aarons philip roth andrew (4 Ergebnisse)

Paperback. Zustand: New in publisher's shrink wrap. First edition. 1/2500. Folio (8?" x 13"), 440pp. In Numbers: Serial Publications by Artists Since 1955" is a survey of serial publications, dating from 1955 to the present day, that have been produced by artists from around the world. Amid historical groundswells like the rise of the little press in the 1960s, the correspondence art movement of the early 1970s, and the DIY culture of zines in the 1980s and early 1990s, professional artists have seized on the format of magazines and postcards as sites for a new kind of art production. These are not publications that feature news items, criticism, manifestos, or reproductions of artworks, but are themselves artworks, often collaborative and idiosyncratic. In large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. "In Numbers" is the first volume to define an overlooked art form that is neither artists' book nor ephemera, but entirely its own unique object. Unnumbered 2,500 copies. Includes works by Vito Acconci and Bernadette Mayer; Hans-Peter Feldman; Eleanor Antin; K. Baumgartner, C. Höeller, J. Schröeder and D. Castro; Terence Koh; Buster Cleveland; Art & Language; Frank Gaard and the Artpolice; Futzie Nutzle, Spinny Walker and henry humble; BANK; Ray Johnson; Joe Brainard; Continuous Project; Stephen Willats; Les Levine; Wolf Vostell; Edgardo Antonio Vigo; Adam Dant; Josephine Meckseper; General Idea; George Maciunas; Martha Rosler; Dieter Roth; Bruce LaBruce and G.B. Jones; Barbara Ess; Scott Hug; Daido Moriyama; R. Bertholo, Christo, L. Castro and J. Voss; William Leavitt and Bas Jan Ader; Gilbert and George; Aleksandra Mir; LTTR; Patricia Tavenner; Daniel Spoerri; Maurizio Nannucci; Matt Keegan and S.G. Rafferty; Herman de Vries; Tom Sachs; Uschi Huber and Jörg Paul Janka; Robert Heinecken; Maurizio Cattelan and Paolo Manfrin; Ian Hamilton Finlay; Provoke Group; Lisa Anne Auerbach; Günter Brus; Wallace Berman; Jacqueline de Jong; Matthias Hermann; Christian Hunt; Scott Treleaven; Roni Horn; Raymond Pettibon; Anna Banana and William Gagilone; Tom Marioni; and Nobuyoshi Araki./ Includes bibliographical references and index.

Zustand: Sehr gut. 4°. 32 x 23 cm. 440 Seiten. Gebundener Original-Pappband. 1. Auflage. 1 von 2500 Exemplaren. Englischsprachige Ausgabe. Mit zahlreichen Abbildungen. Einband leicht berieben und fleckig, Kanten etwas bestoßen. Vorsätze im Randbereich minimal gebräunt. Sehr gutes Exemplar. First edition. 1 of 2500 copies. English language edition. With many illustrations. Original hardcover. Cover slightly rubbed and spotted, edges slightly bumped. Endpapers slightly darkened at the margins. Fine copy.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Sehr gut. 1. Auflage. 22,4 x 31,1 cm (hardcover) 440 pages (460 color & 14 b/w ill.) - "In Numbers: Serial Publications by Artists Since 1955" is a survey of serial publications, dating from 1955 to the present day, that have been produced by artists from around the world. Amid historical groundswells like the rise of the little press in the 1960s, the correspondence art movement of the early 1970s, and the DIY culture of zines in the 1980s and early 1990s, professional artists have seized on the format of magazines and postcards as sites for a new kind of art production. These are not publications that feature news items, criticism, manifestos, or reproductions of artworks, but are themselves artworks, often collaborative and idiosyncratic. In large part they are produced by younger artists operating at the peripheries of mainstream art cultures, or by established artists looking for an alternative to the marketplace. "In Numbers" is the first volume to define an overlooked art form that is neither artists' book nor ephemera, but entirely its own unique object.