SOLIE, RUTH (22 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Some pencil markings. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0520079272.

Hardback. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st. First edition first printing hardback, 1993, with unclipped jacket. In overall near fine used condition with only slight signs of age, handling and storage. Internally clean. Binding tight and appears almost unread; no annotation or inscriptions; text bright and clear throughout. Not an old library book.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Light shelf wear to edges.

Hardcover. Zustand: Fine. First Edition. Hardback. Dust Jacket. 8vo. Original publisher's green cloth, lettered silver at the spine. Ownership signature of Philip Reed (of the ENO), distinguished writer and expert on classical music. ISBN: 0520079272 Pages: 353 Fine in fine dust jacket.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

8vo xii, 233 pages. Paperback, worn and creased. Internally VG. Music examples.

Paperback. Zustand: Brand New. reprint edition. 353 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: Very Good. Some outer edges have minor scuffs. Cover has light scratches/marks. Textblock has light foxing. Reading content is in very good condition.

Zustand: New. Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from 12th-century monks to contemporary opera queens, these essays explore questions of gender and sexuality.&Uumlber den Autor.

Zustand: New. pp. 240 Illus.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Medium8vo, xi, 355 p. Illustrated. Original green cloth, lettered silver. Three tiny ticks, three short margin lines and a brief spirdery note over five pages otherwise a pristine copy in a fine d/j. First edition.

Taschenbuch. Zustand: Neu. Neuware - Addressing Western and non-Western music, composers from Francesca Caccini to Charles Ives, and musical communities from twelfth-century monks to contemporary opera queens, these essays explore questions of gender and sexuality. 'Musicology and Difference' brings together some of the freshest and most challenging voices in musicology today on a question of importance to all the humanistic disciplines.

Hardcover. Zustand: Brand New. 1st edition. 240 pages. 9.00x6.25x0.75 inches. In Stock.

Zustand: Very Good. Berkeley, University of California Press, 1995. 8vo. xii,+ 355,+ (1) pp. Paperback. Reprint, first published in 1993. Softcover / Paperback.

355 S., Obr. Mit Notenbsp. - Vord. Ebd. mit Knick.

Zustand: New. Examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians.Inhaltsverzeichnis.

Buch. Zustand: Neu. Neuware - Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to 'what goes without saying' on the subject--that cultural information so present and pervasive as to go unsaid--fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people--English and others--experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes--including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility--and in turn suggest the complex links between the history of music and the history of ideas.