TERRY BORDEN (7 Ergebnisse)

Zustand: Good. Good condition. Volume 1. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Zustand: New.

Hardcover. Zustand: As New. No Jacket. Pristine; like new. Beautiful red leather like cover. 717 pages. BR (Box 313).

Paperback. Zustand: Fair. 6. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Brand New. 7th edition. 460 pages. 9.25x7.50x0.75 inches. In Stock.

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.