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Verlag: Carlton Books Ltd, 2002
ISBN 10: 1841003042ISBN 13: 9781841003047
Anbieter: Better World Books, Mishawaka, IN, USA
Buch Erstausgabe
Zustand: Good. First Edition. Used book that is in clean, average condition without any missing pages.
Verlag: Paramount Pictures, Los Angeles, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Two vintage studio still photographs from the 1965 film. Based on the 1957 novel by screenwriter Frank Gruber. Gun-for-hire Tom Rosser (Dana Andrews) is almost killed by gunslinger Lee Ring (Lyle Bettger) who inadvertently kills Rosser's wife. A few years later Rosser arrives in a town in need of his services is run by Riley Condor (Bruce Cabot), the man who paid the killer of Rosser's wife. 8 x 10 inches. One, Very Good plus, with a small closed tear in bottom margin. One, Very Good, with several pinholes throughout.
Verlag: R. G. SPRINGSTEEN Non daté
Kunst / Grafik / Poster
Couverture souple. Zustand: bon. R100000022: Non daté. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x160 cm + 1 jeu de photos de présentation de 27 x 21 cm. . Présenté par Paramount. . . . Classification : 0-Affiches Cinéma.
Verlag: R. G. SPRINGSTEEN, 1966
Kunst / Grafik / Poster
Couverture souple. Zustand: bon. R100000284: 1966. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Affiche de cinéma 120 cm x 160 cm. . . . Classification : 0-Affiches Cinéma.
Erscheinungsdatum: 1962
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Signiert
unbound. 14 x 11-inch black-and-white photograph, depicting the actor in a rugged pose, glancing confidently to the left with his chin up. With photographer Ray Fisher's stamps on the back. Inscribed on the right side: "To Ray--With Many Thanks--Dana Andrews July 1962 'Calculated Risk.'" No place, July 1962. Very good condition.
Verlag: RKO Radio Pictures, Culver City, CA, 1951
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph from the 1951 film, showing actor Dana Andrews and a group of fellow sailors, preparing to ascend a staircase. Stamp to the verso noting the date "1 APR 1951". Based on Edmund Gilligan's 1943 novel "The Gaunt Woman." An American fishing trawler is embroiled in a dangerous encounter with a group of Nazis after stopping to help a heavily damaged Danish sailing ship. Set in Denmark and the Atlantic Ocean. 10 x 8 inches. Very Good plus, with light creasing to the corners.
Verlag: United Artists, Beverly Hills, CA, 1957
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph from the 1957 film, showing actress Betty Hutton mugging for the camera while sitting with actor Dana Andrews, while director Robert Pirosh looks on. A successful businesswoman runs into an old flame at her high school reunion, leading to a rekindling, albeit somewhat troubled, of their romance. Hutton's intended screen comeback after leaving Paramount Studios five years prior, and ultimately her last feature film appearance. 10 x 8 inches. Very Good plus, with pinholes to the corners.
Verlag: Metro-Goldwyn-Mayer [MGM] / Filmways, Beverly Hills, CA, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph from the 1965 film. Based on the 1948 novel by Evelyn Waugh. The sister film to "Dr. Strangelove," and in the eyes of many, just as much a masterpiece of exquisitely wrought black humor. Made in the US, but in a dense, British-American style. Ostensibly a satire of the funeral business, in which a young British poet winds up in a Hollywood cemetery as part of an inheritance arrangement-but in reality a satire of Hollywood itself, as well as the Western malaise of the mid 1960s. Shot on location throughout Southern California. 8 x 10 inches. Very Good, with pinholes at the corners and edges.
Verlag: Twentieth Century-Fox, Los Angeles, 1946
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage studio still photograph from the 1947 film. "Key Set" stamp on the verso. From the archive of film historian and author Joel Finler. Based on a 1945 magazine article by Fulton Oursler (writing as Anthony Abbot), in turn based on an actual incident involving a Catholic priest and a mentally unstable homeless man. A public attorney is hired to defend a strange out-of-towner accused of murdering a priest. Set in Connecticut, and shot on location in Connecticut and New York. 10 x 8 inches. Near Fine. Grant US. Selby Canon. Silver Classic Noir. Spicer US.
Verlag: N.p., N.p., 1954
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Treatment script for the 1955 film. Bound in after the outline are several sets of character descriptions and continuity notes. Santa Fe's first female doctor (Greer Garson) wants to introduce modern medical technology to the town, but encounters resistance both from the local hospital, which is run by a Catholic priest (Walter Hampden), and from the town's only other doctor (Dana Andrews). Set in Boston, Massachusetts and Santa Fe, New Mexico, shot on location in Tucson, the Sonoran Desert, and the Sierrita Mountains, Arizona. Green titled wrappers, with credits for director Mervyn LeRoy. Title page present, dated 4/13/54, noted as Story Outline, with credits for director Mervyn LeRoy and screenwriter Frank Butler. 193 leaves, with last page of text numbered 81. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Pitts 4148.
Verlag: Warner Brothers, Burbank, CA, 1959
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Estimating script for the 1960 film on yellow stock, except title/distribution page (white), and second ("This Script Is Not Final .") page (pink), copy belonging to uncredited crew member Nick Bova, with name in manuscript ink on front wrapper and annotations in manuscript red pencil, graphite pencil, and ink throughout. Based on the 1960 novel by Hank Searls. The troubled and complicated lives of passengers and crew of a commercial airliner and a US Navy jet are examined as severe weather and a malfunctioning radio bring the two planes on an inextricable course toward collision. Shot on location in Washington DC, and Naval Air Station North Island, Coronado, California. Beige titled wrappers, noted as ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 60, dated June 5, 1959. Title page integral with Distribution page, receipt intact, dated 6/5/59, noted as ESTIMATING. 128 leaves, with last page of text numbered 122. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound internally with two gold brads.
Verlag: RKO Radio Pictures, Culver City, CA, 1941
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage keybook photograph from the 1941 film, showing actors Gary Cooper, Barbara Stanwyck, and Richard Haydn. With a printed mimeo snipe affixed to the verso, along with the stamp of the Advertising Advisory Council dated NOV 13 1941. A group of bachelor professors living together in a New York brownstone have worked for years on a massive encyclopedia of all human knowledge, but find their research disrupted by the arrival of a vivacious nightclub performer (Stanwyck), who needs a place to hide from the police. Set in New York. 9.5 x 7 inches. Near Fine, lightly edgeworn. National Film Registry. Byrge and Miller, The Screwball Comedy Films. Godard, Histoire(s) du cinema.
Verlag: Twentieth Century-Fox, Los Angeles, 1943
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Second Revised Final draft script for the 1944 film. A few annotations of names or checks in manuscript pencil on the top outer corner of verso. A dramatization of the trials that took place in Japan during World War II, eight American aircrew members are taken prisoner by the Japanese Army. They are forced to endure systematic torture and abuse and finally accused, convicted and executed as war criminals. This film brought opposition from the Department of Defense, fearing strong reactions from the Japanese. Set in Japan, shot on location in Washington, DC. Beige titled wrappers, noted as SECOND REVISED FINAL on the front wrapper, rubber-stamped copy No. 229 and production No. 936, dated OCT. 14, 1943. Distribution page present, with receipt intact. Title page present, dated October 14, 1943, noted as 2nd Revised Final. 136 leaves, with last page of text numbered 131. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 10/20/43 and 12/6/43. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
Verlag: Samuel Goldwyn Productions, Hollywood, 1949
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Final Draft script for the 1950 film noir. Copy belonging to actor Robert Keith, with his name on the front wrapper, and his annotations in manuscript pencil to several pages, noting his name and a few line revisions. Based on Leo Brady's 1949 novel, about an impoverished family and the depths to which a frustrated young man can sink, culminating in murder. Producer Samuel Goldwyn found the film too bleak after an initial screening, and writers Ben Hecht and Charles Brackett were called in to add a mawkish prologue, epilogue, and narration, with new scenes directed by an uncredited Charles Vidor. These changes did little to compromise the thematic darkness of the film, however, and the resulting release remains one of the grimmest and most miserable of films noir. Orange titled wrappers, noted as Final Draft on the front wrapper, dated November 12, 1949. Distribution page present, with receipt removed, stamped copy No. 20. Title page integral with the front wrapper. 128 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only, with blue, yellow, and pink revision pages throughout, dated variously between 11/16/49 and 12/19/49. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Grant US. Selby US. Silver Classic Noir. Spicer US.
Verlag: Warner-Pathe, London, 1966
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Collection of 10 vintage British front-of-house cards from the UK release of the 1965 US film. Six stills are full-color, and four stills are black-and-white, with a studio stamp on the verso of one of the black-and-white stills. One of the most ambitious films about World War II made during the 1960s, but denounced by President Eisenhower due to its many inaccuracies. An epic story that details the events leading to the title confrontation, one of the bloodiest battles the US fought in WWII and one of the key turning points in the war. Filmed almost entirely in the Spanish desert. Set in France, shot on location in Spain. 8 x 10 inches. Six stills have small pieces of cello tape at the top and bottom edges, else Near Fine.
Verlag: Bert E. Friedlob Productions, Los Angeles, 1956
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage press photograph of actors Dana Andrews and Sidney Blackmer on the set of the 1956 film. With a rubber stamp on the verso. A newspaper publisher conspires with his to be son-in-law to expose the ineptitude of the district attorney who has wrongly sentenced multiple people to death. Shot on location in Chicago. 10 x 8 inches. Near Fine. Grant Worldwide. Selby US Canon. Selby US Masterwork. Silver and Ward Classic Noir. Spicer US.
Verlag: Columbia Pictures, London, 1957
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage publicity photograph of Dana Andrews and Peggy Cummins from the 1957 film, seen here under its UK title, "Curse of the Demon." With a printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. A cynical American professor arrives in London for a parapsychology conference and soon finds himself embroiled in a satanic cult. Set and shot on location in England. 8 x 10 inches. Near Fine.
Verlag: N.p., N.p., 1948
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage oversize borderless reference photograph from the 1948 film, showing actors Gene Tierney and Dana Andrews. Based on the real experiences of Ivor Gouzenko, a Communist code-breaker assigned to the Soviet Embassy in wartime Canada who defected from the USSR after the war. Subject to controversy upon release, with liberals protesting the film's depiction of the Soviet cause, and conservatives protesting the liberal picketers. Set and shot on location in Ottawa, Ontario, Canada. 10 x 12.75 inches. Very Good, lightly creased to the edges.
Verlag: N.p., N.p., 1945
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage oversize borderless double weight satin-finish publicity portrait photograph of actor Dana Andrews from the 1945 film. With the stamps of Silver Screen and a filing stamp on the verso, along with cropping annotations in pencil. Based on the 1933 film directed by Henry King, which was in turn based on Philip Stong's 1932 novel. A small-town family makes their annual visit to the Iowa State Fair, where the patriarch of the family hopes to gain a medal for his prize hog, Blue Boy. The only Rodgers and Hammerstein musical written directly for film. Set in Iowa. 10.4 x 13.25 inches. Near Fine.
Verlag: RKO Radio Pictures, Culver City, CA, 1947
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage photograph of songwriter-pianist Hoagy Carmichael from the 1947 film. With a mimeo snipe, manuscript annotations, and photographer and agency stamps on the verso. A beautiful socialite falls in love with a blind nightclub pianist, deciding to fake her own blindness in order to get closer to him. Shot on location in New York, San Francisco, and San Bernardino. 10 x 8 inches. Near Fine.
Verlag: Warner Brothers, Burbank, CA, 1965
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Original UK script for the 1965 film. One of the most ambitious films about World War II made during the 1960s, an epic story that details the events leading to the title confrontation, the bloodiest battle that the US fought in WWII and one of the key turning points in the war. Filmed almost entirely in the Spanish desert. Grey titled wrappers. Title page present, with credits for screenwriters Yordan and Sperling. 168 leaves, mimeograph duplication. Pages Fine, wrapper Near Fine, internally bound with two silver fasteners.