allison austin (17 Ergebnisse)

Zustand: Good. Mike Mangigian (illustrator). First. Used book that is in clean, average condition without any missing pages.

Zustand: Very Good. Mike Mangigian (illustrator). First. Used book that is in excellent condition. May show signs of wear or have minor defects.

Hardcover. Zustand: Very Good. No Jacket. Mike Mangigian (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. text clean and tight. Ex-Library.

Hardcover. Zustand: Very Good. No Jacket. John Austin (illustrator). First Edition. This is a Very Good Copy of this Book in publisher's vream buckram with gilt title lettering to the upper cover.The book has been SIGNED and INSCRIBED by the Author on the front free endpaper.The book has a firm binding with no hinge weakness and there is no leaning to spine.There is some offsetting to the endpapers.Uncommon signed title small 8vo 63pp First Edition. Signed by Author(s).

1st edition. Good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly bumped and rubbed as with age. Internally, bright and clean. Remains quite well-preserved overall. SIGNED and inscribed. Physical description: 63 pages : illustrations ; 20 cm. Subjects: Birds; Poetry; Birds, British -- verse descriptions of the different birds. 1 Kg.

Paperback. Zustand: Brand New. 338 pages. 9.00x6.00x1.00 inches. In Stock.

Hardback. Zustand: Very Good. No Jacket. Austin, John (illustrator). First edition. 1st 1924. Very good condition with no wrapper. And Other Bird Rhymes. White cloth covers with gilt vignette and titles to front cover. 7.75 x 5.5". Small b/w illustrations. 63 pages. Some page edges uncut. SIGNED by author to front endpaper, with dedication and date. A little bumping and wear to spine and corners. Covers slightly grubby with light stains along top edge of front cover. Endpapers browned. Some foxing and a very odd fingermark to contents. Packaged with care and promptly dispatched! SIGNED - please see description for details.

Hardcover. Zustand: gut. Wig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling tools to creating beards, it ramps up to advanced techniques for making, measuring, coloring, and cutting wigs from any time period. Whether you're a student or a professional, you'll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs, multiple approaches to solving wig-making problems, and industry best practices. "The first of its kind and a must-have for students and professionals alike. Filled with photographs and detailed, step-by-step instructions for every sort of wig and hairpiece, Wig Making and Styling now occupies a prominent place in my professional library. I will refer to it often as I work." -William Ivey Long, five-time Tony Award winning costume designer Buchrückseite: Top off that costume with the perfect accoutrement with this first real guide to creating and styling costume wigs. No longer will you need to comb through old references on hairstyles of different time periods, Wig Making and Styling contains everything you need to be a cut above, offering snippets on styling tools, hair types, wig making and measuring, coloring, cutting, and even creating beards and toupees. Other great features include: -Versatile techniques to create all different historical hairstyles -Tips on altering existing wigs and creating wigs from scratch -Multiple approaches and solutions to solving wig-making problems and needs -Information about the industry, including history and best practices Full of inspirational and directive photographs, this book will groom anyone from novice to professional stylist into a skilled wig designer. Neben den 2 anderen Bänden "Historical Wig Styling" habe ich mir auch diesen zugelegt. Es werden eher die Basics erklärt, keine komplett fertigen Frisuren für diese oder jede Epoche. Doch gerade als Einstieg ist es gut sich zunächst mit allen wichtigen Aspekten des Perückenmachens zu beschäftigen, bevor man gleich loslegt und dann im Prozess etwas versemmelt. In der Hinsicht ist es eine gute Hilfe. Ein Auszug der behandelten Themen: - Techniken und Gerätschaften - Basics der Perückenherstellung - Akkurates Maßnehmen - Aufsetzen und Abnehmen - Haarteile herstellen - Schneiden, Färben, etc. - Perückenpflege Content: Chapter 1: Wig-Making Terms, Tools, and Techniques Glossary of Wig and Hair Terms Wig-Making Tool Kit Wig Styling Tool Kit Hairpins and Clips Rollers/Curlers A Well-Equipped Wig Area Handling a Wig Blocking a Wig Blocking Hard-Front Wigs Blocking Lace-Front Wigs Basic Hand Sewing Stitches Chapter 2: Wig Application and Removal Hair Prep Long Hair Nylon Wig Caps vs Fishnet Wig Caps Short Hair Prepping for Film How to Hold and Put on a Lace-Front Wig Applying Hard-Front Wigs and Falls Removing Wigs After a Performance A Word About Quick Changes and Tap Dancing Chapter 3: Care and Maintenance of Wigs Cleaning Wig Laces Cleaning Facial Hair Touching up a Wig Washing Wigs A Note About Hair Washing Products Washing the Wig off the Block Washing the Wig on the Block Storing Your Wigs Storage Systems Chapter 4: Wig-Making Basics: Learning to Ventilate Ventilating Needles and Holders Loading Your Needle Wig-Making Laces and Nets Fronting Laces Back/Foundation Laces Stretch Laces Other Wig-Making Materials The Direction and Stretch of the Lace Types of Hair Basic Wig-Knotting/Ventilating Technique Double Knotting Ventilating Positions Hair Density and Ventilating Patterns Ventilating Direction Untying Knots Color Blending Sewing with Invisible Thread Hair Punching Chapter 5: Taking Accurate Measurements Proper Head Measurements Transferring Head Measurements to a Block Plastic-Wrap Head Tracings Padding Out a Block with a Plastic Tracing Chapter 6: Facial Hair Creating the Pattern for the Facial Hair Piece Tracing method, free hand method, & stock paper patterns Adding Texture to the Hair Individual Hairpiece Characteristics Eyebrows Mustaches Sideburns Beards and Goatees Cutting and Styling the Facial Hair Applying the Facial Hair Removing the Facial Hair Direct Application Techniques Hair Laid On Facial Hair Floating Beards Historical Timeline of Facial Hair Styles Gallery of Natural Facial Hair Chapter 7: Working with and Adapting Commercial Wigs and Weft Cleaning Old Wigs Bringing Back the Shine of an Old Wig Dulling the Shine of a New Synthetic Wig Removing Weft Thinning a Wig with Thinning Shears Sewing Weft to the Underside of a Wig Adding Weft to Wigs Sewing Weft to a Pre-Made Foundation Piecing Together Wigs Full Bottom Wig Piecing Together Wigs to Increase Size Styling Tricks to Conceal the Front Edge of a Wig Using the Performer's Own Hair to Conceal the Front Edge of the Wig Chapter 8: Fronting Wigs Fronting and Other Adaptations of Commercial Wigs Types of Fronts The Human Hairline Changing the Hairline Building the Fronts Variation 1 Variation 2 Variation 3 Truing the Hairline Lace Direction and Hair Growth Direction Quick Front: A Step-by-Step Example Standard Front Deep Fronts Deep Front Variation 1 Variation 2 Variation 3 Mini Fronts Silk Blenders Nape Lace Chapter 9: Building a Wig From Scratch Types of Foundations Building a Circumference-Band Foundation Vegetable Net & Caul Net/Circumference Band/Right-Side-Out/Hand Sewn Variations on Circumference Band Foundations Variations on Nape-Piece Foundations Variations on One-Piece Foundations Notes About Adding Hair Parts, Crown Swirls, and Cowlicks Miscellaneous Foundations Balding Wigs Fringes Sewing Weft to a Pre-Made Foundation Summary Chapter 10: Partial Wigs, Toupees, and Hairpieces Toupee Graying Temple Pieces Pull-Throughs Falls Type 1 Type 2 Type 3 Type 4 Switches Kabuki-Inspired Lion Wig Making Custom Weft Using Weft to Make Clip-In Extensions ã Chapter 11: Wig Styling Techniques Elements of a Hairstyle Straight Hair Wetting and Drying Flat-Ironin.

Zustand: New. Martha Ruskai s thirty year career as a freelance wig and makeup artist and designer includes opera, film, print, TV, and dance. When not in the theatre, she can be found at dog shows, agility, and water trials with her Portuguese Water .

Zustand: New. Allison Lowery is the Wig/Hair and Makeup Supervisor at South Coast Repertory Theatre. Previously, she was the Wig and Makeup Specialist at the University of Texas. She has created wigs and makeup for the Alabama Shakespeare Festival, the Lyric Opera of .

Zustand: New. Allison Lowery is the Wig/Hair and Makeup Supervisor at South Coast Repertory Theatre. Previously, she was the Wig and Makeup Specialist at the University of Texas. She has created wigs and makeup for the Alabama Shakespeare Festival, th.

Hardcover. Zustand: Brand New. 338 pages. 9.00x6.25x1.00 inches. In Stock.

Hardcover. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 8vo. pp 63. Original publishers white cloth, lettered gilt. Signed presentation from James Murray Allison on the front endpaper, "To Boler, from Jim, Xmas 1924." Very good indeed in very good indeed dust jacket. Excellent condition. Signedes.

Gebunden. Zustand: New. Allison Lowery is the Wig/Hair and Makeup Supervisor at South Coast Repertory Theatre. Previously, she was the Wig and Makeup Specialist at the University of Texas. She has created wigs and makeup for the Alabama Shakespeare Festival, the Lyric Opera of .

Gebunden. Zustand: New. Allison Lowery is the Wig/Hair and Makeup Supervisor at South Coast Repertory Theatre. Previously, she was the Wig and Makeup Specialist at the University of Texas. She has created wigs and makeup for the Alabama Shakespeare Festival, th.

Paperback. Zustand: Good. Illustrated by Lyon, Susan (Cover) (illustrator). First Edition. 96 pages. Features: The Structure and Surface Forms of the Hand; The Ancient Art of Nakha Chitra; Drawing Fundamentals - Value Basics; Visionary Constructions; Tension and Abstraction in Realism; The Fascinating Roots of Indian Drawing; Understanding Anatomy - Hair; Making Careful Drawings in Conte and Pastel; Fleshing Out Leonardo's Grotesque Heads; Effective Use of Color. Average wear. Unmarked. A sound copy.; Magazine; 4to - over 9¾" - 12" tall; American Artist Magazine - Drawing, Summer 2009: How to Draw Hair The Structure and Surface Forms of the Hand; The Ancient Art of Nakha Chitra; Drawing Fundamentals - Value Basics; Visionary Constructions; Tension and Abstraction in Realism; The Fascinati.