alkins ted (11 Ergebnisse)

Soft cover. Zustand: Fine. 1st Edition. 191 pages : illustrations (chiefly colour) ; 27 cm. Summary:Hieronymus Bosch (c. 1450--1516) lived and worked in 's-Hertogenbosch, the Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment.

Hardcover. Reprint. Quarto, 127 pages. In Very Good condition with a Very Good condition dust jacket. Black spine with red and white lettering. Dust jacket has adhesive residue to the rear cover, light scuff marks throughout, and mild wear to edges. Boards are slightly warped. Textblock has light age toning to edges. NOTE: Shelved in Locked Annex Area, Netdesk Column QC (ND-QC). 1401973. FP New Rockville Stock.

Zustand: Good. 8vo. 16 pp. Soft Cover. Very Good+. Illustrated paper wraps. Color and B&W plates throughout. Extremely Scarce. Text in Dutch.

Zustand: Sehr gut. 127 Seiten, Illustr.; Zustand: sehr gut. Geringfügige Gebrauchs- oder Lagerspuren. Sprache: englisch. 139 ISBN 9789055443246 Sprache: Englisch Gewicht in Gramm: 797 29 cm, gebundene Ausgabe mit Schutzumschlag, Leinen.

hardcover, oblong, 88 pag Tekst in NL/ENG. ****Gesigneerd door Jan Vanriet ISBN 9789491349034. 1ste uitgave. Oblong. Twee gedichten (met de Engelse vertaling door Ted Alkins) en een selectie tekeningen. ***Exemplaar gesigneerd door Jan Vanriet 0 g.

Hardcover, 208 pag. NL / ENG, 300 x 250 x 25 mm, NIEUW / NEW, full of photographs / illkustrations in colour. ISBN 9789491819049. Het oeuvre van de Belgische kunstenaar Robert Devriendt is onlosmakelijk verbonden met film: zijn schilderijen zijn klein en kunnen bekeken worden als een reeks stills. De samenhang van deze ?filmische montages? is vaak enigmatisch - er is geen vastomlijnd script. De toeschouwer ervaart de schilderijenreeksen als onopgeloste zaken, waarbij de personages op het schilderij de rol spelen van acteurs: een man kijkt ons aan, een meisje blijkt net vermoord te zijn ? of ligt ze te slapen? De kijker wordt automatisch getransformeerd in coregisseur en cre ert zijn eigen verhaal. De series van Robert Devriendt zijn als gebroken verhalen, waarbij de interpretatie van de toeschouwer centraal staat. Broken Stories biedt een overzicht van de carri re van Robert Devriendt, met de nadruk op zijn recente werk. 1500 g.

Hardcover with dusjacket, 147 pages, 245 x 245 x 16 mm, Illustrated. FINE. ISBN 9789042949706. Hans Memling's altarpiece for the high altar of Santa Mar a la Real in N jera (1483-1494) must have been one of the most spectacular Flemish art works in the Iberian Peninsula. Only three panels survive in the Antwerp Royal Museum of Fine Arts : God surrounded by singing and music-making angels. The retable?s central theme was the mystery of the Assumption of the Blessed Virgin. The iconography of the whole has been described by Jovellanos at the end of the 18th century. From c. 1482 on, dozens of monumental altarpieces dedicated to the Assumption of the Virgin in conjunction with Christological themes have been created throughout Spain. They focus on the complex role of the Holy Virgin, her triumph and glorification. It was a common belief that she was the only human to have borne up bodily into heaven. Although ?Maryam? was held in very high esteem by Muslims too ?and as such, she was a interreligious ?bridge?--, her role as Theotokos or Mother of God was a point of conflict. During the last phase of the Reconquista, to Iberian Christians, the Assumption served as an image of the Church/Faith Triumphant, not as a conciliatory belief. 900 g.

Hardcover, 300 x 260 x 40 mm, ENG. edition, NEW, illustrated in colour / b/w . ISBN 9789464366440. With French as its working language, Cobra was pretty much the last truly European movement within Modernism. The group's anarchic story is not just an important strand in art history - it remains as lively as ever and has inspired all sorts of artists who were never directly involved with Cobra. The work bequeathed to us by Karel Appel, Pierre Alechinsky, Constant, Corneille and other kindred spirits is as fascinating as ever, both raw and confronting, poetic and moving. It is with the same spirit of artistic joyfulness and freedom that this book showcases the masterpieces of Cobra art belonging to The Phoebus Foundation. With text contributions by Paul Huvenne, Johan Pas, Hilde de Bruijn, Laura Stamps, Piet Thomas, Piet Boyens and Naomi Meulemans. The preface was written by Karine Huts-Van den Heuvel. 2450 g.

Hardcover, 472 pages, ENG. edition, 295 x 235 nx 45 mm, illustrated dustjacket, NEW , with illustrations in color / b/w. ISBN 9780300267525. A radical re-examination of 2,500 years of European art, deconstructing and demystifying its long history from ancient to present How has art evolved from the pursuit of the ?ideal? human form to a black square on a white canvas? Why is a banana duct-taped to a wall worth more on the art market than a beautiful seventeenth-century landscape? By taking art for what it actually is ? a piece of stone or wood, a sheet of paper with some lines drawn on it, a painted canvas ? this lively and accessible account shows how seemingly meaningless objects can be transformed into celebrated works of art. Breaking with conventional notions of artistic genius, Koenraad Jonckheere explores how stories and emotions give meaning to objects, and why changing historical circumstances result in such shifting opinions over time. Tracing its story from ancient times to present, A New History of Western Art reframes the evolution of European art and radically reshapes our understanding of art history. 2650 g.

Antwerpen, Fonds Mercator, Parisbas & Ludion Press, 1994, in-4°, 431 pp, ills. in colour, index, bibliography, publisher's cloth with original dust jacket in original slipcase. Mint copy of the oeuvre catalogue, English edition.

Antwerpen, Fonds Mercator, Parisbas & Ludion Press, 1994, in-4°, 431 pp, ills. in colour, index, bibliography, publisher's cloth with original dust jacket in original slipcase. Mint copy of the oeuvre catalogue, English edition.