ROBERT C DILLE (13 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Front free end page clipped. Binding is sound. This could have light cosmetic flaws, but remains in good condition. This book is from a library and may include stamps, tape, and markings. Dust jacket condition is Good. Secure packaging for safe delivery.

Hardcover. Zustand: VG-. 1st Bonanza Reprint Edition. A large, heavy book which will require extra shipping charges - cannot ship outside U.S.A.

hardcover. Zustand: Good.

Zustand: Fair. Acceptable condition. Acceptable dust jacket. Reading copy only. Hinges broken, text block detached, but present. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Hardcover. Zustand: Very good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDEmail or call for further information.

Zustand: BUONO. NOTA:sopraccoperta con strappi. / New York, Chelsea House cm.27x34, pp.370, illustrazioni prevalentemente bn. e in minima parte a colori. legatura editoriale cartonata con sopraccoperta figurata a colori. Introduction by Ray Bradbury.

Softcover. 288 p. Good condition. The pages are clean and without markings. Slight signs of storage and use. Corner slightly bumped. Binding unstable. The block comes apart easily, and some pages are almost loose. Outer fold slightly torn. Spine slightly damaged. Otherwise, a good copy. 9780891040620 Sprache: Englisch Gewicht in Gramm: 2000.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.

Hardcover. Zustand: Very Good. Dust Jacket Included. First Edition. Signed by Author. A VERY GOOD FIRST IN DJ. LAID IN SIGNATURE. Signed by Author(s).

Hardcover. Zustand: Very Good. Dust Jacket Included. First Edition. Signed by Author. A VERY GOOD FIRST IN DJ. SIGNED BY RAY. Signed by Author(s).

Hardcover. Zustand: Good. Good condition with ripped dust jacket. Pages are clean with no markings.