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Verlag: Yale University Press, 2001
ISBN 10: 0300083378ISBN 13: 9780300083378
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. rev Edition. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Pearson Education, Limited, 1975
ISBN 10: 013736637XISBN 13: 9780137366378
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Gebraucht ab EUR 3,84
Verlag: Addison-Wesley, 1994
ISBN 10: 0201626918ISBN 13: 9780201626919
Buch
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain a few markings such as an owner's name, short gifter's inscription or light stamp.
Verlag: Pearson Education, Limited, 1992
ISBN 10: 0201577194ISBN 13: 9780201577198
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Verlag: Yale University Press, 2001
ISBN 10: 0300083351ISBN 13: 9780300083354
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
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Gebraucht ab EUR 11,84
Verlag: Taipei Fine Arts Museum, 2013
ISBN 10: 9860364443ISBN 13: 9789860364446
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
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Gebraucht ab EUR 3,91
Erscheinungsdatum: 1999
ISBN 10: 0828114560ISBN 13: 9780828114561
Anbieter: Books From California, Simi Valley, CA, USA
Buch
Paperback. Zustand: Good. Has noticeable wear / dirtiness. Minimal markings / hilighting.
Verlag: A. S. Barnes and Co., Inc., 1978
ISBN 10: 0498020320ISBN 13: 9780498020322
Buch
Zustand: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
Verlag: Seemann Publishing, Incorporated, E. A., 1977
ISBN 10: 0912458992ISBN 13: 9780912458991
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Julia Solomon (illustrator). Used book that is in clean, average condition without any missing pages.
Verlag: A.S. Barnes, New York, 1978
ISBN 10: 0498020320ISBN 13: 9780498020322
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
Buch Erstausgabe
hardcover. Zustand: fine. Zustand des Schutzumschlags: near fine. First. Illustrated throughout in b/w. 210 pages. 4to, gray boards, d.w. New York: A.S. Barnes, (1978). First edition. A fine copy in a near fine dust wrapper.
Verlag: A.S. Barnes and Company, New York, 1978
ISBN 10: 0498020320ISBN 13: 9780498020322
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Buch Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. 210pp. Illustrated from black and white photographs. Offsetting from newsprint on pages 64-65, the foredge of a few pages slightly roughly cut, else near fine in a very good rubbed and lightly soiled dustwrapper with a few scratches on front panel. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.
Zustand: Good. . Volume 51. Number 5. Slightly dampstained. Mertz's address label on front cover. In polypropylene bag. Barbara G. Mertz Rev Trust custom bookplate on rear cover. This book formed part of Barbara G. Mertz's personal library at her home in Frederick, Maryland. (anthropology, archaeology, periodicals).
Verlag: Titan Books Limited, 2011
ISBN 10: 0857682989ISBN 13: 9780857682987
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474407951ISBN 13: 9781474407953
Anbieter: Plurabelle Books Ltd, Cambridge, Vereinigtes Königreich
Verbandsmitglied: GIAQ
Buch
Paperback. Zustand: As New. Series: Screening Antiquity. xvii 910p large format paperback, like new condition, minimal wear, pages clean and neat, binding like new, spine not creased, excellent Language: English.
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Mehr entdecken Softcover
Verlag: New Haven: Yale University Press, 2001
ISBN 10: 0300083378ISBN 13: 9780300083378
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch Erstausgabe
Original brochure. Zustand: Sehr gut. Revised and expanded edition. 364 p., w/ fig. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Zustand: Leicht beriebener sowie bestoßener Einband. Ansonsten im einwandfreien Zustand. / Condition: Slightly rubbed and bumped cover. Otherwise in perfect condition. - Content: When I began the first version of this book in 1976, there was little interest in the genre of films that I ironically and intentionally labeled "ancient." Not only were most scholars in the field of classical studies uninterested in the application of the classics to popular culture, but the film world itself had abandoned the production of "ancient" films, which since the beginning of the century had made a significant impact on the development and continued success of the film industry. Since 1976, however, hundreds of classical scholars in America and Europe have turned their critical trainings to a variety of popular-culture genres, giving professional papers, publishing articles and books, and teaching classes on the influence of the classics. In addition, the film world itself was in 1976 just about to experience a renascence predicted in the first edition of this book that began with such television productions as the BBC s I, Claudius and had by the end of the second millennium produced more than a half-dozen feature films, animated features, and television series, as well as scores of classical allusions in contemporary Hollywood films. What originally inspired the writing of this book was my preteen screening : f such films as The Ten Commandments, Ulysses, Solomon and Sheba, Jason and the Argonauts, and, of course, Ben-Hur, films that, along with several fine Latin teachers, helped to inspire my lifelong interest in classical studies. Nearly two decades later I » as in graduate school at the University of North Carolina, equipped with newly accired research skills, close enough to the Library of Congress and New York s Museum of Modern Art to do film research, and invigorated by a flurry of coffee-table books about film genres and well-known actors. Because this was just before the video Ed cable revolutions and all my film viewing was performed at institutions, I was at ek mercy of the limitations of their holdings, opening hours, and equipment ncept for the 16mm copies of films I rented and had shipped to my apartment. (My ¡Ejdlady suspected me of running a pornographical business under her roof.) Two decades later, not only do we all have the opportunity to study a video copy of almost every film in the genre whether purchased or taped from one of the dozens of cable channels available but a number of new reference options are available, including online databases that allow one to cross-reference names and titles in seconds rather than having to search manually through books with incomplete indexes, or none at all. All these advances make this a more complete and more accurate book. More films are now available for examination, and more information is available about them. The status of the database is not perfect, however. There are still lost films (Theda Bara s 1917 version of Cleopatra), ineptly edited films (Fox s 1963 version of Cleopatra; Bob Guccione s Caligula), and many insecure dates and multiple titles most of them originating in Italy in the spans 1908-1916 and 1959-1964. The scholar awaits more memoirs and autobiographies from and biographies about actors, directors, and producers, and it is a realistic hope that the e-revolution might soon place unexpected resources in our hands. In revising this book I left intact the Musaic order of the chapters and the arrangement of the films discussed, inserting in their proper positions discussions of and references to films produced after 1977. As best I could stomach I left intact also much of the "charm" I was more capable of exuding as a young man unaware of life s many potholes, though it was now proper to edit out the unintentional political incorrectnesses that my original 1970s-style pronouns betrayed. Of course I added data and corrected mistakes, but I also changed my opinion about some of the films: twenty years of maturation and accumulated knowledge allow me to appreciate better the position of such films as Fabiola (1948), Two Nights with Cleopatra, and DeMille s The Sign of the Cross in the history of cinema. In revising the book and reviewing the films I found that films of the 1950s and 1960s that were nostalgically interesting in 1976 had become, forty years after their production, virtual antiques nearly as old as films of the 1930s had been to me while writing the first edition of the book. As a result I revised my estimation of the genre, from genuine admiration to a gratitude that these films had been made and have continued to be made albeit in different formats for nearly a century. The genre of films about the ancient world tells us much about our own century, and now that scholars are more frequently turning their attention to the contributions of twentieth-century culture, the following pages provide an interesting method of surveying our modern view of antiquity and ourselves. As Marie Wyke pointed out in Projecting the Past: Ancient Rome, Cinema, and History (Routledge, 1997), it is virtually impossible to look at Hollywood s treatments of Romans in films like Quo Vadis? (1951), Ben-Hur (1959), and Spartacus (1960) without comparing the Romans to Nazis and Communists. No longer are we examining just a sometimes brilliant, sometimes profound, sometimes campy genre of films; we are now looking at a century s worth of international cinematic production that reflects how the modern creative artist and our common populace perceive the ancient world. ISBN 9780300083378 Sprache: Englisch Gewicht in Gramm: 794.
. . . 1 Vol. . 368 pp. Cuarto Mayor. Cartoné con cubiertas. . Buen estado de conservación. Profusamente ilustardo en B/N. Jon Solomon realiza en Peplum un detallado estudio en género donde lo que se exige es impresión y atmósfera, no precisión histórica. .
Verlag: University of Arizona Press. 01.05.1994., 1994
ISBN 10: 0816513899ISBN 13: 9780816513895
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Buch
Zustand: Gut. XII, 196 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - sehr guter Zustand / very good condition - Apollo has been labeled the most "Greek" of the Greek gods. His handsome, beardless face and youthful, athletic torso have been associated with the male figures idealized by the ancient Greeks, and his association with the Muses allowed Roman, Renaissance, and Baroque artists to call on him for poetic inspiration. Yet because he was associated with so many elements as god of the sun, of music, of medicine, of prophecy, of archery, and of flocks of sheep as well as of their adversaries, wolves Apollo s essence and origins have been difficult to uncover. -- This volume gathers diverse views of Apollo s origins and his far-reaching influences. It provides a fresh, multifaceted portrait of Apollo through essays that explore such topics as the etymology of his name, his association with religious cults and sacred groves, his appearances in Greco-Roman literature, and his iconography in the visual arts. Also included are bibliographies of ancient and modern sources. -- CONTENTS -- Introduction -- Jon Solomon -- The Essence of Apollo -- The Name of Apollo: Etymology and Essence -- Gregory Nagy -- Sacred Groves and the Nature of Apollo -- Darice Birge -- Apollo in Early Greek Poetry -- Tendenz and Olympian Propaganda in the Homeric -- Hymn to Apollo -- Jenny Strauss Clay -- Apollo and the Lyre Jon Solomon -- Expressions of Apolline Imagery -- Olbia and Apollo of Didyma: A New Oracle Text -- Walter Burkert -- The Terrible Twins in Sixth-Century Attic Art -- T. H. Carpenter -- Apollo in Greek Tragedy: Orestes and the God of Initiation Anton Bierl -- Apollo Among the Romans -- Virgil, Apollo, and Augustus lohn F Miller -- Apollo: Cult and Prophesy In Ovid, Lucan, and Statius Frederick Ahl. ISBN 9780816513895 Sprache: Englisch Gewicht in Gramm: 711 16,5 x 2,5 x 24,1 cm, Original Leinen kaschiert mit Schutzumschlag / Cloth laminated with dust jacket.
Verlag: tucson, University pf Arizona Press, 1994
Anbieter: antiquariat peter petrej - Bibliopolium AG, Zürich, ZH, Schweiz
Gr.8°, XII, 196 S., OLwd. m. OU, OU knittrig u. flattrig, Kopfschnitt min. stockfl., Buch sonst tadellos. EA. 9 Aufsätze, u. a. v. Walter Burkert und Anton Bierl. Enth.: The Essence of Apollo; Apollo in Early Greek Poetry; Expressions of Aloppine Imagery; Apollo Among the Romans. 900 gr. Schlagworte: Religion - nichtchristliche, Geschichte - Antike.
Verlag: Springer Nature Singapore, 2023
ISBN 10: 9819933218ISBN 13: 9789819933211
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book constitutes a timely intervention into debates over the status of Taiwan, at a moment when discussions of democracy and autocracy, imperialism and agency, unipolarity and multipolarity, dominate the intellectual agenda of the day. Pursuing a parallel trajectory that is both epistemic and historical, that is traced out in relation both to Taiwan's recent history and to the disparate forms of knowledge production about that history, this work engages in scholarly debate about some of the burning issues of our time, including transitional justice, hegemony and conspiracy in the digital age, debt regimes, cultural difference, national language, and the traumatic legacies of war, colonialism, anticommunism, antiblackness, and neoliberalism. Providing trenchant analyses of the fundamental bipolarity that persists amidst both unipolar and multipolar conceptions of the world schema inherited from the colonial-imperial modernity,this book will be of interest to scholars in many fields, including translation studies, postcolonial studies, Marxism studies, trauma studies, media studies, poststructural theory, gender studies, cold war studies,area studies, American studies, black studies, and so forth.
Verlag: Free Press, 1984
ISBN 10: 0669049123ISBN 13: 9780669049121
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Good. Used book that is in clean, average condition without any missing pages.
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Verlag: Harvard University Press 2011-05-13, Cambridge, Mass. |London, 2011
ISBN 10: 0674057104ISBN 13: 9780674057104
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG|LAT.
Verlag: Haarlem, De Toorts 1976, 1976
ISBN 10: 9060202201ISBN 13: 9789060202203
Anbieter: Antiquariaat Schot, Hendrik-Ido-Ambacht, Niederlande
Buch
209 p. Paperback (Mooi exemplaar.).
Verlag: Harvard University Press 2017-07-28, Cambridge, 2017
ISBN 10: 0674975596ISBN 13: 9780674975590
Anbieter: Blackwell's, London, Vereinigtes Königreich
Buch
hardback. Zustand: New. Language: ENG.