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Verlag: London Brüssel FGMoon L Hague, 1841
Anbieter: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Deutschland
Kunst / Grafik / Poster Erstausgabe Signiert
Lithographie auf cremefarbenen Bütten. Im Stein bezeichn., signiert u.datiert. 48 x 32, cm. Bildformat. 60,5 x42,5 cm Blattformat. sehr guter Zustand., very slightly foxed, nice condition. Es handelt sich bei dieser Orginal-Grafik um die großen, beindruckenden Formate der Erstausgabe. Prachtvolles Blatt. Sprache: Deutschu 1,100 gr.
Verlag: London Brüssel FGMoon L Hague, 1839
Anbieter: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Deutschland
Kunst / Grafik / Poster Erstausgabe Signiert
Lithographie auf cremefarbenen Bütten. Im Stein bezeichn., signiert u.datiert. 48,5 x 32,5 cm. Bildformat. 60,5 x42,5 cm Blattformat. sehr guter Zustand., very nice condition. Es handelt sich bei dieser Orginal-Grafik um die großen, beindruckenden Formate der Erstausgabe. Prachtvolles Blatt. Sprache: Deutschu 1,100 gr.
Verlag: London Brüssel FGMoon L Hague, 1842
Anbieter: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Deutschland
Kunst / Grafik / Poster Erstausgabe Signiert
Lithographie auf cremefarbenen Bütten. Im Stein bezeichn., signiert u.datiert. 50 x 35,5 cm. Bildformat. 60,5 x42,5 cm Blattformat. some foxing, good condition. Es handelt sich bei dieser Orginal-Grafik um die großen, beindruckenden Formate der Erstausgabe. Prachtvolles Blatt. Sprache: Deutschu 1,100 gr.
Verlag: London Brüssel FGMoon L Hague, 1839
Anbieter: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Deutschland
Kunst / Grafik / Poster Erstausgabe Signiert
Lithographie auf cremefarbenen Bütten. IOmStein bezeichn., signiert u.datiert. 51 x 35 cm. Bildformat. 60,5 x 42,5 cm Blattformat. little foxing, nice condition. Es handelt sich bei dieser Orginal-Grafik um die großen, beindruckenden Formate der Erstausgabe. Prachtvolles Blatt. Sprache: Deutschu 1,100 gr.
Verlag: London Brüssel FGMoon L Hague, 1841
Anbieter: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Deutschland
Kunst / Grafik / Poster Erstausgabe
Lithographie in 2 Farben auf cremefarbenen Bütten. Im Stein bezeichn. u.datiert. 49 x 35,5 cm. Bildformat. Blatt knapp bis in den Titel beschnitten. guter Zustand., nice condition. Es handelt sich bei dieser Orginal-Grafik um die großen, beindruckenden Formate der Erstausgabe. Prachtvolles Blatt. Sprache: Deutschu 1,100 gr.
Verlag: London Brüssel FGMoon L Hague, 1839
Anbieter: Neusser Buch & Kunst Antiquariat, Neuss, NRW, Deutschland
Kunst / Grafik / Poster Erstausgabe Signiert
Lithographie auf cremefarbenen Bütten. IOmStein bezeichn., signiert u.datiert. 50 x 33,5 cm. Bildformat. 60,5 x 42,5 cm Blattformat. sehr guter Zustand., very nice condition. Es handelt sich bei dieser Orginal-Grafik um die großen, beindruckenden Formate der Erstausgabe. Prachtvolles Blatt. Sprache: Deutschu 1,100 gr.
Verlag: F.G. Moon, 20 Threadneedle Street, London, 1849
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USA
1 vols. Image size 14 x 10 inches. Matted, in handsome gilt painted wood frame, glazed. Fine 1 vols. Image size 14 x 10 inches.
Anbieter: Antiquariat Werner Steinbeiß, München, Deutschland
Kunst / Grafik / Poster Signiert
Innenansicht der Grabeskirche in Jerusalem mit dem Schrein des Heiligen Grabes, davor zahlreiche Gläubige. Lithografie mit Tonplatte von David Roberts aus dem Monumentalwerk "The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia", London, 1842. Druck von Louis Haghe, dem besten und produktivsten Lithografen seiner Zeit. Unten links im Stein von Roberts signiert, bezeichnet und datiert (1839). 45,5 x 30 cm Blattgröße 58,5 x 43 cm. - leichter Bräungsrand, Montagespuren im oberen Rand, Darstellung sauber und gut erhalten Sprache: Englisch Gewicht in Gramm: 550.
Verlag: F.G. Moon, (London, 1849
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USA
1 vols. Image size 20 x 14-1/2 inches. Matted, in handsome gilt painted wood frame, glazed. Small stain and small tear at lower right, else fine 1 vols. Image size 20 x 14-1/2 inches.
Verlag: London, 1848
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USA
1 vols. 1 vols. Framed and glazed. Very handsome cream painted wooden frame.
Verlag: F.G. Moon, London, 1846
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USA
1 vols. 1 vols. Matted in cream frame and glazed.
Verlag: F.G. Moon, London, 1849
Anbieter: James Cummins Bookseller, ABAA, New York, NY, USA
1 vols. 1 vols. In handsome cream wooden frame, glazed.
Verlag: F.G. Moon 1846-9., London, 1846
Anbieter: Alexandre Antique Prints, Maps & Books, Toronto, ON, Kanada
Erstausgabe
Edition : First Edition., Contemporary black half morocco over pebbled cloth boards, spine gilt-lettered. , It is considered "the most ambitious and impressive of English books illustrated with lithographs" (Ray), this set transports the viewer to exotic Egypt and Nubia through the eyes of prolific Orientalist painter David Roberts. After moving to London in the 1820s to continue his career in theatrical scene-painting, Roberts began to exhibit his fine art paintings to critical accord and joined the Royal Academy in 1841. He embarked on a tour of the Middle East in 1838, returning home with numerous sketches from his adventure. Belgian engraver Louis Haghe produced a total of 248 lithographs based on Roberts' series of watercolors (after the sketches), which were originally published in monthly parts forming two commercially successful series: The Holy Land (1842-5) and Egypt and Nubia (1846-9)."Roberts's Holy Land was of the most important and elaborate ventures of nineteenth-century publishing, and it was the apotheosis of the tinted lithograph . there is pleasure to be had from many of the individual plates, where Haghe's skillful and delicate lithography, and his faithful interpretation of Robert's draughtsmanship and dramatic sense, combine in what are undoubtedly remarkable examples of tinted lithographic work" (Abbey). Roberts' attention to detail and texture, as well as his ability to evoke a sense of the epic or nostalgic must surely be attributed to his early jobs painting trompe l'oeil stonework and paneling and as a scenic painter for the theater. Even Ruskin praised his "absolutely careful and faithful" panoramas (Abbey). From the daily lives of modern Egyptians attending mosque prayers and shopping at the bazaar to glorious ancient ruins rising from desert sands, Roberts' emotive landscapes captured the hearts and imaginations of the British public. , Size : Folio (605 x 426 mm). , 3 titles with lithographed vignettes and 121 tinted lithographed plates by Louis Haghe after drawings by Roberts, and a map. , Volume : 3 volumes, Herbert Watney M.D., Buckhold, Berks (bookplates)., References : Abbey Travel 272; Ray 88; Tooley 402 A near fine set, text and plates are clean and crisp.
Verlag: F.G. Moon, c. 1842-43-46-49., London:, 1842
Anbieter: Alexandre Antique Prints, Maps & Books, Toronto, ON, Kanada
Erstausgabe
Edition : First Edition. , Contemporary cloth boards, rebacked tastefully with six raised bands and extensive gilt tooling., Text in English.The Scottish painter David Roberts RA, 1796 ? 1864, is perhaps best known for his oil paintings and lithograph prints of the Near and Middle East after his visit to the region during 1838?1840. During the second part of the 1820s, and in addition to English and Scottish scenes, Roberts painted views of prominent buildings in France and the Low Countries. By 1829 he was working full-time as a fine artist, exhibited the ?Departure of the Israelites from Egypt?, in which his style first became apparent. In 1831, the Society of British Artists elected him as their president and finally, in 1832, he began his travels to Spain and Tangiers. He returned at the end of 1833 with a supply of sketches that he elaborated into attractive and popular paintings. The British Institution exhibited his Interior of Seville Cathedral in 1834? He executed a fine series of Spanish illustrations for the Landscape Annual of 1836. Then in 1837 a selection of his ?Picturesque Sketches in Spain? was produced using lithography thus creating the present first edition work. Abbey writes: ?He in fact worked on every stone, the figures in many of them being entirely in his own drawing; ?some? of the stones he erased entirely, so that the work took him seven months, instead of two. ? During this time, J.M.W. Turner managed to persuade him to abandon scene painting and devote himself to becoming a full-time artist. Thus, in 1838, Roberts started on his tour of Egypt, Nubia, the Sinai, the Holy Land, Jordan and Lebanon producing a vast collection of drawings and watercolour sketches. Roberts worked with lithographer Louis Haghe from 1842 to 1849 to produce illustrated plates from these sketches. In 1851 and 1853, Roberts visited Italy. His last volume of illustrations, ?Italy, Classical, Historical and Picturesque?, was published in 1859. Roberts executed, by command of Queen Victoria, a picture of the opening of the Great Exhibition of 1851. In 1858 Roberts was presented with the freedom of the city of Edinburgh. The last years of his life were occupied with a series of views of London from the Thames. In 1838 Roberts made a long tour in the East, and accumulated a vast collection of sketches of Middle Eastern scenery which had been hardly touched by British artists before, and which appealed to the public with all the charm of novelty. The next ten years of his life were mainly spent in elaborating these materials. In February of 1839 he traveled to the Holy Land via Suez, Mount Sinai and Petra arriving in Gaza, and then on to Jerusalem. He ended his tour by spending several months visiting the biblical sites of the Holy Land, and finally returning to England at the end of 1839. An extensive series of drawings was lithographed by Louis Haghe in Sketches in the Holy Land and Syria, 1842-1849. Generally accepted as the finest illustrated work on the Near East, Major Abbey considered this set to be "one of the most important and elaborate ventures of nineteenth-century publishing, and the apotheosis of the tinted lithograph . there is pleasure to be had from many of the individual plates, where Haghe's skillful and delicate lithography, and his faithful interpretation of Robert's draughtsmanship and dramatic sense, combine in what are undoubtedly remarkable examples of tinted lithographic work." Roberts' attention to detail and texture, as well as his ability to evoke a sense of the epic or nostalgic must surely be attributed to his early jobs painting trompe l'oeil stonework and paneling and as a scenic painter for the theater. Even Ruskin praised his "absolutely careful and faithful" panoramas. , Size : Elephant folio (604 x 430, Illustrated with one (1) lithographed frontispiece portrait of Roberts by C. Baugniet, with hand coloured titles, one hundred twenty-one (121) full-page finely hand coloured lithograph plates, together with one hundred and twenty (120) hand coloured in-text lithograph plates, wood engraved armorial insignia of Jerusalem and two (2) full-page lithograph maps. , Volume : Six volumes in three. , References : Abbey Travel 152: 'Roberts's first published set of views'; 385 & 272; Ray English: 88; Tooley: 401-402; Burch: 195; Martin Hardie: 247. A fine and attractive set, clean and crisp with finely hand coloured plates.
Verlag: Artist: Roberts David ( - 1864 ) London ; issued in: London ; ca: 1880; - David Roberts is one of the most important vedute painters of the 19th century Thematically his work can be partially assigned to orientalism In 1832 on the advice of a friend Roberts traveled to Spain where he got to know almost all of the big cities and drew a large number of ruins and monuments In 1837 a selection of these vedute appeared under the title Picturesque Sketches of Spain This publication did not make him rich because his publisher had betrayed him but it was the basis for his permanent international reputation and gave him the acquaintance of the talented Belgian engraver Louis Haghe Robert's two-year stay in Spain which had taken him to Tangier eviden, 1796
Anbieter: Antique Sommer& Sapunaru KG, München, Deutschland
Kunst / Grafik / Poster
Technic: Wood engraving; colorit: original colored; condition: Perfect condition, size (in cm): 16 x 23,5 cm; - View shows Montmorency Falls, a waterfall in the Canadian province of Quebec. The Montmorency River plunges 83 metres over a rock face into the Saint Lawrence River.
Verlag: Artist: Roberts David ( - 1864 ) London ; issued in: London ; ca: 1839; - David Roberts is one of the most important vedute painters of the 19th century Thematically his work can be partially assigned to orientalism In 1832 on the advice of a friend Roberts traveled to Spain where he got to know almost all of the big cities and drew a large number of ruins and monuments In 1837 a selection of these vedute appeared under the title Picturesque Sketches of Spain This publication did not make him rich because his publisher had betrayed him but it was the basis for his permanent international reputation and gave him the acquaintance of the talented Belgian engraver Louis Haghe Robert's two-year stay in Spain which had taken him to Tangier eviden, 1796
Anbieter: Antique Sommer& Sapunaru KG, München, Deutschland
Kunst / Grafik / Poster
Technic: Lithography; colorit: original colored; condition: little stains, size (in cm): 24,5 x 33 cm; - View shows the ancient Egyptian temple at Gebel Garaba in Egypt. Before Roberts became famous for his pictures of Egypt and the Holy Land, he made a similarly long excursion to Spain in 1832/33 and returned with more than 200 sketches of Spanish monuments and places. These were used to produce lithographs that were published in four volumes of the Landscape Annual in 1835-38 and in a separate work, Picturesque Sketches in Spain, published in London in 1837 by Hodgson and Graves.; - Special feature: From "Roberts' Sketshes. The Holy-Land.".
Verlag: Artist: Roberts David ( - 1864 ) London ; issued in: London ; ca: 1839; - David Roberts is one of the most important vedute painters of the 19th century Thematically his work can be partially assigned to orientalism In 1832 on the advice of a friend Roberts traveled to Spain where he got to know almost all of the big cities and drew a large number of ruins and monuments In 1837 a selection of these vedute appeared under the title Picturesque Sketches of Spain This publication did not make him rich because his publisher had betrayed him but it was the basis for his permanent international reputation and gave him the acquaintance of the talented Belgian engraver Louis Haghe Robert's two-year stay in Spain which had taken him to Tangier eviden, 1796
Anbieter: Antique Sommer& Sapunaru KG, München, Deutschland
Kunst / Grafik / Poster
Technic: Lithography; colorit: original colored; condition: little stains, size (in cm): 33 x 49,5 cm; - Magnificent view of the port city of Suez in Egypt. Before Roberts became famous for his pictures of Egypt and the Holy Land, he made a similarly long excursion to Spain in 1832/33 and returned with more than 200 sketches of Spanish monuments and places. These were used to produce lithographs that were published in four volumes of the Landscape Annual in 1835-38 and in a separate work, Picturesque Sketches in Spain, published in London in 1837 by Hodgson and Graves.; - Special feature: From "Roberts' Sketshes. The Holy-Land.".
Verlag: Artist: Roberts David ( - 1864 ) London ; issued in: London ; ca: 1837; - David Roberts is one of the most important vedute painters of the 19th century Thematically his work can be partially assigned to orientalism In 1832 on the advice of a friend Roberts traveled to Spain where he got to know almost all of the big cities and drew a large number of ruins and monuments In 1837 a selection of these vedute appeared under the title Picturesque Sketches of Spain This publication did not make him rich because his publisher had betrayed him but it was the basis for his permanent international reputation and gave him the acquaintance of the talented Belgian engraver Louis Haghe Robert's two-year stay in Spain which had taken him to Tangier eviden, 1796
Anbieter: Antique Sommer& Sapunaru KG, München, Deutschland
Kunst / Grafik / Poster
Technic: Lithography; colorit: original colored; condition: Perfect condition, size (in cm): 28 x 39 cm; - View shows the city of Málaga with ships in front. Above the city is the Alcazaba, a Moorish fortress and palace complex.
Verlag: Artist: Roberts David ( - 1864 ) London ; issued in: London ; ca: 1807; - David Roberts is one of the most important vedute painters of the 19th century Thematically his work can be partially assigned to orientalism In 1832 on the advice of a friend Roberts traveled to Spain where he got to know almost all of the big cities and drew a large number of ruins and monuments In 1837 a selection of these vedute appeared under the title Picturesque Sketches of Spain This publication did not make him rich because his publisher had betrayed him but it was the basis for his permanent international reputation and gave him the acquaintance of the talented Belgian engraver Louis Haghe Robert's two-year stay in Spain which had taken him to Tangier eviden, 1796
Anbieter: Antique Sommer& Sapunaru KG, München, Deutschland
Kunst / Grafik / Poster
Technic: Lithography; colorit: original colored; condition: Perfect condition, size (in cm): 28 x 39,5 cm; - View shows historic bridge Puente de Toledo over river Manzanares in Madrid.
Verlag: [London], 13 Aug. 1844., 1844
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
8vo. 1 p. on bifolium. To Charles Beyer: "With great pleasure, I am my Dear Sir | Yours truly | David Roberts R. A.".
Verlag: Fitzroy Street, [15 March 1849]., 1849
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
8vo. 1 p. on bifolium. To his son-in-law Henry Bicknell, making arrangements to meet: "I have unfortunately accepted an invitation to dine with Lord Tenterden on Wednesday, had it been an other I would have endeavoured to get off - as it is I have done as you desired an pop'd Marochetti into the fire. With the exception of that and Saturday I am disengaged the rest of the week [.]". - In a postscript, he adds that "Turner called on Monday to say he would dine with you tomorrow having mistaken the day - he is to dine with your Governor [Henry Bicknell's father, the art collector Elhanan Bicknell] on Saturday". - Roberts enjoyed a close and warm relationship with his daughter and her husband, no doubt a compensation for his own unhappy marriage.
Verlag: Fitzroy St., Tuesday, dated in another hand: 10 June 1856., 1856
Anbieter: Antiquariat INLIBRIS Gilhofer Nfg. GmbH, Vienna, A, Österreich
Manuskript / Papierantiquität
Small 8vo. 1½ pp. on bifolium. To his daughter Christine, telling about a party that he has just had: "Mr White left this morning - after a pleasant party, got up for him last night, at last as far and I could judge the party being neither too large or too small, Chas Knight, Joe Arden, Peter Cuningham, Chas Landseer, Solomon Hart & John Leech [.]".
Verlag: WENTWORTH PR, 2016
ISBN 10: 1373301546ISBN 13: 9781373301543
Anbieter: Buchpark, Trebbin, Deutschland
Buch
Zustand: Wie neu. Zustand: Wie neu | Seiten: 392 | Sprache: Englisch.
Verlag: London & Edinburgh: A Fullarton & Co, 1833
Anbieter: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, Deutschland
Kunst / Grafik / Poster Erstausgabe Signiert
1. Original-Stahlstich von E. Finden (in der Platte signiert) nach dem berühmten Gemälde von David Roberts auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 8,5 x 13 cm, Kartongröße ca. 15 x 21 cm, im breiten Blattrand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und sehr gut erhalten, selten 2100 gr.
Verlag: WENTWORTH PR, 2016
ISBN 10: 1371730083ISBN 13: 9781371730086
Anbieter: moluna, Greven, Deutschland
Buch
Zustand: New.
Anbieter: Galerie Joseph Fach GmbH, Oberursel im Taunus, Deutschland
Kunst / Grafik / Poster
Zustand: sehr guter Zustand. Aquarell mit Deckweiß gehöht, über Bleistift, auf Zeichenkarton. 21,5:30,5 cm. Papier insgesamt etwas gebräunt, verso Reste alter Verklebung. Roberts hielt sich in Spanien 1832/33 auf, Anfang Mai 1833 erreichte er Sevilla. Möglicherweise besteht ein Zusammenhang mit Roberts Litho-Folge Picturesque Sketches in Spain". Vgl. dazu das Aquarell mit demselben Motiv in Hochformat in der Sammlung der Pierpont Morgan Library, New York (Inv. Nr. 1974.12).
Anbieter: Kunsthandel & Antiquariat Magister Ruß, Lechbruck, Deutschland
Kunst / Grafik / Poster
Zeichnung von Roberts; im Stein betitelt, bezeichnet und datiert; Tafel aus dem 2.Band von: The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia / from drawings made on the spot by David Roberts; F.G.Moon London 1844 [Das bekannte Blatt mit knapp beschnittenen Rändern, am oberen Blattrand mit kleineren Läsuren, am oberen linken Eck mit kleinem Schmutzstreifen und der Himmel mit einigen kleineren, kaum augenfälligen Quetschfalten. Die Rückseite mit Spuren ehemaliger Montierung. Der Zustand wurde im Preis berücksichtigt.].
Verlag: Steimatzky, Bnei-Brak, 1994
Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. Quarto; VG/VG; Hardcover with DJ; DJ spine, white with black print; DJ is clean and bright; Boards in brown cloth with gold print, clean and strong; Text block clean and tight; 270 pages, frontispiece, illustrated (color). [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to weight restrictions. For international/expedited customers, please inquire for rates] NOTE: Shelved in Room X, Case #3-4. 1358411. FP New Rockville Stock.
Verlag: ohne Orts- und Jahresangabe um, 1834
Anbieter: historicArt Antiquariat & Kunsthandlung, Wiesbaden-Breckenheim, Deutschland
Kunst / Grafik / Poster Signiert
1. Original-Stahlstich von Carter (in der Platte signiert), nach einer Zeichnung von David Roberts auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 10,5 x 15,5 cm, unter Schrägschnitt-Passepartout montiert und unter Glas gerahmt, Rahmengröße ca. 19,5 x 23,5 cm, extrem feiner und detailreicher Stich, sauber und sehr gut erhalten 1100 gr.
Verlag: Mid 19th Century
Anbieter: Sulis Fine Art, Corsham, Vereinigtes Königreich
Kunst / Grafik / Poster
Zustand: used. A lithograph by Louis Haghe (1806-1885) after David Roberts RA RBA (1796-1864) depicting the entrance to the Tomb of the Kings of Judea. Roberts undertook a long tour in Egypt, Nubia, the Sinai, the Holy Land, Jordan, and Lebanon from August 1838 to May 1839, when he would have drawn this scene. On his return to Britain, Roberts worked with lithographer Louis Haghe from 1842 to 1849 to produce the lavishly illustrated plates of 'The Holy Land, Syria, Idumea, Arabia, Egypt, and Nubia', originally published as 'Sketches in the Holy Land and Syria', 1842-1849 and 'Egypt & Nubia' series. Inscribed with the title in plate to the lower-right corner. On card. Size: Medium (15-30cm) Framed: Yes Style: Realism.