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Amsterdam, J.M. Schalekamp, 1893. [4], 182 pp. B./w. ills, incl. photoengraved plts. Original dec. cream coloured boards with print in black and red and gilt lettering. 4to. - Some shelfwear; spine seriously browned.About the Dutch painters and graphic artists J. Israëls, J. M.Maris, W. Maris, A. Mauve & J. Bosboom. - Including an oeuvre catalogue "Appendice de catalogue déscriptif des eaux-fortes d'Israels, de J. et M. Maris et de Mauve". - Text in French. - This copy without the four original etchings by Philippe Zilcken (!).
Amst., J.M. Schalekamp, [1899]. [4],182 pp. 73 text-ills, 4 facsimile writings & 13 plts (photoengravings). Orig. dec. gilt cloth, edges gilt. - Corners & spine end sl. dam.; weak in hinges, few pages loose. About the Dutch painters and graphic artists J. Israëls, J. M.Maris, W. Maris & A. Mauve.
Ermelo, 1909. 200 pp. Ills. Or. linnen band.
Amsterdam, J.M. Schalekamp, 1893. [4], 182 pp. B./w. ills, incl. photoengraved plts & 4 original etchings by Philippe Zilcken. Original dec. cream coloured boards with print in black and red and gilt lettering. 4to. - Light shelfwear; spine sl. browned; front boards sl. rubbed.About the Dutch painters and graphic artists J. Israëls, J. M.Maris, W. Maris, A. Mauve & J. Bosboom. - Including an oeuvre catalogue "Appendice de catalogue déscriptif des eaux-fortes d'Israels, de J. et M. Maris et de Mauve". - Text in French. - Complete with the four etchings by Philippe Zilcken.
A view of the harbour of Delft. The artist signed on the bottom right side of the print. M077. Lithography, print measurement: 153 x 216 mm, total: 317 x 450 mm. The print itself is in good condition, the sheet has several brown spots.
Verlag: Early 20th Century
Anbieter: Sulis Fine Art, Corsham, Vereinigtes Königreich
Kunst / Grafik / Poster Signiert
Zustand: used. A solitary windmill shadows a figure collecting water from the river's edge. The artwork has the print number 6. Signed with monogram. On wove. Size: Medium (15-30cm) Framed: No Style: Realism.
Anbieter: Antiquariaat Wim de Goeij, Kalmthout, ANTW, Belgien
Verbandsmitglied: ILAB
Signiert
15. Paris, H. Floury, 1910, in-4°, 33 x 25,5 cm, XI pp + 119 pp + (5)nn pp + 15 dry point etchings, each one protected with a serpente with a printed caption, bound in modern green half leather, gilt title on smooth spine, original covers preserved and bound in at the end. Fine copy allthough the original front cover and the half title have some stains , lower margin of title sligthly discolored and with one tiny stain. Still a fine uncut, nearly stainless (apart from stains mentioned) copy. This is an unnumbered copy of a a total of 120. It is dedicated in manuscript by the artist to Léonce Bénédite, curator of the Luxembourg Museum in Paris and author of the preface of this album. All the dry points are signed in the margin by the artist with a stamp signature. The artist, at one time secretary to the first wife of the Dutch king Willem III, travelled several times to Algeria and Egypt and gained some fame as an ''orientalist ''. He was one of the very few dutch artists who gained entry into the French avant-garde at the start of the impressionist and the symbolist movement. He was befriended with Paul Verlaine who stayed at his home during his visit to Holland in 1892. In 1900 the Parisian art editor Floury published the first volume of his mémoires ; '' Souvenirs I ''. (see also Thieme-Becker XXXVI, 499).