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Verlag: Anaheim: Haddad Fine Arts (1977)., 1977
Anbieter: Jeff Maser, Bookseller - ABAA, Berkeley, CA, USA
Erstausgabe
First edition. [16 pp]. A few pale spots of foxing, else near fine in glossy illustrated wrappers. A sequence of photographs.
Verlag: Meißner Edition 0, Hamburg
Anbieter: Antiquariat Luna, Lüneburg, Deutschland
Kunst / Grafik / Poster Signiert
Kein Einband. Zustand: Gut. Klappkarte mit Kurzbiografie deutsch/englisch und Serigraphie überreicht von der Lufthansa. Nummer 890/999 . Von dem amerikanischen Künstler Arthur Secunda (*1927) . signed . Vom Künstler signiert. Druckgrafik.
Verlag: Arthur Secunda, Santa Monica, CA, 1981
Anbieter: Craig Olson Books, ABAA/ILAB, Belfast, ME, USA
Erstausgabe
Wraps. Zustand: Very Good. First Edition. Odd, just odd. 28 pp. Minor scuffing to covers, clean within.
Verlag: Dodge Printing, Beverly Hills, 1979
Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USA
Erstausgabe
Softcover. Zustand: vg. First printing. 8vo. Unpaginated. Illustrated wrappers. A rather strange tale of a dream by a Groucho Marx type guy cooking a "Veal-Yogurt soup dinner." Illustrated with 25 b/w reproductions of photographs by Zev Manor taken on Maple Drive in Beverly Hills. Minor scuffing to wraps. Very good condition.
Verlag: Capra Press,, Santa Barbara, 1977
Anbieter: Burwood Books, Wickham Market, Vereinigtes Königreich
Verbandsmitglied: PBFA
Erstausgabe Signiert
Hardcover. Zustand: Good. First Edition. Temple, F. J. (Fr d ric Jacques); Secunda, Arthur Jacques, And Secunda, Arthur, And Capra Press Vesuvius Limited Signed (by Arthur Secunda) 'de luxe' edition of 26 Copies, this number 9. 15 loose prints (each signed by Secunda) in lowered section within printed slip-case. Text (5 pages, thin yellow card) in English, Italian. Translation of Vesuvius by Gregory Barr. Text and paltes excellent, slip-case sound but somewhat used with noticeable fading and discolouration at spine and edges. Slip-case printed in white and red with white illustration. loosely inserted typed letter from Noel Young editor at Capra addressed 'Dear Curator and Collector' and dated 17 August 1977 soliciting buyers for the de luxe edition and noting the box was designed by Emily Paine, and slik - screened by Jeff Wasserman.offering a pre-publication price of $195. Signedes.
Verlag: Marseille, Edit. Georges Point Atelier d? Endoume, 1986
Anbieter: antiquariat peter petrej - Bibliopolium AG, Zürich, ZH, Schweiz
Signiert
Gr.8°, 3 Bl., 16 S. (Véline cuvé B.F.K. Rives 250 g.), 16 Orig.-Lithogr. , Lose Blatt in Papiermappe in OLwd. -Schuber, Tadellos. Nr. 10 von 60 Exemplaren. Im Impressum vom Autor F. J. Temple, dem Übersetzer Mervine Lane und dem Künstler Arthur Secunda signiert. Die Lithographien wurden von Georges Point in Marseille von Hand abgezogen. A. Secunda geb. 1927 in New Jersey, USA, studierte in New York Kunst bei Harry Sternberg, Reginald Marsh u. Julian Levi. Europaaufenthalt bei Ossip Zadkine (Skulptur) u. André L?Hote (Malerei). Über 150 Ausstellung in in der ganzen Welt, vor allem in New York, Paris, Basel u. Köln. Zahlreiche Museen wie z. B. das MOMA in New York, das Chicago Art Institute, Detroit Art Institue, Tel Aviv Museum, usw. besitzen Werke von ihm. Text. Franz./Engl. 1200 gr. Schlagworte: Illustr. Bücher - Originalgrafik.
Verlag: San Francisco: John Irwin, 1962-1963, 1963
Anbieter: Laurence McGilvery, ABAA/ILAB, La Jolla, CA, USA
Erstausgabe
12 original issues, unbound as issued, in decorated paper covers. When the first sample copy of the June 1962 issue of Artforum arrived in the mail during the summer of 1962, with its mostly exclusive emphasis on California exhibitions, I thought it doomed. How wrong can one be? Even that issue, however, featured an article on Jean Tinguely and George Rickey and a review of Edward Kienholz, both by Arthur Secunda, plus Alfred Frankenstein on Mark Tobey. By the end of the year, the magazine already was spreading its horizon, with Kate Steinitz on fantastic architecture and John Coplans on the first US museum show of Pop Art, "The New Paintings of Common Objects," at the Pasadena Art Museum, with works by Warhol, Lichtenstein, Ruscha, and others. Artforum quickly developed into the world's most influential publication for new art and its leading advocate. Indeed, the enthusiasms of its editors and writers shaped much of the course of contemporary art in those and later years. In her anthology, Looking critically: 21 years of Artforum magazine (1984), Associate Publisher Amy Baker Sandback wrote: ".what would later be tagged as Pop, Minimal, Earthwork, Neo-Expressionism, and New Wave was introduced while the artworks were as yet unknown to the general public and before they had been defined by a body of criticism." These early issues are virtually impossible to assemble today because of the scarcity and fragility of many of the issues. This is the last complete volume one I can supply, though I do have a very few single copies of many of them. The set overall is in good to fine condition; obvious defects are as follows: no.1, June 1962, has a rough spine, some cover wear, and a few small, marginal cover tears; no. 2, July 1962, has an irregular line down the front cover caused, I think, by the original packaging from the printer, plus a partial bulk rate postal label; no. 3 has a bad spine, substantial handling wear, and a large corner torn out of the back cover; it and no. 2 were by far the smallest printings of any issue; no. 4 has the volume and number plus the artist-suscriber's name written on the front cover, plus his name on first leaf; no. 7 is a bit worn on the cover and has the volume and number written on the front cover by the same artist; no.8 has a little fading at the spine and some handling wear; no. 12 has minor handling wear. The others are near-fine to fine. The murky scan on no. 1 is one of Jean Tinguely's self-destroying sculptures in action. The other two fully visible scans are no. 5, a sketch by Joan Miró, and no. 9, a portrait by Egon Schiele. All the Artforum covers are visible in their archive, for which I cannot provide a link or address. For further detailed information, please see my free, on-line Artforum Index, 1962-1968.