (1942), directed by Roy William Neill. Watson and Holmes, transplanted from their usual Victorian setting, and from the WWI setting of the original story, are now in England at the start of WWII investigating the mysterious broadcasts by "The Voice of Terror," apparently from Nazi Germany, warning of acts of terror moments before their occurrence. 3/10/42 script, "Sherlock Holmes vs. Lord Haw-Haw": Gray titled wrappers, with credits for screenwriter John Bright. Title page present, with credits for screenwriter John Bright. 126 leaves, with last page of text numbered 121. Carbon typescript, rectos only. Pages Near Fine, wrapper Very Good plus with some chipping, creasing, and closed tears at extremities, primarily to front wrapper, bound with three gold brads. April 2, 1942 script, "Sherlock Holmes #1": Gray titled wrappers, dated April 2, 1942, with credits for screenwriter Lynn Riggs. Title page integral with first page, with credits for screenwriter Lynn Riggs. 127 leaves, with last page of text numbered 122a. Carbon typescript on onionskin. Pages Near Fine, wrapper Very Good plus, with some creasing and small closed tears to extremities on front wrapper, bound with three gold brads. May 4, 1942 script, "Sherlock Holmes' Series #1 'Sherlock Holmes Saves London'": Gray titled wrappers, dated May 4, 1942, with credits for adaptation by Robert Andrews, author Sir Arthur Conan Doyle, and screenwriters Lynn Riggs and John Bright. Title page integral with first page. 115 leaves, with last page of text numbered 113. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 5/8/42 and 5/14/42. Pages Near Fine, wrapper Very Good, with some chipping, creasing and closed tears to extremities, bound with three gold brads. July 28, 1942 Dialogue and Contiuity post-production script: Title self wrappers, noted as DIALOGUE CONTINUITY on the front wrapper, dated July 28, 1942. 117 leaves. Mimeograph duplication, rectos only. Pages Near Fine, bound at top with two gold brads.