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In den WarenkorbZustand: New. 2022. Bilingual. Paperback. . . . . . Books ship from the US and Ireland.
Verlag: University of Chicago Press, 2023
ISBN 10: 1649590857 ISBN 13: 9781649590855
Sprache: Englisch
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Zustand: New. Über den AutorIsabella Andreini (1562-1604) was a renowned prima donna of the European stage. Also a poet, playwright, and author of philosophical letters, she was one of the most published Italian women writers in the sevent.
Taschenbuch. Zustand: Neu. Neuware - 'An edition in English translation of the fictional Letters of sixteenth-century performer and author Isabella Andreini'.
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In den WarenkorbZustand: New.
Verlag: Creative Media Partners, LLC Okt 2022, 2022
ISBN 10: 1018862587 ISBN 13: 9781018862583
Sprache: Italienisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware.
Verlag: Creative Media Partners, LLC Okt 2022, 2022
ISBN 10: 1016612508 ISBN 13: 9781016612500
Sprache: Italienisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware.
Verlag: Giovanni Battista Combi, Venice, 1620
Anbieter: Rodger Friedman Rare Book Studio, ABAA, Tuxedo, NY, USA
Zustand: Very Good. Octavo (163 x 105 mm). Two parts in one volume, each with separate title page (second title reads: "Fragmenti di alcune scritture." ). [24], 268, [4 blank]; 180, [4 blank] pages. Printer's device on title pages. Large woodcut initials. Bound in 18th century in plain leather over pasteboard, spine in six compartments decorated with gilt tools and stamps, raised bands, red leather title label. Edges stained red. Marbled endleaves. Upper joint cracked but holding, with small chip lacking at base of spine and old repair at headcap. Occasional light foxing, with small ink drops (pages 19 and 164-5 of the first part, p.89 of the second). Old ownership inscription in upper margin of title page; modern ex-libris of Mario Bagliani (1926-1990), noted collector of books related to theater arts.References: Ferri, p. 14 (not this edition); Vinciana 3319; Michel I, 142, #7; Graesse I, 121 (noting this as the sixth edition of the epistolary). The star female player of the well-known Gelosi troupe, Isabella Andreini enjoyed fame as "the most celebrated commedia dell'arte actress of her century," says Prof. Meredith K. Ray. She wrote prolifically for the stage, including a series of plays in which she acted the title role under her own name (Lucky Isabella, Jealous Isabella, Isabella's Madness). She also produced several volumes of poetry. The volume of "Lettere" offered here was first printed in 1607, three years after the author's death (in childbirth), and saw many subsequent editions. It is joined, with a separate title page and pagination, by a series of serio-comic dialogues, the "Ragionamenti piacevoli," or "Fragmenti," as they are called on the dedicated title page.Prof. Diana Robin points out, perceptively, that epistolary collections had been an accepted genre for women writers in the Renaissance (with a hiatus in the mid-16th-century). The genre, she says, "cast itself as a major mode for women's publications from the opening of the seventeenth century until the modern era" (Publishing Women, p. 203). I think it is a mistake to call "Lettere" an epistolary. There are no salutations or addressees, rarely dialogue with an imagined recipient. In fact, it is a series of short essays, very like Montaigne's, on a broad variety of subjects, most of them "approved' for women (love, marriage, desire, jealousy, etc) and others profoundly outside conventional women's roles.Her fame can be judged by the gratulatory verses in the front matter of the epistolary by Tasso and Marino among others. Andreini and Tasso admired each other. She frequently played the (male) role of Aminta in Tasso's pastoral drama of the same name, and her acknowledged masterpiece, the pastoral play "Mirtilla," is loosely based on Tasso's model. Her letter on the death of Tasso (p. 184 in this volume) is a particularly moving meditation on the unfairness of mortality. "Even the world, which seems immune, will someday die."The "Ragionamenti piacevoli" consist of 31 sketches, whether meant for stage or merely for thought, posed as dialogues or arguments on contrasting themes, such as epic versus tragedy, lawyers versus medical doctors, hate v love, and even a free-for-all pitting falling in love, falling out of love, marriage, vows of fidelity, and honesty all against each other.
Verlag: Creative Media Partners, LLC Okt 2022, 2022
ISBN 10: 1016607768 ISBN 13: 9781016607766
Sprache: Italienisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware.
Anbieter: Konstantinopel ANTIQUARIAN BOOKSELLERS., ENSCHEDE, Niederlande
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In den WarenkorbHardcover. Zustand: Very Good. ANDREINI CANALI, Isabella. Lettere Della Signora Isabella Andreini, Venice, G.B. Combi, 1627. Bound with. Fragmenti di alcune scritture della Signora Isabella Andreini Comica Gelosa & Accademica intenta. 8vo. 2 works in 1 vol. (24), 268; 180 pp. Contemporary limp vellum, some detachment of textblock. From the Slovenian Ljubljanian Prince Auersperg s Library with bookplate and accession date of 1655, bearing the signature of Wolfgang Engelbert Auersperg . Isabella Andreini (1562-1604) was among the most gifted and famous actresses of her era, performing for notable figures such as Henry IV of France and other monarchs. A collection of her letters, first published in 1607, touches on subjects like human beauty, love, death, the fervor of love, and choosing a spouse. Andreini was affliated with the Compagnia dei Comici Gelosi, a theatre group that excelled in Commedia dell'arte and catered to the elite of Italy and France. From her early career, Isabella was renowned for portraying the enamored "prima donna innamorata" and was a trailblazer in theatrical improvisation. n their younger years, the Auersperg brothers traveled extensively in Italy, seeking to understand the art of romantic courtesy. In the 1630s, Wolfgang Engelbert Auersperg explored Venice, Padua, and Bologna, where he grew fascinated by the nascent art form of opera. In Ljubljana, his private library held a selection of early Italian opera librettos, such as "La gara" and "Le vicende del tempo" from 1652, and "L'Argia" from 1655. His brother, Prince Auersperg, was equally moved by his Italian experiences. By 1661, he established an Italian academy in Vienna.