andrew carnduff ritchie (116 Ergebnisse)

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: Good. Good condition. No Dust Jacket (european art, exhibitions, painters, sculptors, europe ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.99.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fair. Acceptable condition. Acceptable dust jacket. A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. New York, 1950; green cloth covered boards; mild edge and corner wear; blue illustrated jacket with edge and corner wear, top corner of front flap clipped; and housed in a Gaylord cover; 4to - over 9 3/4" to 12" tall; Previous owner's name on free front end paper; Interior is clean and unmarked; 96 pages.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Edgeworn Dust Jacket. Pages unmarked. Tears and chunks out along edges of dust jacket. Binding square & firm. Size: Oversized. Book.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. 1st Edition. New York, The Museum of Modern Art, in collaboration with the Minneapolis Institute of Art. (c. 1956), 1956. 1st Edition. Soft cover. first ed. Pages 49,approx. 7 1/2 x 10 in. softcover, first ed. Introduction by Andrew Carnduff Ritchie. With Statements by the Artist. The Museum of Modern Art Bulletin Vol. XXIII, Number 1-2, 1955-1956. Black and white illustrations. 051705A.

Paperback. Zustand: Very Good. Minor shelf wear, light soiling to wraps, binding tight, pages clean and unmarked. Illustrated in black and white and color. From Wikipedia: "Watkins first gained notice with the painting Suicide in Costume depicting a man in a clown costume lying on a table and holding a smoking gun. The piece, which was highly controversial, won first prize at the 1931 Carnegie International Exhibition, but so great was its notoriety that the artist kept a low profile for some years thereafter.[1] Today the painting is owned by the Philadelphia Museum of Art. Its success opened doors for Watkins in Philadelphia society, and he soon gained a reputation as a portraitist, though he also painted still lifes, landscapes and animals. In 1934 Lincoln Kirstein commissioned him to provide sets and costumes for George Balanchine's ballet Transcendence. He was also a muralist, providing decorations for the Rodin Museum in Philadelphia. Notable sitters included Jefferson B. Fordham, dean of the law school at the University of Pennsylvania; Eugene Strecker, the psychiatrist; Joseph S. Clark, Mayor of Philadelphia; and the three Beinecke brothers. He was commissioned to paint a portrait of Franklin D. Roosevelt in 1941, but the attack on Pearl Harbor intervened, and the president never sat for him. The artist's portraits could be controversial; the likeness of Clark in particular was not well-received, and was only accepted by the city at the subject's insistence. Some critics have stated that Watkins derived his influence from Thomas Eakins. He also painted many religious works, and has been compared to William Blake.".

0 48 p. Includes illustrations. Very good. light shelf wear, mild foxing to first and last couple of pages.

Paperback. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. Paperback. B&W illustrations, 2 color plates, biblio. Catalogue for exhibition of work by 20th century American painter ; 4to 11" - 13" tall.

Softcover. AC-7850 Ehemaliges Bibliotheksexemplar in gutem Zustand. Former library book in good condition. Sprache: Englisch Gewicht in Gramm: 550.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. - Quarto, 10 inches high by 7-1/2 inches wide. Softcover, bound in black and white pictorial wrappers. The covers are slightly soiled & creased. 48 pages, including the wrappers, profusely illustrated in black & white with images of Gonzalez' work. A previous owner's name is penned at the top of the first page. The corners of the pages are bumped and the top corners of several pages at the rear are creased. Good. The Museum of Modern Art Bulletin: Volume XXIII, Numbers 1-2, 1955-1956. Published in collaboration with The Minneapolis Institute of Art.The Spanish sculptor Julio Gonzalez (1876-1942) is known for the creative use of iron in his work.

1951. Art. The Museum of Modern Art, 159 p., good paperback witj wear along spine.

Zustand: Good. 1956. Hardcover. In original cloth without dustwrapper. Clean copy with some minor nicks and bumps on cover, slight foxing to edges and ffep. . . . . Books ship from the US and Ireland.

Soft cover. Zustand: Very Good. 1st Edition. Lightly bumped corners, else fine. KRM/Ex Cats.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Profusely illustrated (illustrator). 1st. Small 4to, 104 pp., Errata slip laid-in. Very good copy in very good dust jacket.

hardcover. Profusely illustrated, some in color. Square 8vo, boards., worn d.w. (New York, 1956).

paperback. Zustand: near fine. Many illustrations. 48pp. Stiff printed wrappers. New York: MOMA, (1950). Near fine.