A c danto (46 Ergebnisse)

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780006862307.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN:0006340660.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust Jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0521072662.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Hardbound in dust jacket. 1st edition. Small tears & wear to corners of dust jacket, otherwise very good.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume C, Number 7, Contributors include Shapiro, T.; Arntzenius, F. & tooley, Michael., previous owner's name on the cover. Used.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 1, Contributors include Churchland, P. M. & Khalidi, M. A. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCVI, Number 2, Contributors include Jones, K.; Hershenov, D. b.; Christman, J. & Horowitz, G. M. Clean Copy.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 11, Contributors include Katz, J. J.; Dennett, D. C.; Mele, A. R.; Bromwich, D. & Reginster, B. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 2, Contributors include Endicott, R. P.; Pettit, P. & margalit, A. Ex Academic Office.

paperback. Zustand: Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 12, Contributors include Fine, K.; Becker, K. & Kitcher, P., crease on the cover. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCVI, Number 1, Contributors include Huggett, N.; Sorensen, R. & Tait, W. W. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 3, Contributors include Matthen, M.; Scott, M.; Scott, A. D. S.; Herwitz, D. & Rush, F. L. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 8, Contributors include Fiengo, R.; May, Robert; Priest, G. & Hausman, D. M. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 10, Contributors include Shapiro, S.; Stroll, A.; Oliver, A. & Morreau, M. Ex Academic Office.

paperback. Zustand: Very Good. No Dust Jacket. No Earlier Edition Stated. Volume XCV, Number 4, Contributors include Milikan, R. G.; Hurka, T. & Sarkar, H. Ex Academic Office.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9789057013010.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pen markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,150grams, ISBN.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521117524. …

Zustand: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. With almost no library markings, In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:0521095182. …

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Epublication content package. Zustand: New. Zustand des Schutzumschlags: Nuevo. LIBRO.

Zustand: Fair. Volume 35. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780691011738.…

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Epublication content package. Zustand: New. Zustand des Schutzumschlags: Nuevo. Desde su aparición en 1981, La transfiguración del lugar común se ha convertido en referencia obligada de la reflexión filosófica sobre el arte moderno. Danto responde con brillantez a la ya clásica pregunta ?Cuándo se produce el arte?? Para despejar las incógnitas que de aquí se derivan, propone la metáfora del lugar común y su paradójica aplicación al arte: por qué los objetos más banales quedan transfigurados al ser convertidos en obra de arte? En qué se diferencian a pesar de ser materialmente indiscernibles? Qué estrategia utiliza el arte de hoy para lograr estos fines? En respuesta a estas cuestiones, Danto relativiza el juicio subjetivo del gusto y nos invita a participar en los juegos de lenguaje y los ámbitos institucionales propios del arte moderno. De ellos toma toda su fuerza para abrir la posibilidad de nuevos significados en esta época de agotamiento. La interpretación artística puede que ya no vuelva a ser una tarea espontánea o cómoda, pero sí se revelará imprescindible a la hora de restituir el peculiar y enorme valor cognitivo de la experiencia estética. LIBRO.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. First Edition, First Printing. Not price-clipped ($75.00 price intact on back). Published by Aperture, 2005. Folio. Gray cloth boards stamped in gray with gray endpapers. Book is very good; with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is very good with shelf wear and a few small nicks on spine ends. A very good copy of this collection of black and white ocean photographs by Clifford Ross. ISBN: 9781931788618. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell.…

First Edition. First edition and first printing. Hardcover. 167 pages. The first monograph on American-Finnish photographer Arno Rafael Minkkinen. Features essays by Alan Lightman, A.D. Coleman, and Arthur C. Danto. Includes 140 tritone illustrations, a chronology, selected bibliography, list of previous exhibitions, and a list of collections. A fine copy in a very near fine dust jacket.…

Zustand: Nuevo. Hace un siglo, la belleza era considerada de forma unánime como meta suprema del arte y hasta como sinónimo de excelencia artística. Hoy, en cambio, algunos la contemplan como algo parecido a un delito estético. En nuestros días, determinada crítica increpa a los artistas cuando sus obras parecen aspirar a la belleza. En los últimos años, sin embargo, algunos artistas, críticos y comisarios de exposiciones han empezado a contemplar la belleza de distinta manera. A menudo el debate resulta confuso: en ocasiones los especialistas ven la belleza como una traición frente al verdadero rol del artista, mientras que en otras se esfuerzan por encontrar belleza en lo aparentemente grotesco o repulsivo. El gran crítico de arte y filósofo Arthur Danto explica en este libro cómo se gestó la revolución contra la belleza y cómo fue derrocada por la vanguardia moderna. Danto sostiene que los modernos tenían razón al negar que la belleza fuera consustancial al arte; al mismo tiempo, sin embargo, la belleza es esencial para la vida humana y no siempre debe ser desterrada del arte.…

Zustand: Nuevo. Desde su aparición en 1981, La transfiguración del lugar común se ha convertido en referencia obligada de la reflexión filosófica sobre el arte moderno. Danto responde con brillantez a la ya clásica pregunta ?¿Cuándo se produce el arte?? Para despejar las incógnitas que de aquí se derivan, propone la metáfora del lugar común y su paradójica aplicación al arte: ¿por qué los objetos más banales quedan transfigurados al ser convertidos en obra de arte? ¿En qué se diferencian a pesar de ser materialmente indiscernibles? ¿Qué estrategia utiliza el arte de hoy para lograr estos fines? En respuesta a estas cuestiones, Danto relativiza el juicio subjetivo del gusto y nos invita a participar en los juegos de lenguaje y los ámbitos institucionales propios del arte moderno. De ellos toma toda su fuerza para abrir la posibilidad de nuevos significados en esta época de agotamiento. La interpretación artística puede que ya no vuelva a ser una tarea espontánea o cómoda, pero sí se revelará imprescindible a la hora de restituir el peculiar y enorme valor cognitivo de la experiencia estética.…