PHILIP EDWARD IRVING (6 Ergebnisse)

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Nr Very Good. Fifth Edition. Dustwrapper has one 1/2" closed tear and is now protected by a layer of clear, non adhesive plastic.

Softcover. Zustand: Very Good. Magazine. Cover by Paolo Lionni. [36]pp. Single sheets printed both sides and secured with two staples. The paper makes this issue particularly susceptible to toning. Very good with lower staple pull, typical toning, tiny nicks and tears, and a few small stains, without mailing address or stamps. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue guest edited by John Wieners and features contributions from di Prima, Jack Spicer, B. O'Driscoll, Sanders Russell, Philip Lamantia, John Reed, Kirby Doyle, David Rattray, Edward Freeman, David Posner, Allen De Loach, Bob Hartman, Robert Grenier, Charles Doria, Stephen Jonas, Alan Marlowe, Irving Rosenthal, Lewis Lipschitz, Howard Schulman, Elizabeth Sutherland, Joan Gilbert, Jeanne Phillips, Jan Balas, Shreela Ray, Shiela Plant, Madeline Davis, and Janine Pommey.

Softcover. Zustand: Very Good. Magazine. Cover by Paolo Lionni. (36)pp. Single sheets printed both sides and secured with two staples. The paper make this issue particularly susceptible to toning. Very good with lower staple pull, typical toning and stamps, writing and address label (of Frontier Press publisher Harvey Brown) on rear wrap. An influential mimeograph created by di Prima and LeRoi Jones featuring some of the most important poets of the 20th Century. Unlike other magazines, this so-called "newsletter" was distributed via a mailing list, many of which were noted poets, journalists, critics, publishers and artists. For this reason, most copies were hand addressed or affixed with a mailing label and stamp, and folded for mailing. This issue guest edited by John Wieners and features contributions from di Prima, Jack Spicer, B. O'Driscoll, Sanders Russell, Philip Lamantia, John Reed, Kirby Doyle, David Rattray, Edward Freeman, David Posner, Allen De Loach, Bob Hartman, Robert Grenier, Charles Doria, Stephen Jonas, Alan Marlowe, Irving Rosenthal, Lewis Lipschitz, Howard Schulman, Elizabeth Sutherland, Joan Gilbert, Jeanne Phillips, Jan Balas, Shreela Ray, Shiela Plant, Madeline Davis, and Janine Pommey.

[24] pp.; 42 x 29 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Second issue of Other Scenes & The New York Seer, published May 1968, edited by John Wilcock. Content include: word art by Charles Henry Ford; "Eartha, Baby. Who's [sic] Song You Gonna Sing?" by Hakim A. Jamal; "Men Who Can't Come Home"; "Manual for Draft-Age Immigrants to Canada;" "Smug!"; "Other Scenes;" "Tuli: Yiggers, Blonkies & Crackers," by Tuli Kupferberg; "The Antic Art by Ed Ruscha," by Irving Blum; "Taylor Mead: Stoned on Peanut Butter," by Jean-Jacques Lebel, with photos of Taylor Mead by John Chamberlain; "Why I Am Proud to Be an American," by Bingham Young; "Displacement," a two page comic; "Models," art by Sivent Lindblom; "Black Flower," by Ted Joans; a full page collage of photographs of Andy Warhol with an Andy Warhol quote and information about a Warhol exhibition held at Museet in Stockholm, February - March 1968; "Cuba Today," by Philip Russel and Dick Reavis; "Turn the Page;" "Fried Fish Country," Country Joe MacDonald and the Fish interviewed by Distant Drummer; "Censorshit," by Karol Ferster; "3rd Pinacle of Success," by Steve the Hawk; "You Can't Fake the Real Thing," letters; "Alex," by Alex Apostolides; "Those Loveable Peace-Nut," comic strip created by Tom Dunphy and Calypso Joe, drawn by Bill Stout; "Cultural Revolution," by Jimmy Plato; "They're Tearin' Down South Street," by DeMaio; "Love Games," by Dick Bagwell "Krassner," by The Fifth Estate. Cover photo by Billy Name. Fair. Recto, verso, and first page are detached with multiple tears along spine edge. Additional wear to recto including: 3.5 cm. loss to bottom edge, 1.2 cm. area of loss to bottom right corner, 4.2 cm. tear to left side edge, and 2.8 cm. of soiling with additional tears. Pages are yellowed and brittle with multiple tears throughout. Contents otherwise clean and unmarked.

Revised Final Script for the 1942 film. Two blue revision pages dated 8/8/42 paper clipped to the rear wrapper of the script. One the greatest Technicolor musicals produced by Fox in the 1940s, employing Harry James and his orchestra at their peak, and pulling out all the stops on the musical numbers. Featuring Carmen Miranda's version of "Chattanooga Choo-Choo" and the debut of the classic song "I Had the Craziest Dream." Red titled wrappers, noted as Revised Final on the front wrapper, rubber-stamped copy No. 47 and production No. 763, dated June 11, 1942. Distribution page present, with receipt intact. Title page present, dated June 11, 1942, noted as Revised Final. 131 leaves, with last page of text numbered 129. Mimeograph duplication, rectos only, with blue revision pages throughout, dated variously between 6/13/42 and 7/20/42. Pages Near Fine, wrapper Very Good, bound internally with two gold brads.