Alexander c m ed (17 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780521779388.…

Zustand: Fair. Acceptable condition. Covers detached. Reading copy only. In polypropylene bag. Reprinted from The Scottish Medial And Surgical Journal September 1899 (Medicine, hereditary Syphilitic Osteitis, Case Study).

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,3200grams, ISBN:9780443074578.

Zustand: Fair. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Undated Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN.…

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521544818.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN.

Paperback. Pb, scuffed. Rivista di St della Miniatura.

Zustand: New. Editor(s): Denov, Myriam; Maclure, Richard Alexander; Kathryn, Craft. Num Pages: 319 pages, 5 black & white illustrations, biography. BIC Classification: JFSP; JHB; JHBK; JKV; JP. Category: (G) General (US: Trade). Dimension: 216 x 140 x 17. Weight in Grams: 411. . 2011. 1st ed. 2011. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. Theorist Clifford Geertz's influence extends far beyond Anthropology. This volume reflects the breadth of his influence, looking at Geertz as a theorist rather than as an anthropologist. To date there has been no impartial, comprehensive, and authoritative work published on this critical figure. Editor(s): Norton, Matthew. Series: Cultural Sociology. Num Pages: 230 pages, biography. BIC Classification: JHBC; JHMC. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 12. Weight in Grams: 513. . 2011. Hardback. . . . . Books ship from the US and Ireland.…

Zustand: New. A timely examination of the plight of children and youths in developing nations. The chapters strike a balance between diagnostic analysis of the conditions of risk, with prescriptive ideas for approaching and intervening with marginalized children. Editor(s): Denov, Myriam; Maclure, Richard Alexander; Campbell, Kathryn. Num Pages: 319 pages, 5 black & white illustrations, biography. BIC Classification: JFFE; JFSP1; JPVH. Category: (P) Professional & Vocational. Dimension: 223 x 139 x 23. Weight in Grams: 508. . 2011. Hardback. . . . . Books ship from the US and Ireland. …

Softcover. Zustand: Gut. Ex-library with stamp and library-signature. GOOD condition, some traces of use. Ancien Exemplaire de bibliothèque avec signature et cachet. BON état, quelques traces d'usure. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. 54 BLO 9780821884881 Sprache: Englisch Gewicht in Gramm: 550.…

Cambridge, Cambridge University Press, 2004. 268 pp., 2 ills in b/w, 4to, softcover. Mint condition.

Cambridge, Cambridge University Press, 2001. 207 pp., 4to, softcover. Mint condition.

Single Issue Magazine. Zustand: Good. First Edition. An early men's publication in the model of Playboy. 64 pages with color and black and white photos. Features: The Webs They Weave - story by Earle Schell; Tasteful photo feature of June Palmer from England; Weaker Sex - W.B. Bennett asks who is the master of the race?; The One That Said No - story by E.C. Mackey; All About Beds - Various bed designs adorned with young ladies; Alibis That Worked - a compilation by Paul Steiner; Anybody Can Cheat - how to mark cards, cheat at gin rummy, scrabble, and home roulette; Djia Djio The Magnificent - Story by William A. Austin; Beauty From Buffalo - photo feature of Marilyn look-alike Pat Taylor from Buffalo, NY; Gold Coast (for ex-show girls) - They are finding lots of money in Miami; Colour cartoons of couple unable to get intimate because their cars are too small; Free-For-All - photos of topless show girls, including Kai Fischer, fighting over a man; A Circling Hawk - story by Donald F. Ellingwood, Jr.; Nudie the Nude - article on famous Hollywood tailor 'Nudie'; Nice photo feature of Leona Claire of Hollywood - she's part Chinese and part Philippine and appeared as a dancer in two movies, South Pacific and The King and I; The Retraction - story by John Turner; Photos of a couple with their Nomad combinaton camping trailer/boat catch the lady while bathing; and more. Unmarked with moderate wear. A sound vintage copy. Hurn-Globe, David; Alexander, Ed; Brandreth, Bob; Manent (illustrator).…

Zustand: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déja? utilisée pour Les Vues de Provins. Cet intérêt s'explique par la facilité d'exécution offerte par la lithographie, qui n'exige pas des artistes l'apprentissage d'une technique de gravure particulière. Cette simplification d'exécution permet non seulement de réduire le temps nécessaire a? la réalisation d'une estampe, mais aussi d'acquérir rapidement une renommée grâce a? la diffusion quasi immédiate de ces images. Cette avancée technologique explique pourquoi la lithographie est devenue rapidement une alternative intéressante, tant sur le plan financier que commercial, par rapport à d'autres procédés.PROVENANCE; Bookplate of M.C.D. Borden in each volume. Matthew Chaloner Durfee Borden was born on July 18, 1842 in Fall River, Mass., the son of Col. Richard and Abby W. (Durfee) Bordon. He was educated at Phillips Academy in Andover, and graduated from Yale University in 1864. At Yale he was a member of Delta Kappa Epsilon and Skull and Bones. Later that year he entered one of New York's leading dry goods house as a stock boy. In 1865, he married his relative, Harriet M. Durfee, and they had seven children.Borden came to New York after graduation, working as a clerk in a dry goods jobbing house. Three years later he became a partner in a commission firm and represented the American Print Cloth Works of Fall River. This concern failed in 1879, but Mr. Borden reorganized it in 1880 as the American Printing Company. In 1869, Borden decided to manufacture his own cotton rather than buying it from others to supply his printing mills. He built three mills to begin with, and ultimately the Falls River Iron Works Mills was a thriving business. He was a compassionate man regarding his employees, raising wages in times of depression, and his mills were not struck by the labor unions when his relatives' mills were.Borden also kept a home in New York City at 25 West 56th Street, where he had many financial interests, being a director of the Manhattan Company Bank, the Lincoln N.…

Complete. Vol I: Insular Manuscripts 6th to the 9th century. Vol II: Anglo-saxon Manuscripts 900-1066. Vol III: Romanesque Manuscripts 1066-1190. Vol IV: Early Gothic Manuscripts 1190-1250 and 1250-1285 (2 parts). Vol V: Gothic Manuscripts 1285-1385 Text and catalogue (2 parts). Vol VI: Later Gothic Manuscripts 1390-1490 Text and Catalogue (2 parts). Over 2000 pp, over 2000 b/w illustrations and several colour plates. Quarto. Cloth-bound. Dust jackets partially faded otherwise in a very fine condition.…