american painter illustrator (19 Ergebnisse)

Reprinted edition hard back binding in publisher's original lemon cloth covers, dark brown title and author lettering to the spine. 8vo. 10½'' x 7¼''. Contains 254 printed pages of text with 115 monochrome illustrations and archive photographs throughout. Very Good condition book in Very Good condition dust wrapper with light rubbing to the edges and corners, not price clipped, $8.50. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0883940051 WESTERNS [U.S.A Old West].

First edition hard back binding in publisher's original beige cloth covers, black title and author lettering to the spine, pictorial colour onlay to the front cover. 8vo. 7'' x 5''. Contains 122 printed pages of text with 4 three-tone single-sided colour plates. Home made colour bookplate inside, light rubbing to the covers and in Very Good condition, pencil price of 3/6 inside, no dust wrapper. Member of the P.B.F.A. CHILDREN'S & JUVENILE.

First edition hard back binding in publisher's original colour illustrated glazed boards. 4to. 11½'' x 9¼''. Contains 120 pp with monochrome and colour illustrations and paintings throughout. Fine condition book in Fine condition dust wrapper, not price clipped, $30.00. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. ISBN 0764912577 ART [American].

Publisher's original colour illustrated laminated card covers. Folio 12½'' x 9¼'' ISBN 0486207145. 173 drawings and illustrations throughout. Crease line to upper corner, faint tanning to page edges and in Very Good condition, no dust wrapper as issued. From the estate of a private library belonging to the author and illustrator Valerie Littlewood with her signature to the front end paper. Member of the P.B.F.A. ART [American].

First edition hard back binding in publisher's original duck egg blue finely grained cloth covers, metallic blue title and author lettering to the spine. 4to. 11½'' x 9''. Contains 271 printed pages of text with 180 illustrations, including 83 plates in full colour. Fine condition book in Fine condition dust wrapper, unused new book. Dust wrapper supplied in archive acetate film protection. Heavy volume weighing 2 kg, extra postage and insurance will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. ISBN 0810915952 ART [American].

First edition hard back binding in publisher's original donkey brown cloth covers, gilt title and author lettering to the spine and to the front cover. 8vo. 10½'' x 7¼''. Contains colour frontispiece, 254 printed pages of text with 115 monochrome illustrations and archive photographs throughout. Very Good condition book in Very Good condition dust wrapper with rubbing to the edges and corners, not price clipped. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. WESTERNS [U.S.A Old West].

First edition in publisher's original colour illustrated card wrap covers [soft back]. Landscape. 9¼'' x 11'. Contains 31 printed pages of text followed by 46 single- sided colour plates. Light marks to the covers and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 0345251288595 ART [American].

Zustand: Good. 11" x 16" (image size) Very Good. Hand colored woodcut.

ALBUMBLATT (4 to) mit eigenhändigem Jahr '96 und Unterschrift signiert (dito : Albumblatt (weisser Karton, quer 4 to) mit E,ORIGINAL-ZEICHNUNG Rizzi-Bird, Unterschrift signiert Euro 180,- - siehe Abbildung !).

Zustand: Very good. - Three autograph letters penned on 11 inch high by 8-1/2 inch wide creamy white paper. The letters, two of which were addressed to Fridolf Johnson and the third to American Artist Magazine editor Norman Kent, regard the periodical's review of the "Animals in Art" exhibition held at the Storm King Art Center in Mountainville, New York. The letters are as follows:1. A one page autograph letter signed by Harry Wickey, as curator of the exhibition, penned on Storm King Art Center stationery. In his letter dated July 21, 1964, Wickey writes to Fridolf Johnson, then executive director of American Artist that "Twenty Six photographs of the items you are interested in including in the American Artist's review of the Storm King Art Center's Animals in Art Exhibition were mailed to you today." Wickey had hoped to mail these sooner but "ran into difficulties owing to the fact that the photos of Durers Rhinoceros and Tarts Cattle in a Stable had been mislaid." Signed in full "Harry Wickey" as curator.2. A one-and-a-half page autograph letter signed by Wickey penned on 11 inch high by 8-1/2 inch wide creamy white paper. In his letter addressed to Fridolf Johnson on September 3, 1964, Wicky explains that he is sending a "list of items with the sizes of the originals". He explains that he "has photos on hand" off all the items except "Russells Grey Eagle", and expresses his thanks to Fridolf Johnson & Norman Kent for their forthcoming review. Signed in full by Harry Wickey.3. A one-page autograph letter signed by Harry Wickey on 11 inch high by 8-1/2 inch wide creamy white paper. In his May 25, 1965 letter addressed to American Artist editor Norman Kent, Wickey expresses his gratitude for the review in capital letters: "First of all - our thanks to you for the wonderful review you gave our 'Animals in Art Exhibition' in 'The American Artist', Summer Edition." He goes on to express his hope that Norman Kent will come to view the forthcoming George Grosz exhibition as well as that on contemporary Japanese prints which John Heliker is curating. Signed "Harry Wickey". Apparently planning to publish the earlier portion of the letter, Norman Kent has crossed out the second paragraph with red graphite, making a correction to the first paragraph, also in red graphite, and he has penned in Harry Wickey's name and credentials in red.All are in very good condition. The "Animals in Art" exhibition at Storm King Art Center took place from July 5th through August 30th, 1964.The American painter, illustrator and printmaker Harry Wickey (1892-1968) was best known as an etcher. After his vision became impaired by etching acids, he turned to sculpture in 1938. His work has been exhibited at the Art Institute of Chicago, the Guggenheim Museum, and the Whitney Museum of American Art in addition to several other significant museums. In the 1960s he worked as a curator at the Storm King Art Center.An illustrator and artist as well as a fine pressman Fridolf Johnson was an editor of American Artist Magazine until his retirement in the 1970's. As a graphic artist, he designed title panels for Hollywood movies and art & typography for advertising as well as dust jacket illustrations. He wrote and illustrated his own children's books in addition to other works. He also compiled and edited the Knopf book "Rockwell Kent: An Anthology of His Work".

First edition thus Florence Lundborg illustrated hard back binding in publisher's original dark brown cloth covers, decorative dark grey over-printed design of a tree to the front cover, gilt title lettering to the spine and to the front cover, top edge gilt, black bird silhouette and brown end sheets. 8vo. 8½'' x 6½''. Produced by John Wilson and Son's University Press in Cambridge, Massachusetts and printed on French-folded pages joined in tandem, now divided. Rubáiyát over unnumbered pages carrying the 101 quatrains of Edward FitzGerald's version enriched with lovely illustrations around the quatrains by Florence Lundborg, all of the other leaves have an elaborate border. Ink name dated 1944 to the second front end sheet, light rubbing to the corners and in Very Good clean condition. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.

First edition thus hard back binding in publisher's original brown cloth covers, elaborate gilt design to the front cover, gilt lettering to the spine, top edge gilt, grape vine illustrated end sheets. The first printing was a folio, limited issue in 1884 of 100 copies signed by Vedder; followed by a trade edition in quarto in 1886. There were two issues of this 1894 printing; one in folio and this one in octavo measuring 8½'' x 6¼''. Printed on French-folded pages joined in tandem. Rubáiyát over 23 pages carrying the 101 quatrains of Edward FitzGerald's version enriched with Elihu Vedder's dramatic drawings. Correct first edition of this issue with errata note tipped-in concerning Mr. Vedder's interpolated verse of his own (number 44). Exceptionally Fine condition. Member of the P.B.F.A. Rubáiyát of Omar Khayyám.

An attractive young woman stands in a look-out built in trees on the east bank of the Hudson River, looking northward towards what appears to be West Point and Constitution Island, which is rather taller than in reality. Full page of illustration from the Harper's Weekly newspaper. Woodcut illustration with later hand coloring. Page approximately 11 x 16". Very good condition.

Pas de couverture. Zustand: Bon. Rare - Authentic card personally signed in the 90s. + Photo 21.5x15 cm (recent print). Size : 9.5x15 cm Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.

Farbiger Kunstdruck (4°, Faltspur) mit eigenhändiger Unterschrift signiert.

John Gould established the Bethlehem Art Gallery and Art School in 1957 in New York. He was born in Worcester, Massachusetts and studied art at Pratt Institute, Brooklyn, New York and later instructed at Pratt for 22 years. He was a prominent illustrator for the Saturday Evening Post for more than eight years and an illustrator for many national corporations. Ceramic tile hand painted tile comes in original 6½'' x 6½' box' with information about the artist. The scene is the famous Scottish like 'Castle' situated on Pollepel Island, called Bannerman's Island Arsenal. Opposite Cornwall-on-Hudson, New York, it was started in 1900 by the world renowned dealer in military equipment, Francis Bannerman, to house his vast collection of war relics and antiques. Pollepel Island was also made famous in the revolutionary war because of the gigantic 'Chevaux de Frise', under water structure strung from the island to plum point to blockade British warships. Tile signed by artist John Gould, the rear with cork protection and wall hanging facility or for use as a coaster, trivet, table top, fireplace decoration. All in Fine condition with very minor rubbing to the edges of the box lid. Member of the P.B.F.A. CERAMICS & POTTERY.

ORIGINAL-RADIERUNG (Motiv ca. 16,4 x 13,2 cm) in schöner, rot-braunner Holzleiste unter Glas gerahmt, gesamt 34 x 44 cm), rechts unten eigenhändig signiert KURTH WERTH. MOTIV : Auferstehung (Jesu). Eigenhändig bezeichnet : Probedruck 15/100.

FOTO, EIGENHÄNDIG SIGNIERT (Polaroid).

Pas de couverture. Zustand: Bon. Rare - Nice authentic signed sketch on a white card in 2009. The name and photo on the top of the card are printed. Size : 10x15 cm Condition : please see scans. Certificate of Authenticity and lifetime guarantee. Signé par l'auteur.