ROGER ELIOT FRY (49 Ergebnisse)

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition; First Printing. Artist's Library, No. 2.; 0.71 x 9.51 x 6.38 Inches; 112 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good.

Zustand: New. pp. 65.

Hardcover. Zustand: Very Good. Ursus Press 1995-03-01 00:00:00 Binding: Hardcover NF. in NF dj dj in mylar 66+pagesplate. Illustrated by illus. reprint edition. 8vo.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Good+. Artist's Library, No. 2. ; 6.5 X 0.5 X 9.75 inches; 66 + plate pages; B&W illustrations. The main and only defect is a light water stain having discolored the bottom edge of textblock by causing the cover edge to lightly bleed onto the pages and heavily discolor the inside of the DJ. The stains inside the DJ are not visible when the DJ is on the book. Fair to Good condition. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence. 1st Edition (Unstated); No Printing Stated.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Like New. Zustand des Schutzumschlags: Like New. First Edition. First Edition, First Printing. Published by Ursus Press, 1995. Octavo. Black cloth boards stamped in gold. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. 66 pages plus plates. ISBN: 9781883145033. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fair. First Edition. First edition. Chipped at head, heel, corners and small area at edge of spine. Some spotting. May require additional postage. Quarto, black cloth. Due to size or weight, this item may require additional postage for international or priority shipping.

First Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new.; 224 pages; Physical desc. : 224 p. : col. ill. ; 27 cm. Published on the occasion of an exhibition held at The Courtauld Gallery, Courtauld Institute of Art, 15 Oct. 1999-23 Jan. 2000. Includes bibliographical references and index. Includes also works by Seurat, Cezanne, Duncan Grant, Omega Workshop, and others. Subject: Fry, Roger Eliot (1866-1934) --Exhibitions --Criticism and interpretation --Art, Modern --20th century --Great Britain. Summary: The leading critic of contemporary art writing in English in the first half of the twentieth century, Roger Fry defined what made art modern in Britain and America. It was Fry who coined the term "Post-Impressionism" and created a sensation in London with two shows of the new art from France in 1910 and 1912. Fry was an extraordinarily versatile figure - a popularizer and scholar, art historian and art scribe, exhibiting painter and museum curator, restorer and impresario, member of the establishment and rebel, thinker and doer. He worked on both sides of the Atlantic, in London and at the Metropolitan Museum of Art in New York. This book brings together and reveals the interplay of all the elements of Fry's personality and influence, examining the formation of his views, his relationship with other critics, his art historical and museum activity, the ideals of the Omega design workshop he founded, his own paintings and collaborative murals and his views of the 'primitive': children's art, non-Western art, paleolithic art. This book concludes with Fry's own words - the text of a hitherto unpublished 'Lecture on Design', which reveals some key tenets of his mature thought. The book accompanies a major exhibition at the Courtauld Gallery in London, and contains essays by a number of distinguished scholars and writers, led by Christopher Green, with specialist knowledge of Fry's different fields of activity. 4 Kg.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very Good.

unknown_binding. Zustand: Good. Fast Despatch Soft Covers - will send out 2nd class tracked post within 12 hours of receipt of order.

1st Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description: xii, 215 pages: ill, plates. Subjects: Painting, French.Painting, Flemish. Painting, British. Art history. 3 Kg.

Paperback. Zustand: Good. Covers a bit worn.

Zustand: New.

First Edition. Provenance: Bookplate of Joseph Bonus. Good copy in the original title-blocked cloth-backed paper-covered boards. Spine bands and panel edges somewhat dulled and rubbed as with age. Boards somewhat suntoned. Remains quite well-preserved overall. Series: The Artist's library. Physical description: [8] ,48 p. : 23 plates ; 22cm. Subjects: Bellini, Giovanni ; Criticism and interpretation. Renaissance painters, Italy. 3 Kg.

Zustand: New. In.

Zustand: Very good.

Zustand: New. In.

Zustand: Sehr gut. XIII, 66 p., plates. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Somewhat rubbed/stained jacket, otherwise very good and clean. / Etwas beriebener/angeschmutzter Umschlag, sonst sehr gut und sauber. - Giovanni Bellini is being published for the first time since 1901. Highly popular at the time of its original publication (three editions were published between 1899 and 1901), Roger Frys monograph was instrumental in rescuing Bellini from the oblivion of a Victorian-era reputation by reinterpreting and revaluing his art for an early twentiethcentury audience. Giving a succinct but definitive view of Bellinis career, Fry not only brought to bear the new scientific connoisseurship in his analysis of individual pictures and their chronology, but he also brought a keen interest into Bellinis innovative use of semi-transparent oil glazes, the psychological depth of his subjects, and Bellinis profound sensitivity to nature. As a painter himself, Fry had the critical advantage of studying Bellini with a sympathy deepened by his own close awareness of aesthetic problems. Roger Frychampion of modernism, a member of the Bloomsbury Group, founder of the Omega Workshops, and author of important monographs on Cézanne and Matissethus began his career in the elite but highly competitive group of critics and connoisseurs who were engaged in the massive aesthetic revisionist project of clarifying Italian Renaissance art. Bernard Berenson, the foremost figure in this undertaking, was Frys mentor. Giovanni Bellini was Frys first book. It is now available again after almost one hundred years and provides not only an original and compelling view of the Venetian Renaissance master, but also a more complete perspective on the career of Roger Fry. - David Alan Brown is Curator of Italian Renaissance Painting at the National Gallery of Art, Washington. He has organized major exhibitions on Bernard Berenson, Raphael, and Titian. He is the author of Andrea Solario (Milan, 1987), an award-winning monograph with catalogue raisonné. - Hilton Kramer is co-founder and editor of The New Criterion; he is also the art critic of the New York Observer and writes regular columns for Art & Antiques and the New York Post. His criticism has been collected in two volumes: The Age of the Avant-Garde (1973) and The Revenge of the Philistines (1985). ISBN 9781883145033 Sprache: Englisch Gewicht in Gramm: 360 Original cloth with dust jacket.

Leinen. Zustand: Gut. 28 x 19,5 cm XVI, 103 S. Gewebeeinband (Gelber Leinen). Mit 23 Farbtaf. u. 62 einfarb. Bildtaf. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Seiten altersbedingt stellenweise gering braunfleckig; Schnitt ist geringfügig braunfleckig, Kopffarbschnitt in Schwarz; Einband (Außen) hat geringe bis leichte Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

Zustand: New.

Zustand: New.

Zustand: New. In.