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Verlag: Pocket Books / Simon & Schuster, 1998
ISBN 10: 0671017586ISBN 13: 9780671017583
Buch
Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.
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Gebraucht ab EUR 5,48
Mehr entdecken Hardcover Softcover Erstausgabe Signiert
Verlag: Pocket Books, New York, New York, U.S.A., 1998
ISBN 10: 0671017586ISBN 13: 9780671017583
Anbieter: Vagabond Books, A.B.A.A., PASADENA, CA, USA
Buch Erstausgabe Signiert
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. FIRST. A FINE FIRST IN FINE DJ. inscribed by the author. Signed by Author(s).
Signiert
O'CONNOR, Carroll. [With Jean Stapleton]. All In The Family: Signed Photograph. An original 8-inch by 10-inch black & white photograph of a scene from television's famous "All In The Family" series. Signed inscription by Jean Stapleton and Carroll O'Connor: "To Steve, warmest wishes, Jean Stapleton/ Very best to Steve- Carroll O'Connor." These are authentic, hand-signed signatures- not facsimiles or reproductions. Nice condition. $250.00.
Verlag: Warner-Pathe Distributors, London, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage full-color British front-of-house card from the UK release of the 1966 US film. Set during the Korean War, about an Italian nurse (Lisi) who falls in love with two fighter pilots (Curtis and Scott). 8 x 10 inches. A vertical crease to the middle, else Near Fine.
Verlag: Koch Media GmbH - DVD, 1999
Anbieter: NEPO UG, Rüsselsheim am Main, Deutschland
0,0 x 0,0 x 0,0 cm, DVD. Zustand: Gut. 1 DVD Gebrauchte DVD ! Kann Aufkleber und oder Kratzer haben Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 469.
Verlag: Tandem Productions, Los Angeles, 1978
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
First Draft script for the season 9, episode 9, "Return of the Waitress," of the classic television series, which aired on November 26, 1978. Script preceded by a "Rehearsal and Tape Schedule," a three-page "Rundown," and a "Cast" and "Sets" page. Denise (Janis Paige), the waitress hired by bartender Harry at Archie's Place, is the woman with whom Archie nearly had an affair. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated October 23, 1978, noted as FIRST DRAFT, with credits for screenwriters Milt Josefsberg and Phil Sharp, and director Paul Bogart. 42 leaves, with last page of text numbered II-IV-36. Mimeograph duplication, rectos only. Pages Very Good plus, unbound, attached with metal clip to top left.
Verlag: Tandem Productions, Los Angeles, 1978
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Final Draft script for the season 9, episode 4, "What'll We Do with Stephanie?," of the classic television series, which aired on October 15, 1978. Script preceded by a "Rehearsal and Tape Schedule," a two page "Rundown," and a "Cast" and "Sets" page. Archie and Edith must decide what to do when Stephanie's father fails to return for his daughter. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Yellow titled self wrappers, integral with title page, dated September 14, 1978, noted as FINAL DRAFT, with credits for screenwriters Larry Rhine and Mel Tolkin, and director Paul Bogart. 39 leaves, with last page of text numbered II-II-33. Mimeograph duplication, rectos only. Pages Near Fine, unbound, attached with metal clip to top left.
Verlag: Tandem Productions, Los Angeles, 1978
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
First Draft script for the season 9, episode 6, "Weekend in the County," of the classic television series, which aired on October 29, 1978. Script preceded by "Cast" and "Act" page. Missing one page, likely as used or issued. The Bunkers spend a weekend in a fishing cabin with the bickering Hefners (Estelle Parsons and Allan Melvin). Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated August 15, 1978, noted as FIRST DRAFT, with credits for screenwriters Phil Sharp and Milt Josefsberg, and director Paul Bogart. 47 leaves, with last page of text numbered II-III-41. Mimeograph duplication, rectos only, with pink and green revision pages throughout, dated variously between 8/15/78 and 8/16/78. Pages Very Good plus, unbound, attached with metal clip on top left.
Verlag: Tandem Productions, Los Angeles, 1978
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
First Draft script for the season 9, episode 1, "Little Miss Bunker," of the classic television series, which aired on September 24, 1978. Script preceded by a "Rehearsal and Tape Schedule," a two page "Rundown," and a "Cast" and "Sets" page. Edith's cousin Floyd (Marty Brill) abandons his nine year old daughter Stephanie (Danielle Brisebois) with the Bunkers. This episode introduces the character of Stephanie who became a regular for the final season, following the previous season's departure of Mike and Gloria. Winner of 22 Primetime Emmy Awards, it was nominated 55 times, and is one of the few shows in which all the leads won Emmys. The show is credited with having the most spin-offs for a prime time television series, directly spawning "Maude," "The Jeffersons," "Archie Bunker's Place," "Gloria," and "704 Hauser." Blue titled self wrappers, integral with title page, dated August 22, 1978, noted as FIRST DRAFT, with credits for screenwriters Mel Tolkin and Larry Rhine, and director Paul Bogart. 41 leaves, with last page of text numbered II-III-36. Mimeograph duplication, rectos only. Pages Near Fine, unbound, attached with metal clip to top left.
Verlag: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1967
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Vintage reference photograph from the 1967 film, showing actor Lee Marvin in a crowd. Annotations in manuscript ink on the verso. Based on the 1963 novel "The Hunter" by Donald E. Westlake. An unapologetic, nihilistic work, one of the gems of early neo-noir and a foundational late 1960s crime film, setting the stage for the New Hollywood era. Viewers and critics have often questioned whether or not the film is really a dream that its protagonist has after he is shot in the very beginning. Director John Boorman claims to not have an opinion on the matter, and has said that the film is about the lead character's dehumanizing experiences during World War II. 10 x 8 inches. Faint wear to the finish on the left edge, else about Near Fine. National Film Registry. Grant US. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Silver and Ward Neo-Noir US. Spicer Neo-Noir US.
Verlag: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1966
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Manuskript / Papierantiquität
Early Draft script for the 1967 film, seen here under the working title "Point Blank!" The lead character, named Parker here (as he was in the novel), was renamed Walker in the finished film (the role played by Lee Marvin). A foundational crime film of the late 1960s, setting the stage for the New Hollywood era. A blunt, unapologetic, nihilistic work, one of the gems of early neo-noir, with touches of French New Wave. Viewers and critics have often questioned whether or not the film is really a dream that its protagonist has after he is shot in the very beginning. Director John Boorman claims to not have an opinion on the matter, and has said that the film is about the lead character's brutalizing experiences in World War II that had dehumanized him and left him desperately searching for his humanity. The film's oblique final sequence, wherein Parker/Walker realizes he has been unknowingly eliminating the competition for a shadowy figure who now wishes to hire him, was not developed at this stage of the script's history. The ending instead adheres more closely to that of the novel. Goldenrod titled wrappers, rubber-stamped copy No. 6, dated December 5, 1966, with credits for screenwriters Rafe Newhouse and David Newhouse. Title page integral with front wrapper. 91 leaves, with last page of text numbered 91. Mimeograph duplication, rectos only, all leaves dated variously between 12/4/66 and 12/9/66. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. Housed in a green cloth clamshell box. Grant US. Silver Classic Noir. Spicer US.
Verlag: Vanguard Productions / Warner Brothers, Burbank, CA, 1943
Anbieter: Royal Books, Inc., ABAA, Baltimore, MD, USA
Four vintage studio still photographs from the 1962 film. One photograph with a provenance stamp on the verso. Based on the 1919 novel by Albert Payson Terhune. A couple enters their collie dog into a dog show not knowing it has been rigged against them by their neighbor. The neighbors young daughter takes a great liking to the dog. 8 x 10 inches. Near Fine.