Moore stephens (29 Ergebnisse)

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good - Trade. Stock photos may not look exactly like the book.

Paperback. Zustand: Very Good - Trade. Stock photos may not look exactly like the book.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Good. Ex library copy with usual stamps & stickers . Minor shelf wear Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. New edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. pp. 144 4 Illus.

Paperback. Zustand: Brand New. reprint edition. 144 pages. 7.72x5.12x0.63 inches. In Stock.

Zustand: New. In English.

4° (26x21), 240 p., with 63 textfigures and 153 ill on plates, publisher's pictorial softcover, tight and clean, well cared, nearly as new, * * * EU-AUSLAND: Wir versenden nach Österreich und nach Frankreich - kein Versand in die restlichen EU-Länder möglich ** due to EPR-Restrictions NO SHIPPING within the EU except to France and to Austria * * * BTC on-chain & lightning accepted * * *.…

Soft cover. Zustand: Very Good. Cch Group 2005 large paperback 910 pages some shelfwear to covers but is A BRAND NEW BOOK UNUSED. Full refund if not satisfied. 24 hour despatch. EXTRA POSTAGE FOR INTERNATIONAL AIRMAIL OUTSIDE EUROPE OTHERWISE WILL GO SURFACE MAIL.

First Edition. First edition. Oblong softcover. 219 pages. Published in conjunction an exhibition. Text in Italian. Features contributions by Chris Stephens, Sileno Salvagnini, Antonello Negri, Davide Colombo and Giorgio Zanchetti. Includes numerous color illustrations. A clean near fine in French style wrappers. From the library of actress and photographer Diane Keaton with a small Bonhams sale bookplate affixed to the verso of the front cover. A nice copy with an interesting provenance.…

Paperback. Zustand: Brand New. 184 pages. 10.00x7.00x0.00 inches. In Stock.

Paperback. Zustand: Brand New. 184 pages. 10.00x7.00x0.00 inches. In Stock.

Paperback. Zustand: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Taschenbuch. Zustand: Neu. Neuware -This schools' edition of Mark Haddon's multi-award-winning novel adapted for the stage of the National Theatre by Simon Stephens is perfect for Key Stages 3 and 4. Featuring the play script from the Modern Plays edition but with the language adjusted for school use\*, this edition includes a wealth of classroom activities for the English and drama classrooms.Christopher, fifteen years old, stands beside Mrs Shears's dead dog. It has been speared with a garden fork, it is seven minutes after midnight, and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain and is exceptional at maths, but he is ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But Christopher's detective work, forbidden by his father, takes him on a frightening journey that turns his world upside-down.This educational edition in Methuen Drama's Critical Scripts series has been prepared by national Drama in Secondary English experts Ruth Moore and Paul Bunyan. Building on a decade of highly effective work and publications endorsed by national organisations and supported by teachers and consultants across Britain, each book in the series: > meets the requirements at KS3 and GCSE> features detailed, structured schemes of work utilising drama approaches to improve literary and language analysis > places pupils' understanding of the learning process at the heart of the activities > will help pupils to boost English GCSE success and develop high-level skills at KS3> will save teachers considerable time devising their own resources.Simon Stephens's adaptation of Mark Haddon's bestselling, award-winning novel, The Curious Incident of the Dog in the Night-Time offers a richly theatrical exploration of this touching and bleakly humorous tale.\* The instances of stronger language have been tempered in this edition specifically for school use. Teachers may still wish to satisfy themselves that it is suited to the age of their pupils.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 150 pp. Englisch.…

Softcover/Taschenbuch. Zustand: Sehr gut. 1. Auflage. Anzahl Bände: 1 - Bd.Nr.: kA - Sprache: en - Einband: Broschur - Gewicht: 1070 - Illust.: kA - Zustand: Sehr gut - neuwertig. kA (illustrator).

Paperback. Zustand: Brand New. 200 pages. Portuguese language. In Stock.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. xi, 171 p. : ill. ; 24 x 31 cm. ; LCCN 82243296 ; LC E168 .E23 1982 ; OCLC 9281816 ; "This is number 323 of a Limited Edition of one thousand copies printed for the Greensboro Preservation Society" ; wine-colored soiled cloth with gold lettering, in soiled dustjacket with slight waterstaining ; SIGNED by author on front endpaper ; "We know neither when nor under what circumstances john walker fry took up photography as a hobby. His first pictures still extant are in an album marked 'album 2' and dated 1888. from that time on, he captured with his camera the life of his times. The photographic albums date from 1888 through the first two decades of the twentieth century.He was not a photographer by profession, he was a railway superintendent and bank president.enjoyed a special closeness to his daughters as their progress from infancy to childhood is revealed through a series of photographs which are vibrant with spontaneity and charm. Methods of travel held a fascination for him as he photographed the two great movers of the century, the locomotive and the steamship. Less imposing modes of transportation including bicycles, goatcarts, stagecoaches, buses, wagons, sailboats, and rolling chairs are also recorded, from a tender portrait of his eldest daughter cradling the family pet we are transported to the hustle and bustle of the newly constructed Brooklyn Bridge. An insightful moment is captured by Fry's lens as J. P. Morgan, Jr. absentmindedly pets his hunting dog; this is the same lens that will record the simple dignity of Napoleon Short, a faithful family servant. ; scenes photographed include Wardgap, Patrick County, Virginia, Fisher Park, Montezuma, Nelson County, Hunting, Fishing, Cape Fear, Yadkin, Orton Plantation, New York, Central Park, Brooklyn Bridge, World's Columbian Exposition, Chicago 1892, Atlanta Cotton States Exposition 1895, Savannah, Georgia, Atlantic City, New Jersey, St Augustine, Florida, Palm Beach, and the Louisiana Purchase Universal Exhibition 1903 ; scarce G/G. Book.…

Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. The deluxe issue, printed on handmade watermarked paper and limited to 250 copies. 8vo. 199pp. Brown buckram lettered in gold at the spine and upper board. Top edge gilt, others untrimmed. Some light partial toning to the endpapers. A virtually fine copy. No dust wrapper. A hefty selection of verse by Rupert Brooke ('The Old Vicarage, Grantchester'), Lascelles Abercrombie, Gordon Bottomley, G. K. Chesterton, W. H. Davies, Walter de la Mare, John Drinkwater, J. L. Flecker, W. W. Gibson, D. H. Lawrence, John Masefield, T. Sturge Moore, James Stephens and others. Originally published in 1912 (the very first book printed under the Poetry Bookshop imprint), this deluxe issue was produced in a uniform set with Georgian Poetry numbers 1-4, all published in 1923 and each volume limited to 250 copies. There is no change to the contents of any of the volumes, but the bibliographies have been updated to reflect subsequent publications. Woolmer A1b.…

Rare first printing in book form of Stephens' extemporaneous March 21, 1861 Cornerstone Speech delivered in Savannah shortly before Fort Sumter, published the same year, presenting a reporter's transcription from a Savannah newspaper, with Stephens calling the U.S. Constitution "a compact built on sand" and declaring the Confederate Constitution a "cornerstone" that rests on "the great truth that the negro is not equal to the white man, that slavery. is his natural and normal condition." Thick octavo, bound in contemporary three-quarter black morocco with gilt titles and raised bands to the spine, steel-engraved frontispiece portrait of General Winfield Scott and full-page portraits of Lincoln, Jefferson Davis, McClellan and others, together with full-page, folding, and in-text illustrations and maps, and large color folding map of "Colton's United States Shewing the Military Stations, Forts &c. Prepared by J.H. Colton. for the 'Rebellion Record." Bound without portraits of Stephens and Beauregard, as often. Featuring hundreds of pages with early printings of major Civil War documents, addresses, reports, general orders, resolutions, ordinances of secession, newspaper accounts, and much more. Speech in "Documents and Narratives": 44-49. In very good condition. Interior generally fresh with light scattered foxing. Soon after the secession of key southern states and the inauguration of Lincoln, and mere weeks before Fort Sumter, Alexander Stephens, vice president of the newly formed Confederacy, extemporaneously delivered his infamous Cornerstone Speech in Savannah on March 21, 1861. With no official printed version known to exist, this first publication in book form relies on the transcription by a local reporter that appeared in the Savannah Republican. Stephens began his controversial speech by calling the birth of the Confederacy "one of the greatest revolutions in the annals of the world." To historian Harry Jaffa, "Stephens' speech, more than any other, is the Gettysburg Address of the Confederate south. No utterance of the time reveals more fully the inner truth about the impending conflict. According to the new enlightenment proclaimed by Stephens, Washington's supposed enlightenment, reflected in the Declaration of Independence, was itself an 'age of ignorance and superstition'. This remarkable address conveys, more than any other contemporary document, not only the soul of the Confederacy but also of that Jim Crow South that arose from the ashes of the Confederacy" (New Birth of Freedom, 216-23). The main subject of the Cornerstone Speech was the Confederate Constitution, which, Stephens declared, 'has put to rest forever all the agitating questions relating to our peculiar institution, African slavery as it exists amongst us'. The national Constitution, Stephens argued, 'rested upon the assumption of the equality of races,' but it was a compact built on sand. By contrast, he asserted, the Confederacy's 'new government is founded upon exactly the opposite idea; its foundations are laid, its cornerstone rests, upon the great truth that the negro is not equal to the white man, that slaveryâ"subordination to the superior raceâ"is his natural and normal condition'" (Grant, "Slavery Debate" in Gray & Robinson, Companion to the Literature, 76). Later, "from his Fort Warren prison cell in Boston harbor in the summer of 1865, Stephens claimed he had been misquoted. 'The reporter's notes, which were very imperfect, were hastily corrected by me,' Stephens insisted, 'and were published without further revision and with several glaring errors'. If the Savannah reporter had misquoted Stephens, so had an Atlanta journalist just eight days earlier. On March 13, 1861 the Atlanta Southern Confederacy carried a lengthy report on a speech Stephens had delivered in that city the previous evening. The climax of the vice president's address came when he affirmed that the framers of the Confederate Constitution had 'solemnly discarded the pestilent heresy of fancy politicians, that all men, of all races, were equal, and we made African inequality and subordination, and the equality of white men, the chief corner stone of the Southern republic'" (Dew, Apostles of Disunion).…